Coronavirus: Iraqis have faced far too many curfews – but this time it is for their good
Having lived in Baghdad in 2003, I understand their frustration of being ordered to stay indoors. However, the current curfew is a collective action in a health crisis
In Baghdad in July 2003, an evening curfew was in full effect. From 11pm every night, people could not be on the streets. This lifted at 7am. The main purpose of the curfew seemed to be to regain some semblance of law and order after almost all of Iraq’s security apparatus – rightly feared under Saddam Hussein’s regime until its fall earlier that year – had been rapidly dismantled following the success of the US-led invasion.
I was usually careful about making sure that I left anywhere I was in the evening with plenty of time to spare to get to where I was staying, in the city's Karada neighbourhood. There were only two occasions on which I found myself out of the house after curfew.
A man walks past shops that are shuttered to help prevent the spread of the coronavirus, in central Baghdad, Iraq, last week. AP Photo
Curfews do send strong messages to a population. At the same time, curfews tell you that a situation is not normal
The first was because my planning fell down and, along with two colleagues from the newspaper I worked at, I had failed to secure a ride home in time from the hotel and its swimming pool, which we had been spending the evening beside. Taxi drivers were understandably no longer on the roads once curfew time drew near.
I feared two things most: being shot at by American troops seeing me out, or worse, being arrested by them and disappearing into the prisons that they ran. A lesser worry – but no less real – was the risk of criminals seeing us as an opportunity for a robbery or kidnapping.
That night, as we walked gingerly through the silent neighbourhoods of Baghdad, watching and listening for even the slightest sign of soldiers, I had a surreal experience.
A member of the Iraqi Civil Defence Corps disinfects the streets of Sadr City in Baghdad during the imposition of a curfew. AFP
I noticed that a laser sight, such as the ones used by American forces, had silently targeted my chest. I stopped and motioned to the others to get away. Frozen in fear, I waited for the sound of the rifle’s report that seemed inevitable. Instead, I only heard the laughter of children. Bored and having spotted us, these three boys had stood giggling at the door of their house as one of them pointed a laser pen at me. I could only laugh in relief but shouted at them to go back inside in the strongest language I could muster.
The second time was a deliberate flouting of the curfew. An interview with a high-ranking Iraqi official was offered at 11pm during a frantic phone call, but it had to be at his residence in the Mansour area. Believing the story to be worth it, my colleague and I jumped into the pick-up of a third’s and dashed through the empty, gloomy city with dry mouths and beating hearts.
A soldier wears a protective face mask as he stands guard on a street during a curfew imposed to prevent the spread of coronavirus disease (COVID-19) in Baghdad, Iraq. Reuters
Soldiers place barbed wire on a street during a curfew in Baghdad. Reuters
A soldier wearing a protective suit sprays disinfectants on a street. Reuters
A soldier disinfects an area in the capital Baghdad. AFP
Soldiers disinfect an area in the capital Baghdad amidst efforts against the spread of COVID-19. AFP
Shi'ite pilgrims make their way to Kadhimiya during a curfew imposed to prevent the spread of coronavirus. Reuters
Shi'ite pilgrims make their way to Kadhimiya during a curfew. Reuters
The usually busy Imam Ali Shrine in the central Iraqi holy city of Najaf is pictured empty. AFP
A general view of an empty street during precautionary measures against the novel coronavirus outbreak in the holy Shite city of Najaf. EPA
An aerial picture shows empty streets during precautionary measures against the novel coronavirus outbreak in central Baghdad. EPA
Soldiers deploy in the streets of Baghdad after the capital and some areas of the country imposed a week's curfew. AFP
Both times there were no repercussions. Yet I was lucky. All the nights I stayed in obeying the curfew were sound-tracked by sporadic machine gunfire, the rolling of tanks and the swooping of helicopters.
War was always lurking outside the front door. The curfew gave me a crumb of comfort. Actually, it turned out, despite my nightmare-filled and sketchy sleep, that I was in more danger during the day. Robbed at gunpoint at 7am, in the vicinity of mortars at lunchtime and dangerously pushed aside on the road by rushing armoured convoys of American soldiers in the afternoon.
Curfews do send strong messages to a population. I understood that I was safer indoors at night and because of the need for restrictions I also could not deny that the danger was real even if I wanted to. At the same time, curfews tell you that a situation is not normal. That might seem obvious. But in hindsight, how constructive was it to tell this to a population that had experienced the abnormality and suffering of living under Saddam?
The curfew meant that many people who stayed in absorbed what was going on outside the country through nightly sessions watching satellite TV, with its novel films and news programmes. A population denied this very mundane pastime (to most of us at least) relished the opportunity. It did, however, also underline that perhaps their own lives were lacking something they had been promised in the wake of the US invasion – freedom. Over time having a curfew may have only hardened the status quo of insecurity.
Curfews have once again become a feature of Iraqi life in the past few months, first in response to protests against the government last year and now in the face of the coronavirus pandemic.
These recent situations are not the same as what I experienced in 2003. Especially now. This time, measures such as the curfew are about a collective action in a health crisis. All countries are taking similar steps. Few would think a curfew ideal, but it is a necessity in extraordinary times. I am just so sorry that Iraqis have experienced too many of them to count.
Mustafa Alrawi is an assistant editor-in-chief at The National
GAC GS8 Specs
Engine: 2.0-litre 4cyl turbo
Power: 248hp at 5,200rpm
Torque: 400Nm at 1,750-4,000rpm
Transmission: 8-speed auto
Fuel consumption: 9.1L/100km
On sale: Now
Price: From Dh149,900
Terror attacks in Paris, November 13, 2015
- At 9.16pm, three suicide attackers killed one person outside the Atade de France during a foootball match between France and Germany - At 9.25pm, three attackers opened fire on restaurants and cafes over 20 minutes, killing 39 people - Shortly after 9.40pm, three other attackers launched a three-hour raid on the Bataclan, in which 1,500 people had gathered to watch a rock concert. In total, 90 people were killed - Salah Abdeslam, the only survivor of the terrorists, did not directly participate in the attacks, thought to be due to a technical glitch in his suicide vest - He fled to Belgium and was involved in attacks on Brussels in March 2016. He is serving a life sentence in France
The Nobel Prize was created by wealthy Swedish chemist and entrepreneur Alfred Nobel.
In his will he dictated that the bulk of his estate should be used to fund "prizes to those who, during the preceding year, have conferred the greatest benefit to humankind".
Nobel is best known as the inventor of dynamite, but also wrote poetry and drama and could speak Russian, French, English and German by the age of 17. The five original prize categories reflect the interests closest to his heart.
Nobel died in 1896 but it took until 1901, following a legal battle over his will, before the first prizes were awarded.
Non-profit arts studio Tashkeel launched this annual initiative with the intention of supporting budding designers in the UAE. This year, three talents were chosen from hundreds of applicants to be a part of the sixth creative development programme. These are architect Abdulla Al Mulla, interior designer Lana El Samman and graphic designer Yara Habib.
The trio have been guided by experts from the industry over the course of nine months, as they developed their own products that merge their unique styles with traditional elements of Emirati design. This includes laboratory sessions, experimental and collaborative practice, investigation of new business models and evaluation.
It is led by British contemporary design project specialist Helen Voce and mentor Kevin Badni, and offers participants access to experts from across the world, including the likes of UK designer Gareth Neal and multidisciplinary designer and entrepreneur, Sheikh Salem Al Qassimi.
The final pieces are being revealed in a worldwide limited-edition release on the first day of Downtown Designs at Dubai Design Week 2019. Tashkeel will be at stand E31 at the exhibition.
Lisa Ball-Lechgar, deputy director of Tashkeel, said: “The diversity and calibre of the applicants this year … is reflective of the dynamic change that the UAE art and design industry is witnessing, with young creators resolute in making their bold design ideas a reality.”