Rupert Murdoch apologises for cartoon depicting Netanyahu building wall of blood


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LONDON // The media baron, Rupert Murdoch, has apologised for a Sunday Times cartoon depicting the Israeli leader, Benjamin Netanyahu, building a wall using blood-red mortar, an image Jewish leaders said was reminiscent of anti-Semitic propaganda.

The political cartoon, which was published on Holocaust Memorial Day, shows Mr Netanyahu wielding a long, sharp trowel and depicts agonised Palestinians bricked into the wall's structure. It was meant as a comment on recent elections in which Mr Netanyahu's ticket narrowly won the most seats in the Israeli parliament.

"Will cementing the peace continue?" the caption read, a reference both to the stalled peace process and Israel's separation barrier, a complex of fences and concrete walls that Israel portrays as a defense against suicide bombers but which Palestinians say is a land grab under the guise of security.

Mr Murdoch wrote on Twitter that the cartoonist, Gerald Scarfe - a veteran artist who frequently depicts blood in his work - did not reflect the paper's editorial line. "Nevertheless, we owe (a) major apology for (the) grotesque, offensive cartoon," Murdoch tweeted.

Jewish community leaders were particularly disturbed by parallels they saw between the red-tinged drawing and historical anti-Semitic propaganda - in particular the theme of "blood libel", the twisted but persistent myth that Jews secretly use human blood in their religious rituals.

Their anger was heightened by the cartoon being published on a day meant to commemorate the communities destroyed by the Nazis and their allies in the mid-20th century.

The Board of Deputies of British Jews, which represents the country's roughly 265,000-strong Jewish community, said it had lodged a complaint with the UK press watchdog.

The deputies said that the depiction of a Jewish leader using blood for mortar "is shockingly reminiscent of the blood-libel imagery more usually found in parts of the virulently anti-Semitic Arab press". Israel's ambassador to Britain echoed the statement, while the speaker of Israel's parliament, Reuven Rivlin, wrote to his UK counterpart to express "extreme outrage".

Murdoch's News International, which publishes The Sunday Times, said Mr Scarfe was not available for comment.

The paper's acting editor, Martin Ivens, said that insulting the memory of Holocaust victims or invoking blood libel was "the last thing I or anyone connected with The Sunday Times would countenance."

"The paper has long written strongly in defense of Israel and its security concerns, as have I as a columnist," Mr Ivens said. "We are, however, reminded of the sensitivities in this area by the reaction to the cartoon, and I will of course bear them very carefully in mind in future."

British political cartoons can be shocking to those used to tamer American drawings of donkeys and elephants slugging it out on Capitol Hill.

Distorted features, blood and excrement are commonplace. A former prime minister, Tony Blair, a once-popular leader whose reputation was badly damaged by his decision to support the US invasion of Iraq, was often depicted with ghoulish features, sharpened fangs, or with his hands or mouth drenched in gore.

Mr Blair, who now serves as Middle East peace envoy and who has also been brutally lampooned in Mr Scarfe's cartoons, expressed "sharp reservations" about the drawing, according to a statement put out by Mr Netanyahu's office.

Mr Scarfe, whose career with The Sunday Times stretches back to the 1960s, often makes use of blood in his cartoons. The red fluid is splashed across his website and featured, for example, in a recent cartoon of the Syrian leader, Bashar Al Assad, who was pictured as a green, wraith-like creature drinking greedily from an oversized cup labeled "Children's Blood".

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Children who witnessed blood bath want to help others

Aged just 11, Khulood Al Najjar’s daughter, Nora, bravely attempted to fight off Philip Spence. Her finger was injured when she put her hand in between the claw hammer and her mother’s head.

As a vital witness, she was forced to relive the ordeal by police who needed to identify the attacker and ensure he was found guilty.

Now aged 16, Nora has decided she wants to dedicate her career to helping other victims of crime.

“It was very horrible for her. She saw her mum, dying, just next to her eyes. But now she just wants to go forward,” said Khulood, speaking about how her eldest daughter was dealing with the trauma of the incident five years ago. “She is saying, 'mama, I want to be a lawyer, I want to help people achieve justice'.”

Khulood’s youngest daughter, Fatima, was seven at the time of the attack and attempted to help paramedics responding to the incident.

“Now she wants to be a maxillofacial doctor,” Khulood said. “She said to me ‘it is because a maxillofacial doctor returned your face, mama’. Now she wants to help people see themselves in the mirror again.”

Khulood’s son, Saeed, was nine in 2014 and slept through the attack. While he did not witness the trauma, this made it more difficult for him to understand what had happened. He has ambitions to become an engineer.

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