The English singer Alison Moyet started out as one half of the influential synth-pop duo Yazoo. Hits such as <em>Only You </em>paved the way for a solo career, which began with her multimillion selling 1984 debut, <em>Alf</em>. Moyet's latest record, <em>the minutes</em>, packs sophisticated electronic pop, produced by Guy Sigsworth (Björk, Robyn, Madonna). <span class="s3"><strong>Why is your new album called <em>the minutes</em>? And why is the title in lower case?</strong></span> <span class="s2">I was in Amsterdam and I went to see the film <em>The Tree of Life </em>because I fancied a bit of Brad Pitt. The first half-hour is all planets exploding and cell division; there’s no real narrative. People were walking out but I stuck with it. </span> <span class="s2">Right at the end of the film there’s this scene that lifts your spirits immeasurably. It summed up how I feel at the age of 51, which is that our lives are about brilliant little minutes suspended in years. But those minutes aren’t necessarily very dramatic or specific, so I put the album title in small letters. </span> <span class="s4"><strong>What other themes does the record explore? </strong></span> <span class="s2">When I started out the age of 17, my lyrics were driven by that distraught <em>French Lieutenant’s Woman </em>thing, but that doesn’t relate to me as a human being any more. </span> <span class="s2">I’m not looking for romantic love and I don’t need that anymore to define myself, so I think the main theme on this record is schizophrenia. Songs such as <em>Remind Yourself </em>and <em>When I Was Your Girl </em>are about the opposing dialogues within oneself. There’s a lot of that with me. </span> <span class="s3"><strong>The lyrics of the last song, <em>Rung by the Tide</em>, are especially intriguing.</strong></span> <span class="s2">Yes, that one’s a bit different. I was researching how, in the Middle Ages, great swathes of the English coastline fell into the sea and priories and monasteries and their bell towers were lost. </span> Then I started to think about what it would feel like to be a bell [laughs]. I thought, maybe the bell would be completely delighted about it. Maybe the bell thought: “All this time you’ve told me when I could sing and when I could stop, but now that’s over.” <span class="s4"><strong>When you formed Yazoo with Vince Clarke in 1981, electronic music was still a brave new world. Can pop be as innovative today?</strong></span> <span class="s2">I don’t think there are any brave new worlds in music anymore. I can’t imagine where it would come from. I think the only shocks will come from us being moved by what we are hearing. </span> <span class="s4"><strong>You sang the Marvin Gaye hit <em>That’s The Way Love Is </em>with Paul Young at Live Aid in 1985. What are your memories of that day?</strong></span> <span class="s2">I thought it was at Wembley Arena, so I was really confused when they put me in a helicopter to Wembley Stadium, sitting beside Bono and David Bowie. </span> <span class="s2">I remember Freddie Mercury waving at me and blowing kisses, and I did that thing where you look behind you because you don’t think he can be blowing them at you. </span> <span class="s2">Later, when I saw the footage of us all singing <em>Let It Be </em>with Paul McCartney, I was horrified. It looked as though I was hogging the mic from David Bowie.</span> <span class="s4"><strong>In 2001, you played Matron ‘Mama’ Morton in the stage musical <em>Chicago</em>. Was that a good experience? </strong></span> <span class="s2">Yes – it actually changed my life quite a bit. I have a tendency towards agoraphobia. If I don’t go out and work, I’ll stay home and not even answer the telephone. </span> <span class="s2">So when <em>Chicago </em>came up, I jumped at it. I was terrified, but at the same time I’m someone who will occasionally pull out a toenail to see if I can do it. It turned out to be great. I wasn’t the star; I was part of a collective and I loved that. It eradicated stage fright for me and it felt like a very normalising experience. </span> <span class="s4"><strong>You’re close to the actress and comedian Dawn French. What makes your friendship tick? </strong></span> <span class="s2">I have a social deficiency, like I say, but Dawn just put herself in my face until she was family. I’ve known her since I was 21. I’m her confidante. We met at Elvis Costello’s first wife’s birthday party. Dawn was over in the corner with Len [Lenny Henry, French’s then husband] and she asked me to dance. We’ve been friends ever since. </span> <span class="s4"><strong>Tell us something surprising.</strong></span> <span class="s2">I’m moving house at the moment, and the other day I threw all my gold discs in a skip. It felt very -liberating.</span> <strong>• Alison Moyet’s <em>the minutes </em>(Cooking Vinyl records) is out today</strong> Follow us Follow us on <a href="https://www.facebook.com/thenationalArtsandLife">Facebook</a> for discussions, entertainment, reviews, wellness and news.