<span>Hollywood's awards season is upon us – which means Oscars are drawing ever closer. The Academy Awards take</span><span> place earlier than usual next year, on Sunday, February 9</span><span>, which means studios have already gone into overdrive to ensure their films get "considered" by voters. This year looks like a straight battle between old-school gangsters (</span><span><em>The Irishman</em></span><span>), a divorcing couple (</span><span><em>Marriage Story</em></span><span>) and Batman's old enemy (</span><span><em>Joker</em></span><span>) for Best Picture.</span> <span>Then again, who knows? Last year, despite social media-fired mud slung in its direction, </span><span><em>Green Book</em></span><span> triumphed on the night to take the top prize. If a week is a long time in politics, it's even longer in </span><span>Academy Award</span><span> world. But for now, here</span><span>'s our guide to </span><span>the contenders, the dark horses and those likely to get snubbed at </span><span>next year's Oscars.</span> Favourite: <strong>The Irishman</strong><br/> Martin Scorsese's epic crime saga starring Robert De Niro as hitman Frank Sheeran has an end-of-an-era feel about it. Academy voters tend to get sentimental about these things, plus backers Netflix are desperate for a gong and will push it all the way. Sure-fire nominees: <strong>Joker, Bombshell, Marriage Story, Once Upon a Time … in Hollywood, Little Women, Parasite</strong>, <strong>The Two Popes</strong> After its Venice win and $1 billion box <span style="background-color:rgba(255, 255, 0, 0.3)"> </span>office, <em>Joker</em> leads the pack and will run <em>The Irishman </em>close. But don't discount Noah Baumbach's searing divorce drama <em>Marriage Story</em> or Jay Roach's Fox News drama <em>Bombshell</em>. The others – including Bong Joon-ho's brilliant Cannes-winning <em>Parasite</em> – are making up the numbers. Who will miss out: <strong>Jojo Rabbit</strong> <span>Taika Waititi's</span><span> Second World War-set satire, in which he plays an imaginary Hitler figure, won the People's Choice Award at Toronto this year, but Academy voters tend to shy away from comedy – especially hit-and-miss ones like this.</span> Dark horse: <strong>1917</strong> <span>Sam Mendes's </span><span>First World War drama, designed to appear like one continuous shot a la </span><span><em>Birdman</em></span><span>, is one of the last major contenders to be unveiled. But early responses are wildly enthusiastic.</span> Favourite: <strong>Joaquin Phoenix</strong> Surely Phoenix, already a three-time nominee, has this in the bag? His turn as Arthur Fleck, the man who becomes Batman’s nemesis the Joker, is astonishing. Oscar loves a transformation and there’s none better this year. Sure-fire nominees: <strong>Adam Driver, Edward Norton, Robert De Niro, Antonio Banderas</strong> <span>Driver should feel aggrieved. On any other non-</span><span><em>Joker</em></span><span> year, his turn in </span><span><em>Marriage Story</em></span><span> would </span><span>win him Best Actor. Meanwhile, Banderas won acting honours in Cannes</span><span> and deserves a first Oscar nod for </span><span><em>Pain and Glory</em></span><span>. Norton's Tourette</span><span> syndrome-sufferer in </span><span><em>Motherless Brooklyn</em></span><span> and De Niro's hitman in </span><span><em>The Irishman</em></span><span> will likely keep others out.</span> Who will miss out: <strong>Taron Egerton</strong> <span>He gives his all as singer Elton John in biopic </span><span><em>Rocketman</em></span><span>, but </span><span>Rami Malek's Oscar win this year for his role as Queen's Freddie Mercury in </span><span><em>Bohemian Rhapsody</em></span><span> means voters will probably look elsewhere.</span> Dark horse: <strong>Jonathan Pryce</strong><br/> Never nominated for an Oscar, Pryce would be a popular choice – and this turn as the future Pope Francis in <em>The Two Popes</em> is up there with his best work. Favourite: <strong>Renee Zellweger</strong> <span>Already an Oscar</span><span> winner for </span><span><em>Cold Mountain</em></span><span>, Zellweger's shattering turn as Hollywood </span><span>legend Judy Garland has been circled for the Best Actress winner ever since </span><span>the film </span><span><em>Judy</em></span><span> was first screened. Voters love </span><span>Zellweger and they love a tragic story about one of their own. </span> <span>Sure-fire nominees: Scarlett Johansson, Saoirse Ronan, Cynthia Erivo, Charlize Theron</span> <span>Johansson's heart-on-sleeve </span><span><em>Marriage Story</em></span><span> performance would walk it</span><span>, were it not for Zellweger. Theron already won an Oscar for transforming in </span><span><em>Monster</em></span><span>, so that might count against her sly work as Fox News anchor Megyn Kelly in </span><span><em>Bombshell</em></span><span>. Saoirse Ronan (</span><span><em>Little Women</em></span><span>) and Cynthia Erivo (</span><span><em>Harriet</em></span><span>) are solid outsiders.</span> <span>Who will miss out: <strong>Helen Mirren</strong></span> <span>She's great in </span><span><em>The Good Liar</em></span><span>, as a widower facing off against Ian McKellen's con</span><span> man, but the film's poor reviews will count against her.</span> <span> Dark horse: <strong>Awkwafina</strong></span> <span>One of this year's sleeper hits, </span><span><em>The Farewell </em></span><span>could well </span><span>ensure that the star </span><span>disrupts the party. Less as an uninvited guest and </span><span>more</span><span> an unexpected one.</span> <span>Favourite: <strong>Martin Scorsese</strong></span> <span>An eight-time Best Director nominee, Scorsese has only won once – for </span><span><em>The</em></span><span> </span><span><em>Departed</em></span><span>. Winning again for </span><span><em>The Irishman</em></span><span> will help further redress what has been one of the Academy's greatest </span><span>crimes.</span> <span>Sure-fire nominees: <strong>Bong Joon-ho, Quentin Tarantino, Noah Baumbach, Greta Gerwig</strong></span> <span>If anyone should knock Scorsese off the top, it's Baumbach – but he's likely to win Best Original Screenplay. The rest – including Tarantino's overly</span><span> indulgent </span><span><em>Once Upon a Time …in Hollywood</em></span><span> and Gerwig's </span><span><em>Little Women</em></span><span> adaptation – should </span><span>be happy to be there.</span> <span>Who will miss out: <strong>Marielle Heller</strong></span> <span>Unfairly frozen out for her wonderful </span><span><em>Can You Ever Forgive Me?</em></span><span> this year, there's a strong chance the same will happen for Heller's sweetly moving Mr</span><span> Rogers tale </span><span><em>A Beautiful Day </em></span><span><em>in the Neighbourhood</em></span><span>.</span> <span>Dark horse: <strong>Robert Eggers</strong></span> <span>Eggers's arty, black-and-white psycho-drama</span><span> </span><span><em>The Lighthouse</em></span><span> caused a sensation when it played in Cannes. It's brave and original – everything that directing should be</span><span>.</span> <span>Favourite: <strong>Brad Pitt</strong></span> <span>His role as a laid-back stuntman in</span><span> </span><span><em>Once Upon a Time … in Hollywood</em></span><span> encapsulates all the reasons people love </span><span>Pitt. Factor in an impressive turn in </span><span><em>Ad Astra</em></span><span>, and voters will surely see this as his time to finally nail that acting Oscar after three previous failed attempts.</span><br/> <span>Sure-fire nominees: <strong>Al Pacino, Willem Dafoe, Anthony Hopkins, Jamie Foxx</strong></span> <span>They are all worthy winners</span><span>. Pacino's Jimmy Hoffa (</span><span><em>The Irishman</em></span><span>), Dafoe's sea dog (</span><span><em>The Lighthouse</em></span><span>), Foxx's death row inmate (</span><span><em>Just Mercy</em></span><span>) and Hopkins's Pope Benedict (</span><span><em>The Two Popes</em></span><span>) make this a </span><span>tough category.</span> <span>Who will miss out: <strong>John Lithgow</strong></span> <span>In a year of strong competition, Lithgow's brilliance as disgraced Fox News head Roger Ailes will likely be snubbed. Which is a real shame – Lithgow hasn't been nominated since 1983's </span><span><em>Terms of Endearment</em></span><span>.</span> <span>Dark horse: <strong>Joe Pesci</strong></span> <span>Hollywood loves a comeback, and with Pesci's return in </span><span><em>The Irishman</em></span><span>, he's </span><span>back doing what he does best: playing a mobster. </span><span>Pesci won for </span><span><em>Goodfellas</em></span><span> and though his role as Russell Bufalino isn't as showy, he could upset the odds.</span> <span>Favourite: <strong>Laura Dern</strong></span> <span>Dern's had a brilliant career renaissance of late, from </span><span><em>Twin Peaks: The Return </em></span><span>to </span><span><em>Big Little Lies</em></span><span>, but her work as a shark-like lawyer in </span><span><em>Marriage Story</em></span><span> is the crowning glory. Already a two-time Oscar nominee, she better start working on that acceptance speech.</span> <span>Sure-fire nominees: <strong>Jennifer Lopez, Annette Bening, Margot Robbie, Maggie Smith</strong></span> <span>Running Dern close will be Lopez, whose streetwise </span><span>character in </span><span><em>Hustlers</em></span><span> is her best work since </span><span><em>Out of Sight</em></span><span>. Robbie's near-silent turn as Sharon Tate in </span><span><em>Once Upon a Time … in Hollywood</em></span><span> </span><span>will have its supporters, while Bening should secure a fifth career nomination for her senator in </span><span><em>The Report</em></span><span>. Only the most cynical could deny Maggie Smith as Dowager in </span><span><em>Downton Abbey</em></span><span> a nod.</span><br/> <span>Who will miss out: <strong>Meryl Streep</strong></span> <span>She holds the record for 21 Oscar nominations but – whisper it quietly – she'll be left out in the cold this year, despite a characteristically salty performance as Aunt March in </span><span><em>Little Women</em></span><span>.</span> <span>Dark horse: <strong>Florence Pugh</strong></span> <span>On top of her out-there work in </span><span><em>Midsommar</em></span><span>, British actress Pugh is the most distinct of all the female stars in </span><span><em>Little Women</em></span><span>. </span><span>She could make it to Oscar night yet.</span>