The Voice of Hind Rajab receives record-breaking 24-minute ovation at Venice Film Festival


Evelyn Lau
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Kaouther Ben Hania’s The Voice of Hind Rajab, one of the most anticipated titles at this year’s Venice Film Festival, received a record-breaking 23-minute, 50-second standing ovation after its world premiere on Wednesday evening.

The response, believed to be the longest in film festival history, ended with the audience chanting “free, free Palestine” as the lights went up.

The Tunisian filmmaker’s drama reconstructs the events surrounding the death of Hind Rajab, 5, who was killed in Gaza City last January alongside four cousins, her aunt and uncle, and two paramedics who attempted to rescue her after the family's car came under fire from Israeli forces.

Hind was trapped for hours in the vehicle while on the phone with the Palestinian Red Cross. When paramedics finally reached her, both she and the rescuers were dead. Media reports later concluded an Israeli tank had likely fired more than 300 bullets into the vehicle. Hind's voice recording is used in the film.

The Voice of Hind Rajab received a 23 minute standing ovation.
The Voice of Hind Rajab received a 23 minute standing ovation.

The film’s reception eclipsed previous ovation-length records, including Pedro Almodovar’s The Room Next Door at Venice last year at 18 minutes, and Guillermo del Toro’s 2006 fantasy film Pan’s Labyrinth, which has held the record at Cannes Film Festival at 22 minutes.

Audience members were reportedly visibly emotional during the screening, with some still crying after the credits rolled. Actor Motaz Malhees raised a Palestinian flag amid chants, while the cast joined in, holding a photo of Hind.

The acclaim comes just days after a large protest gathered on the Lido on Saturday in support of Palestine and to denounce Israel’s ongoing war in Gaza.

The screening also underscored growing Hollywood support for the project, with Brad Pitt, Joaquin Phoenix, Rooney Mara, Alfonso Cuaron and Jonathan Glazer joining as executive producers. Phoenix and Mara attended the film's Venice premiere and photo call.

Ben Hania is one of Tunisia’s most internationally renowned directors. Her last film, Four Daughters, was nominated for Best Documentary at the 2024 Academy Awards, after having its premiere in Competition at Cannes and winning the Golden Eye award.

Her 2021 feature The Man Who Sold His Skin was also nominated for an Oscar, in the Best International Feature category. Tunisia has already submitted The Voice of Hind Rajab as its entry for this year’s Best International Feature Oscar.

At the press conference earlier in the day, Ben Hania and her cast received another standing ovation. Actress Saja Kilani, who recreates Hind's call in the film, delivered an impassioned statement on behalf of the crew.

“Enough of the mass killing, the starvation, the dehumanisation, the destruction, and the ongoing occupation,” she said. “This film is not an opinion or a fantasy. It is anchored in truth. Hind’s story carries the weight of an entire people … It is the voice of every daughter and every son with the right to live, to dream, to exist in dignity.”

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Children who witnessed blood bath want to help others

Aged just 11, Khulood Al Najjar’s daughter, Nora, bravely attempted to fight off Philip Spence. Her finger was injured when she put her hand in between the claw hammer and her mother’s head.

As a vital witness, she was forced to relive the ordeal by police who needed to identify the attacker and ensure he was found guilty.

Now aged 16, Nora has decided she wants to dedicate her career to helping other victims of crime.

“It was very horrible for her. She saw her mum, dying, just next to her eyes. But now she just wants to go forward,” said Khulood, speaking about how her eldest daughter was dealing with the trauma of the incident five years ago. “She is saying, 'mama, I want to be a lawyer, I want to help people achieve justice'.”

Khulood’s youngest daughter, Fatima, was seven at the time of the attack and attempted to help paramedics responding to the incident.

“Now she wants to be a maxillofacial doctor,” Khulood said. “She said to me ‘it is because a maxillofacial doctor returned your face, mama’. Now she wants to help people see themselves in the mirror again.”

Khulood’s son, Saeed, was nine in 2014 and slept through the attack. While he did not witness the trauma, this made it more difficult for him to understand what had happened. He has ambitions to become an engineer.

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Updated: September 04, 2025, 12:07 PM