A sign that summer is on its way out in the UAE is the return of Alserkal Avenue's popular Alserkal Lates, an annual event that marks the start of art season.
Over the past 10 years, the cultural district in Dubai's Al Quoz has grown organically, creating a space for more than 70 contemporary art galleries, visual and performing arts organisations and home-grown entrepreneurs.
Most notably, Alserkal Avenue has fostered a tangible creative community.
Proof of this was clear on Tuesday night.
The roads leading up to Alserkal Avenue were gridlocked, parking was difficult to secure, the avenue’s alleys and galleries were thronged with people. From young artists and art collectors to film enthusiasts, book lovers, the culturally curious, tourists and families, everyone came together to experience art in all its forms.
More than 12 new exhibitions featuring Emirati as well as regionally and internationally renowned artists were launched at the event.
Scroll through the gallery above for more pictures from the Alserkal Lates event
“Our galleries are representing a very mature artists roster,” says Vilma Jurkute, executive director of Alserkal.
“September is now seeing a stellar line up of presentations and solo exhibitions of artists such as Youssef Nabil who is showing for the first time after seven years and is bringing a new body of work, or Emirati artist Sarah Al Mehairi in Carbon 12, a gallery which was always known for bringing international artists to the region now signed an Emirati artist. This tells us that there is an important evolution of talent here and we want to support it.”
Emirati artist and designer Azza Al Qubaisi's exhibition at Leila Heller Gallery, titled Between the Dune Lines, reveal a sculptural wonderland of scale, intricacy and sophistication.
Al Qubaisi, who began her creative career as a jeweller producing wearable art, has now created art that people can be a part of. Her colossal, rusted sculptures that take their shape and patterns from the textures of the desert are embellished with delicate patterns inspired by traditional ancient techniques.
The solo exhibition by Iraqi-American artist Michael Rakowitz at Green Art Gallery, titled The invisible enemy should not exist, is a powerful and immediate ongoing project centred on the threatened, destroyed and missing cultural heritage of Iraq.
Rakowitz reimagines and reconstructs artefacts looted from the National Museum of Iraq in the aftermath of the Second Gulf War that began in in 2003. His pieces are created from a database of images and constructed using papier-mache made from Arabic-English newspapers and West Asian food packaging.
It is a surreal and contradictory melding of time streams and references, leaving anyone who interacts with the work at a loss for words at the poignant story Rakowitz is telling.
Syrian-Palestinian artist Sawsan Al Bahar’s first solo exhibition Talaliya at Firetti Contemporary reveals a young artist with the insight and sensitivity to translate the past into the present using an immersive and striking visual language.
Bahar’s stunning installation, Leaving is Home, is an absolute experience. Sculptural 3D printed sheets are suspended mid-air, appearing windswept, fleeting and also frozen in time. Words, passages and memories of her late grandfather are inscribed on the sheets, describing memories from his own personal diaries that recount his life in Jaffa, Palestine and his family’s departure from the homeland.
The Beautiful Voyage is a curated selection of Nabil’s works from 2016 to the present, at the Third Line gallery, and is a delightful oeuvre of an internationally acclaimed artist. The exhibition includes photographs of cinematic landscapes, surreal self-portraits and the regional debut of his fourth short film.
Revealing an insight into a deeply poetic mind and unique imagination Nabil is clever at subtly referencing inspirations, movements and trends with his very own, highly cultivated and rich visual language.
More information and the schedule of events launched at Alserkal Lates is available at alserkal.online
First Person
Richard Flanagan
Chatto & Windus
Company%20profile
%3Cp%3E%3Cstrong%3ECompany%20name%3A%3C%2Fstrong%3E%20Fasset%0D%3Cbr%3E%3Cstrong%3EStarted%3A%20%3C%2Fstrong%3E2019%0D%3Cbr%3E%3Cstrong%3EFounders%3A%3C%2Fstrong%3E%20Mohammad%20Raafi%20Hossain%2C%20Daniel%20Ahmed%0D%3Cbr%3E%3Cstrong%3EBased%3A%3C%2Fstrong%3E%20Dubai%0D%3Cbr%3E%3Cstrong%3ESector%3A%20%3C%2Fstrong%3EFinTech%0D%3Cbr%3E%3Cstrong%3EInitial%20investment%3A%3C%2Fstrong%3E%20%242.45%20million%0D%3Cbr%3E%3Cstrong%3ECurrent%20number%20of%20staff%3A%3C%2Fstrong%3E%2086%0D%3Cbr%3E%3Cstrong%3EInvestment%20stage%3A%3C%2Fstrong%3E%20Pre-series%20B%0D%3Cbr%3E%3Cstrong%3EInvestors%3A%3C%2Fstrong%3E%20Investcorp%2C%20Liberty%20City%20Ventures%2C%20Fatima%20Gobi%20Ventures%2C%20Primal%20Capital%2C%20Wealthwell%20Ventures%2C%20FHS%20Capital%2C%20VN2%20Capital%2C%20local%20family%20offices%3C%2Fp%3E%0A
Our legal consultants
Name: Hassan Mohsen Elhais
Position: legal consultant with Al Rowaad Advocates and Legal Consultants.
THE SPECS
Engine: 1.5-litre, four-cylinder turbo
Transmission: seven-speed dual clutch automatic
Power: 169bhp
Torque: 250Nm
Price: Dh54,500
On sale: now
The%20specs
%3Cp%3E%3Cstrong%3EEngine%3A%20%3C%2Fstrong%3E2.0-litre%20four-cylinder%20turbo%20hybrid%0D%3Cbr%3E%3Cstrong%3EPower%3A%20%3C%2Fstrong%3E680hp%0D%3Cbr%3E%3Cstrong%3ETorque%3A%20%3C%2Fstrong%3E1%2C020Nm%0D%3Cbr%3E%3Cstrong%3ETransmission%3A%20%3C%2Fstrong%3E9-speed%20auto%0D%3Cbr%3E%3Cstrong%3EFuel%20consumption%3A%20%3C%2Fstrong%3E7.5L%2F100km%0D%3Cbr%3E%3Cstrong%3EOn%20sale%3A%20%3C%2Fstrong%3EEarly%202024%0D%3Cbr%3E%3Cstrong%3EPrice%3A%20%3C%2Fstrong%3EFrom%20Dh530%2C000%20(estimate)%3C%2Fp%3E%0A
Race%20card
%3Cp%3E6pm%3A%20Al%20Maktoum%20Challenge%20Round%201%20%E2%80%93%20Group%201%20(PA)%20%2450%2C000%20(Dirt)%201%2C600m%3Cbr%3E6.35pm%3A%20Dubai%20Racing%20Club%20Classic%20%E2%80%93%20Handicap%20(TB)%20%24100%2C000%20(D)%202%2C410m%3Cbr%3E7.10pm%3A%20Dubawi%20Stakes%20%E2%80%93%20Group%203%20(TB)%20%24150%2C000%20(D)%201%2C200m%3Cbr%3E7.45pm%3A%20Jumeirah%20Classic%20Trial%20%E2%80%93%20Conditions%20(TB)%20%24150%2C000%20(Turf)%201%2C400m%3Cbr%3E8.20pm%3A%20Al%20Maktoum%20Challenge%20Round%201%20%E2%80%93%20Group%202%20(TB)%20%24250%2C000%20(D)%201%2C600m%3Cbr%3E8.55pm%3A%20Al%20Fahidi%20Fort%20%E2%80%93%20Group%202%20(TB)%20%24180%2C000%20(T)%201%2C400m%3Cbr%3E9.30pm%3A%20Ertijaal%20Dubai%20Dash%20%E2%80%93%20Listed%20(TB)%20%24100%2C000%20(T)%201%2C000m%3C%2Fp%3E%0A
more from Janine di Giovanni
UAE currency: the story behind the money in your pockets
UAE v Ireland
1st ODI, UAE win by 6 wickets
2nd ODI, January 12
3rd ODI, January 14
4th ODI, January 16
Bareilly Ki Barfi
Directed by: Ashwiny Iyer Tiwari
Starring: Kriti Sanon, Ayushmann Khurrana, Rajkummar Rao
Three and a half stars
What drives subscription retailing?
Once the domain of newspaper home deliveries, subscription model retailing has combined with e-commerce to permeate myriad products and services.
The concept has grown tremendously around the world and is forecast to thrive further, according to UnivDatos Market Insights’ report on recent and predicted trends in the sector.
The global subscription e-commerce market was valued at $13.2 billion (Dh48.5bn) in 2018. It is forecast to touch $478.2bn in 2025, and include the entertainment, fitness, food, cosmetics, baby care and fashion sectors.
The report says subscription-based services currently constitute “a small trend within e-commerce”. The US hosts almost 70 per cent of recurring plan firms, including leaders Dollar Shave Club, Hello Fresh and Netflix. Walmart and Sephora are among longer established retailers entering the space.
UnivDatos cites younger and affluent urbanites as prime subscription targets, with women currently the largest share of end-users.
That’s expected to remain unchanged until 2025, when women will represent a $246.6bn market share, owing to increasing numbers of start-ups targeting women.
Personal care and beauty occupy the largest chunk of the worldwide subscription e-commerce market, with changing lifestyles, work schedules, customisation and convenience among the chief future drivers.
The White Lotus: Season three
Creator: Mike White
Starring: Walton Goggins, Jason Isaacs, Natasha Rothwell
Rating: 4.5/5
Pharaoh's curse
British aristocrat Lord Carnarvon, who funded the expedition to find the Tutankhamun tomb, died in a Cairo hotel four months after the crypt was opened.
He had been in poor health for many years after a car crash, and a mosquito bite made worse by a shaving cut led to blood poisoning and pneumonia.
Reports at the time said Lord Carnarvon suffered from “pain as the inflammation affected the nasal passages and eyes”.
Decades later, scientists contended he had died of aspergillosis after inhaling spores of the fungus aspergillus in the tomb, which can lie dormant for months. The fact several others who entered were also found dead withiin a short time led to the myth of the curse.