A recent campaign by Chennai photographer Naresh Nil depicting Hindu deities with dark skin challenges our ideas of colour and prejudice. Naresh Nil Photography
A recent campaign by Chennai photographer Naresh Nil depicting Hindu deities with dark skin challenges our ideas of colour and prejudice. Naresh Nil Photography
A recent campaign by Chennai photographer Naresh Nil depicting Hindu deities with dark skin challenges our ideas of colour and prejudice. Naresh Nil Photography
A recent campaign by Chennai photographer Naresh Nil depicting Hindu deities with dark skin challenges our ideas of colour and prejudice. Naresh Nil Photography

The obsession with fair skin demeans and devalues women


  • English
  • Arabic

The two Asian "aunties" were having a conversation about gifting beautiful dresses to two new baby girls in the family. “This dress is prettier!” they gushed. “So let’s give it to the white baby. The darker baby will look ugly whatever she wears anyway.” And so, from the very moment of birth, skin colour already begins to affect the perception and fortunes of people, particularly girls.

It's a true story and one that many will recognise: a constant and pervasive judgment of girls and women by how fair or dark they are. It affects every aspect of their lives, identities, worth and life opportunities, reducing their value to nothing more than where they sit on a Dulux colour chart.

The most heartbreaking part is how women themselves perpetuate the notion that a woman’s value lies only in her skin colour. I was told when pregnant not to drink coffee “because the baby will be dark”, to which I answered: “And even if the baby is, so what?”, adding that the person might want to dispel their ignorance of how science works along with their bigotry. I myself am of Asian origin, with mid-brown skin. Growing up, the nicest thing the aunties could find to say about me was that I was “charming” – a euphemism for dark and therefore by definition unappealing.

The perfect prospective Asian wife is often described as "fair, homely and domesticated". Her job is to look pretty to her (be)holder and stay at home while she cooks. The irony is that the mothers-in-law and the prospective husbands themselves have no sense of how dark they often are while believing that a woman’s skin defines her value on the marriage market.

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The implications of colourism are very serious – and sometimes deadly. If you look on screen, female actors are almost always fair. Fairer women have better job and marriage prospects. Darker women are often considered undesirable and less valuable. Underpinning all this is, of course, the irony when those of non-white racial origin complain about being treated in a racist way for not being white.

This displays a lack of understanding of how racism and colourism work. To get yourself and your progeny recognised as "fair" does nothing to overturn a system structured around discriminating against people based on their skin colour. The aspiration to rise up the colour ranks pushes women to do the unthinkable, often ludicrous and sometimes fatal.  You may have seen a bride's face caked with white makeup, while her neck and hands are a totally different colour, making her look like a forlorn clown. There are products that have been marketed for women to apply on their most intimate areas to whiten them, because otherwise they would not be of interest in a relationship. Many whitening products contain poisonous ingredients like mercury. Women are literally killing themselves to look fair.

Perpetuating skin-lightening is big business. A Future Markets Insights report estimated the global market to be worth $4.8 billion in 2017 and set to rise to $8.9 billion in 2027. Of course, there's nothing wrong with wanting your skin to glow, look fresh and sparkle with health but any skin colour can exhibit those characteristics.

That's exactly why I love a recent campaign by Chennai photographer Naresh Nil depicting Hindu deities with dark skin with the strapline "dark is divine". Deities are usually illustrated with fair skin, cementing the idea that there is something special about fair skin. Instead, Mr Nil used darker-skinned models in traditional poses to challenge our ideas of colour, status and prejudice.

What broke my heart about Mr Nil's casting for the campaign was how darker-skinned women themselves felt they weren’t as worthy of the shoot as fair-skinned women. This belittling of women based on nothing more than a spurious melanin count begins from birth, from those conversations that aunties have, from the photos we see in newspapers and magazines and from how we converse with children about beauty and self-worth. If you’re fair, that’s nothing to be inherently proud of. And if you’re dark...well, that’s where the sentence tails off, because the terms are inherently loaded as though we have to mitigate and give solace to "dark" skin.

Skin is skin. Humans are humans. And all of us have the ability to shine with the divine spark.

'Outclassed in Kuwait'
Taleb Alrefai, 
HBKU Press 

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9.25pm: Handicap (TB) Dh87,500 (D) 1,400m

Sheikh Zayed's poem

When it is unveiled at Abu Dhabi Art, the Standing Tall exhibition will appear as an interplay of poetry and art. The 100 scarves are 100 fragments surrounding five, figurative, female sculptures, and both sculptures and scarves are hand-embroidered by a group of refugee women artisans, who used the Palestinian cross-stitch embroidery art of tatreez. Fragments of Sheikh Zayed’s poem Your Love is Ruling My Heart, written in Arabic as a love poem to his nation, are embroidered onto both the sculptures and the scarves. Here is the English translation.

Your love is ruling over my heart

Your love is ruling over my heart, even a mountain can’t bear all of it

Woe for my heart of such a love, if it befell it and made it its home

You came on me like a gleaming sun, you are the cure for my soul of its sickness

Be lenient on me, oh tender one, and have mercy on who because of you is in ruins

You are like the Ajeed Al-reem [leader of the gazelle herd] for my country, the source of all of its knowledge

You waddle even when you stand still, with feet white like the blooming of the dates of the palm

Oh, who wishes to deprive me of sleep, the night has ended and I still have not seen you

You are the cure for my sickness and my support, you dried my throat up let me go and damp it

Help me, oh children of mine, for in his love my life will pass me by. 

How it works

A $10 hand-powered LED light and battery bank

Device is operated by hand cranking it at any time during the day or night 

The charge is stored inside a battery

The ratio is that for every minute you crank, it provides 10 minutes light on the brightest mode

A full hand wound charge is of 16.5minutes 

This gives 1.1 hours of light on high mode or 2.5 hours of light on low mode

When more light is needed, it can be recharged by winding again

The larger version costs between $18-20 and generates more than 15 hours of light with a 45-minute charge

No limit on how many times you can charge

 

The burning issue

The internal combustion engine is facing a watershed moment – major manufacturer Volvo is to stop producing petroleum-powered vehicles by 2021 and countries in Europe, including the UK, have vowed to ban their sale before 2040. The National takes a look at the story of one of the most successful technologies of the last 100 years and how it has impacted life in the UAE. 

Read part four: an affection for classic cars lives on

Read part three: the age of the electric vehicle begins

Read part two: how climate change drove the race for an alternative 

The Details

Kabir Singh

Produced by: Cinestaan Studios, T-Series

Directed by: Sandeep Reddy Vanga

Starring: Shahid Kapoor, Kiara Advani, Suresh Oberoi, Soham Majumdar, Arjun Pahwa

Rating: 2.5/5