• 'Bridgerton' introduced Charithra Chandran, left, and Simone Ashley as sisters Edwina and Kate Sharma in its second season. Photo: Netflix
    'Bridgerton' introduced Charithra Chandran, left, and Simone Ashley as sisters Edwina and Kate Sharma in its second season. Photo: Netflix
  • Scenes featuring a haldi (turmeric) ceremony, a pre-wedding ritual for brides in North Indian weddings, went down well with Indian audiences. Photo: Netflix
    Scenes featuring a haldi (turmeric) ceremony, a pre-wedding ritual for brides in North Indian weddings, went down well with Indian audiences. Photo: Netflix
  • There are elements of the sisters' depiction that critics have said 'bungled a mix of different cultures'. Photo: Netflix
    There are elements of the sisters' depiction that critics have said 'bungled a mix of different cultures'. Photo: Netflix
  • Simone Ashley plays Kate Sharma. Photo: Netflix
    Simone Ashley plays Kate Sharma. Photo: Netflix
  • Charithra Chandran as Edwina Sharma. Photo: Netflix
    Charithra Chandran as Edwina Sharma. Photo: Netflix
  • Shelley Conn as Mary Sharma. Photo: Netflix
    Shelley Conn as Mary Sharma. Photo: Netflix
  • The use of Indian-inspired jewel-toned fabrics, paisley shawls and authentic jewellery in the sisters' costumes has been praised by critics. Photo: Netflix
    The use of Indian-inspired jewel-toned fabrics, paisley shawls and authentic jewellery in the sisters' costumes has been praised by critics. Photo: Netflix
  • Kate Sharma (Simone Ashley) wearing a jewel-toned hunting suit with Anthony Bridgerton (Jonathan Bailey). Photo: Netflix
    Kate Sharma (Simone Ashley) wearing a jewel-toned hunting suit with Anthony Bridgerton (Jonathan Bailey). Photo: Netflix
  • 'It was refreshing to see darker-skinned women because even Indian cinema has lighter-skinned actresses. Both 'Bridgerton' actresses are Tamil and it was wonderful to see more diverse representation,' says journalist Reem Khokhar. Photo: Netflix
    'It was refreshing to see darker-skinned women because even Indian cinema has lighter-skinned actresses. Both 'Bridgerton' actresses are Tamil and it was wonderful to see more diverse representation,' says journalist Reem Khokhar. Photo: Netflix
  • Of the bungled dialects, Pallavi Sethi says: 'Sharma is an upper-caste North Indian last name, but the girls refer to their father as ‘appa’, the Tamil version ... Then Kate calls her sister Bon, which is sister in Bengali.'
    Of the bungled dialects, Pallavi Sethi says: 'Sharma is an upper-caste North Indian last name, but the girls refer to their father as ‘appa’, the Tamil version ... Then Kate calls her sister Bon, which is sister in Bengali.'
  • The linguistic oversights didn't ruin the show for journalist Reem Khokhar, who said: 'It has such diverse casting for the Regency period, which helped me suspend my disbelief enough to look past colour and just enjoy them as characters.'
    The linguistic oversights didn't ruin the show for journalist Reem Khokhar, who said: 'It has such diverse casting for the Regency period, which helped me suspend my disbelief enough to look past colour and just enjoy them as characters.'
  • The depiction of the haldi (turmeric) ceremony, a North Indian pre-wedding ritual for brides, in 'Bridgerton'. Photo: Netflix
    The depiction of the haldi (turmeric) ceremony, a North Indian pre-wedding ritual for brides, in 'Bridgerton'. Photo: Netflix

What did 'Bridgerton' get wrong in its depictions of South Asian characters?


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It’s not often that you get to watch a mainstream TV series with brown girls as the leads, where they are not reduced to caricatures or tokenised. Instead, the characters are feisty, elegant and proud of their Indian heritage. One of the most-watched shows on Netflix, Regency-era drama Bridgerton has created ripples with its second season by attempting a near-authentic representation of South Asians in the Sharma sisters.

Kate (her actual name is Kathani) and Edwina Sharma are half-sisters, played by two actresses of Tamil descent, Simone Ashley and Charithra Chandran. In the show, the girls' father was a tradesman, who fell in love with an earl’s daughter, Lady Mary (Shelley Conn), after his first wife died. Kate is his daughter from his first marriage, and Edwina is his daughter from Lady Mary.

As season two begins, the sisters arrive in London to find a suitor for Edwina, because of a trust fund promised to Kate if her sister marries into English high society.

Simone Ashley and Charithra Chandran play Indian sisters Kate and as Edwina Sharma in 'Bridgerton. Photo: Netflix
Simone Ashley and Charithra Chandran play Indian sisters Kate and as Edwina Sharma in 'Bridgerton. Photo: Netflix

The show has received both bouquets and brickbats from Indians, Pakistanis and the South Asian diaspora, many of whom have appreciated the show’s deviation from stereotypical Indian beauty standards of fair-skinned women. Many have also appreciated the inclusion of Indian-inspired jewel-toned fabrics, paisley shawls and authentic jewellery — from the traditional jhumkis (earrings), to necklaces and bangles.

The scenes featuring Kate tenderly oiling her sister’s thick, black hair, the depiction of the haldi (turmeric) ceremony — a pre-wedding ritual for brides in North Indian weddings — and background music from 2001 Bollywood hit film Kabhi Khushi Kabhie Gham, all went down well with Indian audiences. Kate disliking English tea, and adding cardamom and spices to give it flavour, also struck a chord with most Indians, for whom drinking chai is akin to a sacred ritual.

Scenes featuring a haldi (turmeric) ceremony, a pre-wedding ritual for brides in North Indian weddings, went down well with Indian audiences. Photo: Netflix
Scenes featuring a haldi (turmeric) ceremony, a pre-wedding ritual for brides in North Indian weddings, went down well with Indian audiences. Photo: Netflix

Delhi journalist Reem Khokhar says: “I think it was great to see brown faces on a hugely popular international show. And for me, it was particularly refreshing to see sultry, darker-skinned women because even Indian cinema, mainly Bollywood, has lighter-skinned actresses. Both Bridgerton actresses are Tamil and it was wonderful to see more diverse representation.”

Marriage for Indian women is still a pressure for many, much like the scenario portrayed in the series, something that is still considered essential to raise a woman’s status, and is a societal obligation. Many dark-skinned Indian girls have been taught to be ashamed of the colour of their skin growing up, which is seen through the sales of whitening creams and bleaches in the country.

“Kate’s independence is refreshing and represents what many Indian girls are doing today, pulling away from patriarchal norms and pressures,” says Arti Khanna, a teacher in Bangalore.

However, South Asia is home to a medley of more than two billion people across countries including India, Sri Lanka and Pakistan. It is a heterogeneous potpourri of cultures, languages, traditions and histories, with so many little nuances. India itself has more than 30 states and more than 22 languages and even more dialects. So, for a show to get representation absolutely right, is not easy. Unless it delves deeper into personal histories, racial backgrounds or history, it can only be superficial and not transformative.

Jonathan Bailey as Anthony Bridgerton and Simone Ashley as Kate Sharma in Netflix's 'Bridgerton'. Photo: Netflix
Jonathan Bailey as Anthony Bridgerton and Simone Ashley as Kate Sharma in Netflix's 'Bridgerton'. Photo: Netflix

Pallavi Sethi, who works in the field of news and misrepresentation in London, says: “When I saw the trailer for Bridgerton season two, I was deeply excited to see the makers cast a South Asian lead and introduce the Sharmas, an Indian family, into the historical Regency period drama.

“Alas, I was a bit disappointed once I started watching the show. The bungled mix of different cultures remained painful to watch. For a show that heavily relies on its historical vocabulary, it mixed up many Indian words and, therefore, inaccurately depicted my beautiful country.

“For instance, Sharma is an upper-caste North Indian last name, but the girls refer to their father as ‘appa’, the Tamil version,” says Sethi. “Then Kate calls her sister bon, which is sister in Bengali. It's hard to believe the makers with enormous budgets couldn't do their research, so some of this seems intentional. Still, I'd love to know the reason behind this decision, or error, as I see it. If there's one thing I would tell the makers for their next season it’s that misrepresentation can be as bad as non-representation.”

Khokhar doesn't necessarily agree. “I know there has been a lot of nit-picking about their names, the use of the words ‘bon’ and ‘appa’. Yes, it would have been nice to have more accuracy, but to be honest, the show has such diverse casting for the Regency period, which managed to help me suspend my disbelief enough to look past colour and just enjoy them as characters.”

“What is the correct representation of an Indian person?" asks Indian journalist Veenu Banga, who lives in Florida. "Look at the diversity in our country, from Assam to Kerala. Besides, despite the ‘inaccuracies’ if we may call them that, who’s to say that there was not an Indian girl who was an ace horse rider and excellent all-rounder in the sport of the day? After all, we did have Rani of Jhansi.”

Simone Ashley as Kate Sharma in 'Bridgerton'. Photo: Netflix
Simone Ashley as Kate Sharma in 'Bridgerton'. Photo: Netflix

Something the show ignores is political complexity and colonial tensions. Priya Satia, a history professor at Stanford University, said she was conflicted by the show's depictions.

“Inclusive casting ‘worked’ in Hamilton because it was a retelling of a national myth of founding fathers who, we know, were white and almost all slave-owners. The casting of black and brown actors was a kind of radical reclaiming of that myth by those excluded from its lofty principles at the time,” says Satia.

“We know that the aristocratic class at the heart of Bridgerton drew its wealth from slave ownership and other colonial activities. But the show never becomes a fully fictional world in which we can accept free casting as a kind of reclamation, inversion or radical act of inclusion ... The Sharmas are not British people who happen to be brown; unlike the other non-white characters in the show, they are brown because their father was Indian. By giving skin colour meaning here and also playing on the colonial stereotype of brown women as objects of exotic-erotic desire, while at once denying the reality of racial feeling at the time, the show whitewashes Britain's bonds with other parts of the world as devoid of racial or colonial dynamics of any kind.”

Criticism aside, many South Asians do resonate with the feelings of Angie Tiwari, a yoga and meditation teacher from London, who says, “Growing up, I only ever saw South Asian women on Goodness Gracious Me. As amazing as that show was, it was problematic that South Asian women never appeared across mainstream media.

“When they did, they were mostly fairer-skinned, a nod to colourism, a direct result of colonialism and a display of favouritism towards Eurocentric beauty standards. Watching two darker-skinned South Asian women take the lead in Bridgerton signals a new era of inclusion, and while it's certainly overdue, it's never too late to make all generations with South Asian heritage feel seen."

Satia disagrees, however. “To be sure, it is a wonderful and revolutionary thing, for UK audiences and South Asian audiences still conditioned by colonial racism to favour fair skin tones, to be presented with a romantic lead of luminous dark-skinned beauty.

“But making her Indian rather than British disrupts the fictional world in which such free casting might have been a purely liberating move, so that the show's portrayal of British-Indian bonds winds up aligning worryingly with the way imperial apologists persistently misrepresent that past.”

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Position: legal consultant with Al Rowaad Advocates and Legal Consultants.

Final results:

Open men
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Plate men
England 85 (3) beat India 81 (1)

Open women
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Under 22 men
Australia 68 (2) beat New Zealand 66 (2)

Under 22 women
Australia 92 (3) beat New Zealand 54 (1)

Ten tax points to be aware of in 2026

1. Domestic VAT refund amendments: request your refund within five years

If a business does not apply for the refund on time, they lose their credit.

2. E-invoicing in the UAE

Businesses should continue preparing for the implementation of e-invoicing in the UAE, with 2026 a preparation and transition period ahead of phased mandatory adoption. 

3. More tax audits

Tax authorities are increasingly using data already available across multiple filings to identify audit risks. 

4. More beneficial VAT and excise tax penalty regime

Tax disputes are expected to become more frequent and more structured, with clearer administrative objection and appeal processes. The UAE has adopted a new penalty regime for VAT and excise disputes, which now mirrors the penalty regime for corporate tax.

5. Greater emphasis on statutory audit

There is a greater need for the accuracy of financial statements. The International Financial Reporting Standards standards need to be strictly adhered to and, as a result, the quality of the audits will need to increase.

6. Further transfer pricing enforcement

Transfer pricing enforcement, which refers to the practice of establishing prices for internal transactions between related entities, is expected to broaden in scope. The UAE will shortly open the possibility to negotiate advance pricing agreements, or essentially rulings for transfer pricing purposes. 

7. Limited time periods for audits

Recent amendments also introduce a default five-year limitation period for tax audits and assessments, subject to specific statutory exceptions. While the standard audit and assessment period is five years, this may be extended to up to 15 years in cases involving fraud or tax evasion. 

8. Pillar 2 implementation 

Many multinational groups will begin to feel the practical effect of the Domestic Minimum Top-Up Tax (DMTT), the UAE's implementation of the OECD’s global minimum tax under Pillar 2. While the rules apply for financial years starting on or after January 1, 2025, it is 2026 that marks the transition to an operational phase.

9. Reduced compliance obligations for imported goods and services

Businesses that apply the reverse-charge mechanism for VAT purposes in the UAE may benefit from reduced compliance obligations. 

10. Substance and CbC reporting focus

Tax authorities are expected to continue strengthening the enforcement of economic substance and Country-by-Country (CbC) reporting frameworks. In the UAE, these regimes are increasingly being used as risk-assessment tools, providing tax authorities with a comprehensive view of multinational groups’ global footprints and enabling them to assess whether profits are aligned with real economic activity. 

Contributed by Thomas Vanhee and Hend Rashwan, Aurifer

Who are the Sacklers?

The Sackler family is a transatlantic dynasty that owns Purdue Pharma, which manufactures and markets OxyContin, one of the drugs at the centre of America's opioids crisis. The family is well known for their generous philanthropy towards the world's top cultural institutions, including Guggenheim Museum, the National Portrait Gallery, Tate in Britain, Yale University and the Serpentine Gallery, to name a few. Two branches of the family control Purdue Pharma.

Isaac Sackler and Sophie Greenberg were Jewish immigrants who arrived in New York before the First World War. They had three sons. The first, Arthur, died before OxyContin was invented. The second, Mortimer, who died aged 93 in 2010, was a former chief executive of Purdue Pharma. The third, Raymond, died aged 97 in 2017 and was also a former chief executive of Purdue Pharma. 

It was Arthur, a psychiatrist and pharmaceutical marketeer, who started the family business dynasty. He and his brothers bought a small company called Purdue Frederick; among their first products were laxatives and prescription earwax remover.

Arthur's branch of the family has not been involved in Purdue for many years and his daughter, Elizabeth, has spoken out against it, saying the company's role in America's drugs crisis is "morally abhorrent".

The lawsuits that were brought by the attorneys general of New York and Massachussetts named eight Sacklers. This includes Kathe, Mortimer, Richard, Jonathan and Ilene Sackler Lefcourt, who are all the children of either Mortimer or Raymond. Then there's Theresa Sackler, who is Mortimer senior's widow; Beverly, Raymond's widow; and David Sackler, Raymond's grandson.

Members of the Sackler family are rarely seen in public.

First-round leaderbaord

-5 C Conners (Can)

-3 B Koepka (US), K Bradley (US), V Hovland (Nor), A Wise (US), S Horsfield (Eng), C Davis (Aus);

-2 C Morikawa (US), M Laird (Sco), C Tringale (US)

Selected others: -1 P Casey (Eng), R Fowler (US), T Hatton (Eng)

Level B DeChambeau (US), J Rose (Eng) 

1 L Westwood (Eng), J Spieth (US)

3 R McIlroy (NI)

4 D Johnson (US)

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Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

Results

2pm: Serve U – Maiden (TB) Dh60,000 (Dirt) 1,400m; Winner: Violent Justice, Pat Dobbs (jockey), Doug Watson (trainer)

2.30pm: Al Shafar Investment – Conditions (TB) Dh100,000 (D) 1,400m; Winner: Desert Wisdom, Bernardo Pinheiro, Ahmed Al Shemaili

3pm: Commercial Bank of Dubai – Handicap (TB) Dh68,000 (D) 1,200m; Winner: Fawaareq, Sam Hitchcott, Doug Watson

3.30pm: Shadwell – Rated Conditions (TB) Dh100,000 (D) 1,600m; Winner: Down On Da Bayou, Xavier Ziani, Salem bin Ghadayer

4pm: Dubai Real Estate Centre – Maiden (TB) Dh60,000 (D) 1,600m; Winner: Rakeez, Patrick Cosgrave, Bhupat Seemar

4.30pm: Al Redha Insurance Brokers – Handicap (TB) Dh78,000 (D) 1,800m; Winner: Capla Crusader, Bernardo Pinheiro, Rashed Bouresly

Meydan race card

6.30pm: Maiden Dh 165,000 1,600m
7.05pm: Handicap Dh 185,000 2,000m
7.40pm: Maiden Dh 165,000 1,600m
8.15pm: Handicap Dh 190,000 1,400m
8.50pm: Handicap Dh 175,000 1,600m
9.25pm: Handicap Dh 175,000 1,200m
10pm: Handicap Dh 165,000 1,600m

The Word for Woman is Wilderness
Abi Andrews, Serpent’s Tail

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RESULTS

6.30pm Al Maktoum Challenge Round-2 – Group 1 (PA) $49,000 (Dirt) 1,900m

Winner RB Frynchh Dude, Pat Cosgrave (jockey), Helal Al Alawi (trainer)

7.05pm Al Bastakiya Trial – Conditions (TB) $50,000 (D) 1,900m

Winner El Patriota, Vagner Leal, Antonio Cintra

7.40pm Zabeel Turf – Listed (TB) $88,000 (Turf) 2,000m

Winner Ya Hayati, Mickael Barzalona, Charlie Appleby

8.15pm Cape Verdi – Group 2 (TB) $163,000 (T) 1,600m

Winner Althiqa, James Doyle, Charlie Appleby

8.50pm UAE 1000 Guineas – Listed (TB) $125,000 (D) 1,600m

Winner Soft Whisper, Frankie Dettori, Saeed bin Suroor

9.25pm Handicap (TB) $68,000 (T) 1,600m

Winner Bedouin’s Story, Frankie Dettori, Saeed bin Suroor

Soldier F

“I was in complete disgust at the fact that only one person was to be charged for Bloody Sunday.

“Somebody later said to me, 'you just watch - they'll drop the charge against him'. And sure enough, the charges against Soldier F would go on to be dropped.

“It's pretty hard to think that 50 years on, the State is still covering up for what happened on Bloody Sunday.”

Jimmy Duddy, nephew of John Johnson

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Europe’s rearming plan
  • Suspend strict budget rules to allow member countries to step up defence spending
  • Create new "instrument" providing €150 billion of loans to member countries for defence investment
  • Use the existing EU budget to direct more funds towards defence-related investment
  • Engage the bloc's European Investment Bank to drop limits on lending to defence firms
  • Create a savings and investments union to help companies access capital
Where to buy

Limited-edition art prints of The Sofa Series: Sultani can be acquired from Reem El Mutwalli at www.reemelmutwalli.com

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Ordinary Virtues: Moral Order in a Divided World by Michael Ignatieff
Harvard University Press

Aldar Properties Abu Dhabi T10

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The years Ramadan fell in May

1987

1954

1921

1888

Ferrari 12Cilindri specs

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Updated: April 15, 2022, 7:57 AM