Rimsky-Korsakov’s Scheherazade was performed against the Jbeil Mountains by Dubai's Firdaus Orchestra. Photo: Ixsir
Rimsky-Korsakov’s Scheherazade was performed against the Jbeil Mountains by Dubai's Firdaus Orchestra. Photo: Ixsir
Rimsky-Korsakov’s Scheherazade was performed against the Jbeil Mountains by Dubai's Firdaus Orchestra. Photo: Ixsir
Rimsky-Korsakov’s Scheherazade was performed against the Jbeil Mountains by Dubai's Firdaus Orchestra. Photo: Ixsir

All-female UAE orchestra reimagines Scheherazade symphony in Lebanese mountains


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The Ixsir Vineyards in Lebanon’s Jbeil Mountains played host to an immersive reimagining of Nikolai Rimsky-Korsakov’s 1888 symphonic suite Scheherazade this week, as the sun sank below the peaks and the stars emerged.

Under the artistic direction of maestro Harout Fazlian, the classic was transformed into a unique orchestral-theatrical evening, joined by members of the all-female Firdaus Orchestra – an Expo City Dubai initiative – performing in Lebanon for the first time.

Inspired by the iconic tales of One Thousand and One Nights, Rimsky-Korsakov’s magnum opus was structured in four movements, each representing different stories and adventures that Scheherazade would spin for King Shahryar each night. Having been betrayed by his first wife, the king no longer trusted women, and took to marrying a new bride every night before beheading her at dawn.

The performance went from day to night. Photo: Ixsir
The performance went from day to night. Photo: Ixsir

Through Scheherazade's wits and gift of storytelling, she dreamt up new adventures each night and left them unfinished, piquing his curiosity and delaying her death another day, as the king wished to know how the tale ended.

While the essence of the music stayed the same for Fazlian’s reimagining, actors Jana Abi-Ghosn and Jalal Marwan Al Shaar, who starred as Scheherazade and King Shahrayar, brought the tales to life with an original script penned by poet Henri Zoghaib.

Solos and added musical segments conceived by Fazlian seamlessly blended the original concert with added theatrical elements, all of which were performed on a stage that floated over the grape vines, almost like a magic carpet.

Across the tales of The Sea and Sinbad’s Ship, The Tale of the Kalendar Prince, The Young Prince and the Young Princess, and Festival at Baghdad – The Sea – The Shipwreck, Scheherazade sought to convince the king that love existed and was worth striving for.

Jalal Marwan Al Shaar played King Shahrayar and Jana Abi-Ghosn was Scheherazade. Photo: Ixsir
Jalal Marwan Al Shaar played King Shahrayar and Jana Abi-Ghosn was Scheherazade. Photo: Ixsir

The two engaged in debates – a more nuanced narrative than the original tale, which held more violent and threatening undertones, as the heroine was tasked with telling entertaining stories each night, or else.

In this retelling, the king was harsh and jaded, but open to learning from the lessons Scheherazade sprinkled into the tales, offering a more convincing reading of the love that eventually blossomed between the two characters.

In the last act, she even challenges him using the analogy of a boat being dashed on the rocks as his own fate – an unbendable vessel being tossed about by metaphorical waves of anger, righteousness and loneliness – beseeching him to embrace love and change. After he heard the rest of her tale, he admitted his love for Scheherazade.

The choice to have an all-female orchestra felt fitting for a performance of Scheherazade, paying tribute to a clever and spirited heroine who was able to fight her fate through wits alone.

The stage was set amid grape vines making for a picturesque performance. Photo: Ixsir
The stage was set amid grape vines making for a picturesque performance. Photo: Ixsir

Most importantly, the music was retooled for instruments from the region. Rimsky-Korsakov’s composition was written for the western orchestra, whereas Fazlian adapted the music for a string orchestra with oriental instruments and percussion. It served as a subtle way to reclaim the fable from the more orientalist perspectives of the symphony’s beginnings.

The intimate stage and setting – devoid of painted sets or a grandiose formal theatre – brought the tale back to its cultural roots. The performance focused on the wonder of storytelling on quiet evenings, honouring a tradition still practised in the region.

Surrounded by the verdant mountains backlit by the sunset, it was an easy feat for the show to transport the audience directly to the scenes Scheherazade painted with her words, making for a truly magical evening.

Ten tax points to be aware of in 2026

1. Domestic VAT refund amendments: request your refund within five years

If a business does not apply for the refund on time, they lose their credit.

2. E-invoicing in the UAE

Businesses should continue preparing for the implementation of e-invoicing in the UAE, with 2026 a preparation and transition period ahead of phased mandatory adoption. 

3. More tax audits

Tax authorities are increasingly using data already available across multiple filings to identify audit risks. 

4. More beneficial VAT and excise tax penalty regime

Tax disputes are expected to become more frequent and more structured, with clearer administrative objection and appeal processes. The UAE has adopted a new penalty regime for VAT and excise disputes, which now mirrors the penalty regime for corporate tax.

5. Greater emphasis on statutory audit

There is a greater need for the accuracy of financial statements. The International Financial Reporting Standards standards need to be strictly adhered to and, as a result, the quality of the audits will need to increase.

6. Further transfer pricing enforcement

Transfer pricing enforcement, which refers to the practice of establishing prices for internal transactions between related entities, is expected to broaden in scope. The UAE will shortly open the possibility to negotiate advance pricing agreements, or essentially rulings for transfer pricing purposes. 

7. Limited time periods for audits

Recent amendments also introduce a default five-year limitation period for tax audits and assessments, subject to specific statutory exceptions. While the standard audit and assessment period is five years, this may be extended to up to 15 years in cases involving fraud or tax evasion. 

8. Pillar 2 implementation 

Many multinational groups will begin to feel the practical effect of the Domestic Minimum Top-Up Tax (DMTT), the UAE's implementation of the OECD’s global minimum tax under Pillar 2. While the rules apply for financial years starting on or after January 1, 2025, it is 2026 that marks the transition to an operational phase.

9. Reduced compliance obligations for imported goods and services

Businesses that apply the reverse-charge mechanism for VAT purposes in the UAE may benefit from reduced compliance obligations. 

10. Substance and CbC reporting focus

Tax authorities are expected to continue strengthening the enforcement of economic substance and Country-by-Country (CbC) reporting frameworks. In the UAE, these regimes are increasingly being used as risk-assessment tools, providing tax authorities with a comprehensive view of multinational groups’ global footprints and enabling them to assess whether profits are aligned with real economic activity. 

Contributed by Thomas Vanhee and Hend Rashwan, Aurifer

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Are they open to only Emiratis? The awards are open to anyone, regardless of age or nationality, living anywhere in the world.

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