The Roxy Xtreme screen at Dubai Hills Mall isn't just big. It's huge. Colossal.
Overwhelming in the best possible way, the Xtreme screen is the ultimate cinematic experience every film lover or sports fan is sure to enjoy.
Measuring 28 metres by 15.1 metres, spanning 423 square metres, Roxy’s Xtreme screen is 60 per cent bigger than a tennis court.
The screen opens on Wednesday and promises to usher in "a new era of cinema" in Dubai, with a range of blockbusters and sporting events.
Roxy Cinemas will be screening matches from the FIFA World Cup in Qatar later this year on the Xtreme screen, which is the largest the Middle East and North Africa.
Walking into the auditorium feels almost otherworldly, especially when gauging the size of the screen. The auditorium fits 382 premium reclining seats, with plenty of leg room and space on each side, divided into three tiers: standard, premium and director’s boxes.
Seats are comfortable, with a generous amount of space between the standard tier and the screen.
The Xtreme comes at an interesting time. Our access to films has never been better, with most just a few taps away on our phone. At the same time, the Covid-19 pandemic dealt global cinemas a heavy blow, which many are still reeling from.
However, some like David Lynch, the celebrated director of Mulholland Drive, Wild at Heart and Inland Empire, argue there is still demand for the cinema experience.
"If you're playing the movie on a telephone, you will never in a trillion years experience the film," Lynch said in an interview clip on the Inland Empire limited edition DVD. "You'll think you have experienced it, but you'll be cheated."
Martin Scorsese has shared similar thoughts. "I would suggest — if you ever want to see one of my pictures, or most films — please, please don’t look at it on a phone, please. An iPad, a big iPad, maybe," the Academy Award-winning director said on the YouTube show, Popcorn.
While perhaps not as accessible as a smartphone, the Roxy Xtreme screen is exactly the antidote filmmakers, and film fans, are looking for.
But, what is it actually like to watch a movie on the biggest screen in the MENA region? In a word: epic.
First things first, the level of comfort is extraordinary, especially in one of the three director's boxes.
Each of the 12 plush recliners come with wireless phone chargers, heated seats, shopping bag storage and a personal swivel table that’s easy to manoeuvre. Waiters are also on hand with a range of food and beverage services, and can be invited over with just the push of a button.
It is particularly engrossing to watch Top Gun: Maverick — which I previewed at the new venue along with other members of the press this week — the action film sequel starring Tom Cruise and Miles Teller, on the region’s biggest cinema screen, owing to its wealth of dynamic aerial sequences and action scenes.
However, while action blockbusters, CGI technology and green screen magic are meant to be watched on a screen of equally gargantuan ambition, what about more intimate films as well as inward-looking character studies? How would the nuances of The Godfather, Monster, Forrest Gump or 12 Years a Slave translate on a screen so big?
What about comedies and romcoms? Do audiences need to see Julia Roberts and George Clooney’s upcoming Ticket to Paradise, reviving the beloved 1990s format on something so enormous?
The questions remain unanswered, even during the quieter moments of Top Gun: Maverick.
Cruise’s interactions with his love interest Penny, played by Jennifer Connelly, were coy and romantic. His scene with Val Kilmer, whose real-life battle with throat cancer was written into his character Tom "Iceman" Kazansky, was nostalgic and sad. Both these storylines were meant to add an emotional arc and moments of stillness between all the action.
However, whether it was the size of the screen or something not yet perfected in sound technology, more subdued dialogue sounded echoic and didn’t have the same impact one might expect from a more intimate setting.
The Xtreme screen was made for big-budget features such as Top Gun: Maverick. And surely, audiences will be keen to book their tickets for others of the same ilk.
James Cameron’s long awaited Avatar: The Way of Water — out December 15 in the UAE — springs to mind as a film that should only be experienced here. For those who love watching huge films on suitably sized screens, Xtreme delivers a fitting canvas.
Honeymoonish
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Specs
Engine: Dual-motor all-wheel-drive electric
Range: Up to 610km
Power: 905hp
Torque: 985Nm
Price: From Dh439,000
Available: Now
2019 Asian Cup final
Japan v Qatar
Friday, 6pm
Zayed Sports City Stadium, Abu Dhabi
Lexus LX700h specs
Engine: 3.4-litre twin-turbo V6 plus supplementary electric motor
Power: 464hp at 5,200rpm
Torque: 790Nm from 2,000-3,600rpm
Transmission: 10-speed auto
Fuel consumption: 11.7L/100km
On sale: Now
Price: From Dh590,000
The specs
Engine: 2.0-litre 4cyl turbo
Power: 261hp at 5,500rpm
Torque: 405Nm at 1,750-3,500rpm
Transmission: 9-speed auto
Fuel consumption: 6.9L/100km
On sale: Now
Price: From Dh117,059
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ENGLAND SQUAD
Team: 15 Mike Brown, 14 Anthony Watson, 13 Ben Te'o, 12 Owen Farrell, 11 Jonny May, 10 George Ford, 9 Ben Youngs, 1 Mako Vunipola, 2 Dylan Hartley, 3 Dan Cole, 4 Joe Launchbury, 5 Maro Itoje, 6 Courtney Lawes, 7 Chris Robshaw, 8 Sam Simmonds
Replacements 16 Jamie George, 17 Alec Hepburn, 18 Harry Williams, 19 George Kruis, 20 Sam Underhill, 21 Danny Care, 22 Jonathan Joseph, 23 Jack Nowell
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MATCH INFO
Real Madrid 3 (Kroos 4', Ramos 30', Marcelo 37')
Eibar 1 (Bigas 60')
Key facilities
- Olympic-size swimming pool with a split bulkhead for multi-use configurations, including water polo and 50m/25m training lanes
- Premier League-standard football pitch
- 400m Olympic running track
- NBA-spec basketball court with auditorium
- 600-seat auditorium
- Spaces for historical and cultural exploration
- An elevated football field that doubles as a helipad
- Specialist robotics and science laboratories
- AR and VR-enabled learning centres
- Disruption Lab and Research Centre for developing entrepreneurial skills
PULITZER PRIZE 2020 WINNERS
JOURNALISM
Public Service
Anchorage Daily News in collaboration with ProPublica
Breaking News Reporting
Staff of The Courier-Journal, Louisville, Ky.
Investigative Reporting
Brian M. Rosenthal of The New York Times
Explanatory Reporting
Staff of The Washington Post
Local Reporting
Staff of The Baltimore Sun
National Reporting
T. Christian Miller, Megan Rose and Robert Faturechi of ProPublica
and
Dominic Gates, Steve Miletich, Mike Baker and Lewis Kamb of The Seattle Times
International Reporting
Staff of The New York Times
Feature Writing
Ben Taub of The New Yorker
Commentary
Nikole Hannah-Jones of The New York Times
Criticism
Christopher Knight of the Los Angeles Times
Editorial Writing
Jeffery Gerritt of the Palestine (Tx.) Herald-Press
Editorial Cartooning
Barry Blitt, contributor, The New Yorker
Breaking News Photography
Photography Staff of Reuters
Feature Photography
Channi Anand, Mukhtar Khan and Dar Yasin of the Associated Press
Audio Reporting
Staff of This American Life with Molly O’Toole of the Los Angeles Times and Emily Green, freelancer, Vice News for “The Out Crowd”
LETTERS AND DRAMA
Fiction
"The Nickel Boys" by Colson Whitehead (Doubleday)
Drama
"A Strange Loop" by Michael R. Jackson
History
"Sweet Taste of Liberty: A True Story of Slavery and Restitution in America" by W. Caleb McDaniel (Oxford University Press)
Biography
"Sontag: Her Life and Work" by Benjamin Moser (Ecco/HarperCollins)
Poetry
"The Tradition" by Jericho Brown (Copper Canyon Press)
General Nonfiction
"The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care" by Anne Boyer (Farrar, Straus and Giroux)
and
"The End of the Myth: From the Frontier to the Border Wall in the Mind of America" by Greg Grandin (Metropolitan Books)
Music
"The Central Park Five" by Anthony Davis, premiered by Long Beach Opera on June 15, 2019
Special Citation
Ida B. Wells
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