Henna rituals and practices, Nabulsi soap from Palestine and roses from Saudi Arabia are among the cultural heritage practices added to Unesco's Intangible Cultural Heritage lists.
Established in 2008, the lists aim to ensure better protection of cultural heritage and to promote their significance. This year's list is being compiled at a general session taking place in Paraguay until Saturday.
Intangible Cultural Heritages are divided into several lists, including the Intangible Cultural Heritage of Humanity, which encompasses the practices and expressions of communities, and the Intangible Cultural Heritage in Need of Urgent Safeguarding, which last year included Syria's glassblowing practice.
Here are the cultural heritage practices from the region that have been added.
1. Henna rituals, aesthetics and social practices
The UAE is one of 16 countries, including Saudi Arabia, Morocco and Palestine, which submitted traditional henna-making practices to be added to the list. As part of the joint submission, the Permanent Delegation of the UAE to Unesco produced a video shot in Al Ain featuring an Emirati woman discussing the importance of the craft as part of their submission.
The written component of the submission also highlighted the social role henna plays in the region. “What makes henna a distinctive element in the heritage of the participating countries is its transmission throughout successive generations as well as the broad community participation in its rituals and traditions, which creates an atmosphere of festivities and joy for both men and women," it read.
2. Tradition of Nabulsi soapmaking in Palestine
The submission by Palestine's Ministry of Culture described the tradition of Nabulsi soapmaking as an integral part of its cultural heritage and widely practised by its diaspora. Dating back more than 1,000 years and named after the Palestinian city, the soap is made from olive oil, water and lye.
“Making Nabulsi soap at home represents a cultural value in itself because it is associated with good management of a house that contains all the necessities including food, water, and cleaning materials,” read the submission. "The use of olive oil reflects people’s strong relation to the land, and the traditional Nabulsi soap making provides a good income for the families.
“Making Nabulsi soap at home encourages families to share. In the community, people use their homemade Nabulsi soap as a personal gift for celebrations. The element encourages dialogue and identity and connects both family members and the community concerned.”
3. Taif roses from Saudi Arabia
The Taif region of Saudi Arabia is known for its rich history, culture and agricultural productivity, as well as its roses.
In March, when the harvest season begins in the Makkah province, farmers and their families meticulously pick and collect roses in the early morning and transport them to the local markets to be sold or to their own houses to be distilled. The roses are then used for rose water, essential oil in beauty products, traditional medicine, food and drinks. They are also used to perfume mosques and are also presented as gifts.
4. Aleppo Ghar soap from Syria
Aleppo ghar or oil soap is crafted using a unique composition sourced from locally produced olive and laurel oil. In this collaborative, intergenerational process, all the ingredients are picked, cooked and poured on the floors of traditional soap factories. Once this fragrant mixture cools, craftsmen wear large wooden shoes and using their body weight cut the slab into cubes.
These bars of soap are then hand-stamped with the family name. Aleppo soap has a rich history dating back more than 5,000 years, making it one of the oldest soaps on Earth.
5. The Twayef of Ghbonten in Tunisia
Twayef are troupes of poet singers affiliated with the Ghbonten tribe in Tunisia. They have been present in the region since at least the 17th century, with their artistic traditions and practices evolving over time. The Tawyef perform chants or songs wearing white robes and scarlet caps known as chechias and often use a traditional drum called a chenna.
Each troupe consists of only males and a leader. Songs, ranging from sacred to secular, are performed on multiple occasions.
6. Women’s ceremonial costume of Algeria
In Algeria, the Gandoura and Melehfa are traditional attires worn by women for festive occasions such as weddings or national and religious celebrations. These costumes are not only representative of the traditions of the culture but also reaffirm and reinforce social ties to the community.
The knowledge and skills associated with weaving and adding adornments to the Gandoura and the Melehfa are practised within families where skills are passed on through generations, as well as in garment workshops, which helps promote sustainable development through handicrafts.
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What is THAAD?
It is considered to be the US's most superior missile defence system.
Production:
It was created in 2008.
Speed:
THAAD missiles can travel at over Mach 8, so fast that it is hypersonic.
Abilities:
THAAD is designed to take out ballistic missiles as they are on their downward trajectory towards their target, otherwise known as the "terminal phase".
Purpose:
To protect high-value strategic sites, such as airfields or population centres.
Range:
THAAD can target projectiles inside and outside the Earth's atmosphere, at an altitude of 150 kilometres above the Earth's surface.
Creators:
Lockheed Martin was originally granted the contract to develop the system in 1992. Defence company Raytheon sub-contracts to develop other major parts of the system, such as ground-based radar.
UAE and THAAD:
In 2011, the UAE became the first country outside of the US to buy two THAAD missile defence systems. It then stationed them in 2016, becoming the first Gulf country to do so.
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ECB Hawks v ECB Falcons
Monday, April 6, 7.30pm, Sharjah Cricket Stadium
The match will be broadcast live on the My Sports Eye Facebook page
Hawks
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Squad: Chaya Mughal (captain), Archara Supriya, Chamani Senevirathne, Chathurika Anand, Geethika Jyothis, Indhuja Nandakumar, Kashish Loungani, Khushi Sharma, Khushi Tanwar, Rinitha Rajith, Siddhi Pagarani, Siya Gokhale, Subha Srinivasan, Suraksha Kotte, Theertha Satish
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From 5.30pm in the following order:
Featherweight
Marcelo Pontes (BRA) v Azouz Anwar (EGY)
Catchweight 90kg
Moustafa Rashid Nada (KSA) v Imad Al Howayeck (LEB)
Welterweight
Mohammed Al Khatib (JOR) v Gimbat Ismailov (RUS)
Flyweight (women)
Lucie Bertaud (FRA) v Kelig Pinson (BEL)
Lightweight
Alexandru Chitoran (BEL) v Regelo Enumerables Jr (PHI)
Catchweight 100kg
Mohamed Ali (EGY) v Marc Vleiger (NED)
Featherweight
James Bishop (AUS) v Mark Valerio (PHI)
Welterweight
Gerson Carvalho (BRA) v Abdelghani Saber (EGY)
Middleweight
Bakhtiyar Abbasov (AZE) v Igor Litoshik (BLR)
Bantamweight:
Fabio Mello (BRA) v Mark Alcoba (PHI)
Welterweight
Ahmed Labban (LEB) v Magomedsultan Magemedsultanov (RUS)
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Trent Girdham (AUS) v Jayson Margallo (PHI)
Lightweight
Usman Nurmagomedov (RUS) v Roman Golovinov (UKR)
Middleweight
Tarek Suleiman (SYR) v Steve Kennedy (AUS)
Lightweight
Dan Moret (USA) v Anton Kuivanen (FIN)
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Funding stage: Pre-series A
Investment: $1 million
Investors: Seed funding, angel investors
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Sheikh Zayed's poem
When it is unveiled at Abu Dhabi Art, the Standing Tall exhibition will appear as an interplay of poetry and art. The 100 scarves are 100 fragments surrounding five, figurative, female sculptures, and both sculptures and scarves are hand-embroidered by a group of refugee women artisans, who used the Palestinian cross-stitch embroidery art of tatreez. Fragments of Sheikh Zayed’s poem Your Love is Ruling My Heart, written in Arabic as a love poem to his nation, are embroidered onto both the sculptures and the scarves. Here is the English translation.
Your love is ruling over my heart
Your love is ruling over my heart, even a mountain can’t bear all of it
Woe for my heart of such a love, if it befell it and made it its home
You came on me like a gleaming sun, you are the cure for my soul of its sickness
Be lenient on me, oh tender one, and have mercy on who because of you is in ruins
You are like the Ajeed Al-reem [leader of the gazelle herd] for my country, the source of all of its knowledge
You waddle even when you stand still, with feet white like the blooming of the dates of the palm
Oh, who wishes to deprive me of sleep, the night has ended and I still have not seen you
You are the cure for my sickness and my support, you dried my throat up let me go and damp it
Help me, oh children of mine, for in his love my life will pass me by.
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