• An exhibition at Media Majlis at Northwestern University in Qatar titled 'Is it a Beautiful Game?' features more than 280 pieces of physical and digital content exploring the history of football. All photos: Northwestern University in Qatar
    An exhibition at Media Majlis at Northwestern University in Qatar titled 'Is it a Beautiful Game?' features more than 280 pieces of physical and digital content exploring the history of football. All photos: Northwestern University in Qatar
  • Ahead of the upcoming Fifa World Cup Qatar, the exhibition delves into the social and political nuances of football.
    Ahead of the upcoming Fifa World Cup Qatar, the exhibition delves into the social and political nuances of football.
  • The exhibition looks at the role football has played in all our lives, says curator Jack Thomas Taylor.
    The exhibition looks at the role football has played in all our lives, says curator Jack Thomas Taylor.
  • As one of the most popular sports in the world, football is an accessible and relatable means to enable conversations around global issues of concern such as discrimination, racism and equality.
    As one of the most popular sports in the world, football is an accessible and relatable means to enable conversations around global issues of concern such as discrimination, racism and equality.
  • The exhibition includes a collection of photographs from the Arab Image Foundation in Beirut showcasing the region’s sporting heritage.
    The exhibition includes a collection of photographs from the Arab Image Foundation in Beirut showcasing the region’s sporting heritage.
  • A newspaper article about Munira Ramadan, one of the first female and Arab football referees.
    A newspaper article about Munira Ramadan, one of the first female and Arab football referees.
  • Interactive installations give audiences the chance to discover the complex ways media and football are linked on and off the football pitch.
    Interactive installations give audiences the chance to discover the complex ways media and football are linked on and off the football pitch.
  • The exhibition is open for visitors now.
    The exhibition is open for visitors now.
  • The exhibition is also accompanied by several public programmes including discussions on inequality and discrimination and greenwashing in sports.
    The exhibition is also accompanied by several public programmes including discussions on inequality and discrimination and greenwashing in sports.

Stories of the beautiful (and sometimes ugly) game told at Qatar exhibition for World Cup


Maan Jalal
  • English
  • Arabic

It's known globally as the beautiful game. Now, the stories behind football, warts and all, are being explored in a new exhibition at Doha's Media Majlis.

Ahead of the start of the Fifa World Cup Qatar in less than two weeks, the exhibition Is it a Beautiful Game? delves into the social and political nuances surrounding one of the world’s most popular sports and its central relationship with the media. It is on display at the museum, which is dedicated to journalism, communication and media, at Northwestern University in Qatar.

The exhibition starts by examining the phrase “the beautiful game”, which was popularised by the likes of Brazilian legend Pele and English commentator Stuart Hall, who used the phrase as far back as 1958. The expression helped to frame football’s global appeal as a game that brings people together.

However, it also looks into football’s tumultuous history of discrimination, corruption, politics and unfairness.

“Whether you are a lover or a hater, football has somehow played a part in our lives,” Jack Thomas Taylor, a curator at the Media Majlis, tells The National.

“I wanted to curate an exhibition that included content that would allow for a deeper conversation around the role of football and its impact on our lives.”

Taylor explains that football is an accessible and relatable means to enable conversations around global issues of concern such as discrimination, racism and equality. It is also a game at the intersection of many cultural experiences

“Football is also more than just a game,” Taylor says.

“The 90 minutes on the pitch is just the beginning of a great cascade of writing, talking, arguing and watching, making football mean something. The repetitive narrative of players who have overcome losses and multiple odds to become the best in the league stimulates fandom and, of course, a multibillion-dollar industry.”

More than 280 pieces of physical and digital content are included in the exhibition, providing an expansive and multifaceted overview of the sport in the global collective culture.

Objects include a fan-made jersey of Captain Tsubasa, the Japanese animated series or Captain Majed as it is known in the Arabic version; a newspaper article about Munira Ramadan, one of the first female and Arab football referees; along with a collection of photographs from the Arab Image Foundation in Beirut showcasing the region’s sporting heritage.

Interactive installations give audiences the chance to discover the complex ways media and football are linked on and off the pitch. Spread across 56 screens is a football match told through numbers.

“Today the game is all about data which then drives decisions,” Taylor says.

“From managers in the locker room to commentators in the newsroom and fans on social media, match statistics, player performance and historical results are used to analyse every action, both on and off the pitch. Based on this data, players are bought, sold, loved or reviled.”

This installation visualises a football match derived from anonymous data and focuses on two players who compete for the status of Man of the Match. Audiences can examine the game from the perspectives of the fan, the player and the media.

The exhibition is also accompanied by several public programmes including discussions on inequality and discrimination, greenwashing in sports, a question about how real eSports is and a special screening of The Workers Cup, a documentary about the lives of the people who build infrastructures for the world’s biggest sporting tournament.

“We want our audiences never to watch football the same way again,” Taylor says.

“The football and media industries are worth billions of dollars, and it cannot just be underplayed as entertainment and fun — it’s a serious game.”

Is it a Beautiful Game? is free to attend and runs until November 12

Climate activists glue themselves to artworks in protest - in pictures

  • 'Campbell's Soup Cans' by Andy Warhol was been targeted by climate activists at the National Gallery of Australia. Photo: Stop Fossil Fuel Subsidies
    'Campbell's Soup Cans' by Andy Warhol was been targeted by climate activists at the National Gallery of Australia. Photo: Stop Fossil Fuel Subsidies
  • A police officer stands outside the Mauritshuis museum, where three people were arrested for attempting to smudge Vermeer's painting 'Girl with a Pearl Earring', currently exhibited there, in The Hague, Netherlands on October 27, 2022. EPA
    A police officer stands outside the Mauritshuis museum, where three people were arrested for attempting to smudge Vermeer's painting 'Girl with a Pearl Earring', currently exhibited there, in The Hague, Netherlands on October 27, 2022. EPA
  • Two environmental activists of Last Generation glue themselves to metal bars around a display of dinosaur skeletons and holding a banner reading "what if the government does not have it under control" in the Berlin's Natural History Museum, in Berlin on October 30. AFP
    Two environmental activists of Last Generation glue themselves to metal bars around a display of dinosaur skeletons and holding a banner reading "what if the government does not have it under control" in the Berlin's Natural History Museum, in Berlin on October 30. AFP
  • Climate protesters of Last Generation after throwing mashed potatoes at the Claude Monet painting 'Les Meules' at Potsdam’s Barberini Museum on October 24. AP
    Climate protesters of Last Generation after throwing mashed potatoes at the Claude Monet painting 'Les Meules' at Potsdam’s Barberini Museum on October 24. AP
  • Protesters throw two tins of Heinz tomato soup at Vincent van Gogh’s famous 1888 work Sunflowers at the National Gallery in London on October 14. Photo: Just Stop Oil
    Protesters throw two tins of Heinz tomato soup at Vincent van Gogh’s famous 1888 work Sunflowers at the National Gallery in London on October 14. Photo: Just Stop Oil
  • Three young supporters of Just Stop Oil spray-painted around the Kelvingrove Art Gallery and Museum in Glasgow. Two also glued themselves to the frame of Horatio McCulloch's painting 'My Heart’s in the Highlands' on June 29 this year. Photo: Just Stop Oil
    Three young supporters of Just Stop Oil spray-painted around the Kelvingrove Art Gallery and Museum in Glasgow. Two also glued themselves to the frame of Horatio McCulloch's painting 'My Heart’s in the Highlands' on June 29 this year. Photo: Just Stop Oil
  • Two activists glued themselves to the frame of Vincent van Gogh’s 'Peach Trees in Blossom' (1889) at The Courtauld Gallery in London on June 30. Photo: Just Stop Oil
    Two activists glued themselves to the frame of Vincent van Gogh’s 'Peach Trees in Blossom' (1889) at The Courtauld Gallery in London on June 30. Photo: Just Stop Oil
  • On July 1, two activists glued themselves to the frame of 'Tomson’s Aeolian Harp' (1809), a painting by JMW Turner, at the Manchester Art Gallery. Photo: Just Stop Oil
    On July 1, two activists glued themselves to the frame of 'Tomson’s Aeolian Harp' (1809), a painting by JMW Turner, at the Manchester Art Gallery. Photo: Just Stop Oil
  • Activists from the 'Just Stop Oil' campaign group cover 'The Hay Wain' painting by English artist John Constable, in a mock 'undated' version including roads and aircraft, before glueing their hands to the frame in protest against the use of fossil fuels, at The National Gallery in London on July 4. AFP
    Activists from the 'Just Stop Oil' campaign group cover 'The Hay Wain' painting by English artist John Constable, in a mock 'undated' version including roads and aircraft, before glueing their hands to the frame in protest against the use of fossil fuels, at The National Gallery in London on July 4. AFP
  • Activists glue their hands to the frame of the painting 'The Hay Wain' on July 4. AFP
    Activists glue their hands to the frame of the painting 'The Hay Wain' on July 4. AFP
  • Five Just Stop Oil activists spray paint the wall and glue themselves to the frame of the painting the 'Last Supper' by Leonardo da Vinci on July 5, at the Royal Academy of Arts, London. Photo: In Pictures via Getty Images
    Five Just Stop Oil activists spray paint the wall and glue themselves to the frame of the painting the 'Last Supper' by Leonardo da Vinci on July 5, at the Royal Academy of Arts, London. Photo: In Pictures via Getty Images
  • Two activists of the Ultima Generazione (Last Generation) environmentalist group glue themselves to the glass protecting Italian Renaissance painter Sandro Botticelli's 'Primavera (Spring)' in Florence's Uffizi Galleries on July 22. Photo: Ultima Generation via AP
    Two activists of the Ultima Generazione (Last Generation) environmentalist group glue themselves to the glass protecting Italian Renaissance painter Sandro Botticelli's 'Primavera (Spring)' in Florence's Uffizi Galleries on July 22. Photo: Ultima Generation via AP
  • A museum official tries to block two activists of Ultima Generazione (Last Generation). Photo: Ultima Generation via AP
    A museum official tries to block two activists of Ultima Generazione (Last Generation). Photo: Ultima Generation via AP
  • Visitors take pictures and video of the 'Mona Lisa' after cake was smeared on its protective glass at the Louvre Museum in Paris on May 29. Photo: Twitter / @klevisl007 via Reuters
    Visitors take pictures and video of the 'Mona Lisa' after cake was smeared on its protective glass at the Louvre Museum in Paris on May 29. Photo: Twitter / @klevisl007 via Reuters
Coming soon

Torno Subito by Massimo Bottura

When the W Dubai – The Palm hotel opens at the end of this year, one of the highlights will be Massimo Bottura’s new restaurant, Torno Subito, which promises “to take guests on a journey back to 1960s Italy”. It is the three Michelinstarred chef’s first venture in Dubai and should be every bit as ambitious as you would expect from the man whose restaurant in Italy, Osteria Francescana, was crowned number one in this year’s list of the World’s 50 Best Restaurants.

Akira Back Dubai

Another exciting opening at the W Dubai – The Palm hotel is South Korean chef Akira Back’s new restaurant, which will continue to showcase some of the finest Asian food in the world. Back, whose Seoul restaurant, Dosa, won a Michelin star last year, describes his menu as,  “an innovative Japanese cuisine prepared with a Korean accent”.

Dinner by Heston Blumenthal

The highly experimental chef, whose dishes are as much about spectacle as taste, opens his first restaurant in Dubai next year. Housed at The Royal Atlantis Resort & Residences, Dinner by Heston Blumenthal will feature contemporary twists on recipes that date back to the 1300s, including goats’ milk cheesecake. Always remember with a Blumenthal dish: nothing is quite as it seems. 

Updated: November 10, 2022, 1:49 PM