Immerse yourself in art on an island-hopping visit to Helsinki. Photo: Visit Finland
Immerse yourself in art on an island-hopping visit to Helsinki. Photo: Visit Finland
Immerse yourself in art on an island-hopping visit to Helsinki. Photo: Visit Finland
Immerse yourself in art on an island-hopping visit to Helsinki. Photo: Visit Finland

Art and island-hopping in Finland’s cultural capital


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Finland’s capital city may be small, but it punches above its weight when it comes to art and culture. And for a country with a deep love of nature, it is fitting that the Helsinki Biennial – running for the second time since its inception – has one of its two main venues on the biodiversity-rich island of Vallisaari.

A former military island used by Sweden and then Russia during their occupations of Finland, and lived on by a community of military and state employees from independence in 1917 until the mid-1990s, Vallisaari is one of several islands on Helsinki’s expansive and beautiful archipelago that have opened to the public in the past few years.

A 20-minute boat ride from Helsinki’s central Market Square, the isle makes for an evocative art setting with military buildings, tunnels and ammunition stores shrouded in deep vegetation, serving as dark, theatrical backdrops for installations, while nature trails and ponds are fitting settings for outdoor exhibits.

The Helsinki Biennial has one of its two main venues on the biodiversity-rich island of Vallisaari. Photo: Helsinki Biennial
The Helsinki Biennial has one of its two main venues on the biodiversity-rich island of Vallisaari. Photo: Helsinki Biennial

This year’s Helsinki Biennial is curated by Polish-born Joasia Krysa around the open-ended theme New Directions May Emerge. It features site-specific commissions and works that have never been seen in Finland, created by 29 artists and collectives from around the world.

A highlight is artist Sepideh Rahaa’s Songs to Earth, Songs to Seeds installation, featuring a beautifully shot multichannel film dedicated to rice cultivation in the paddy fields of Mazandaran in northern Iran – a task carried out almost year-round by women who sing plaintive songs about their struggles as they work. It is melancholic and poetic, and touches on issues of intangible heritage, food security and the importance of community and geopolitics – these generational rice farmers are forced to use toxic fertilisers due to international sanctions in Iran.

Sepideh Rahaa’s Songs to Earth, Songs to Seeds installation. Photo: Helsinki Biennial
Sepideh Rahaa’s Songs to Earth, Songs to Seeds installation. Photo: Helsinki Biennial

A lot of the art is embedded in nature, such as Adrian Villar Rojas's enigmatic sculptures, which are inspired by the nests of the Argentinian hornero bird, hidden away amid the island’s trees, rocks and buildings.

Another highlight is the island itself, and a tour of the biennial offers the perfect excuse to visit. Stick to the two main trails, however, as erosion is a risk and debris remains from the island’s military history and a tragic explosion in 1937.

Adrian Villar Rojas's sculpture is immersed in nature. Photo: Helsinki Biennial
Adrian Villar Rojas's sculpture is immersed in nature. Photo: Helsinki Biennial

For a further art hit, and a Helsinki-flavoured take on island-hopping, buy a ringline ticket that allows travellers to combine a visit to Vallisaari with a stop on the island of Lonna, famed for its sauna and restaurant services. Travellers can also opt to stop off at the fortress island of Suomenlinna and explore its world-heritage site.

Here, be sure to see The Unknown Baltic Sea, an under-the-radar but beautifully produced exhibition, which is set in a former aircraft hangar and runs until September 15. Organised by the Helsinki-based John Nurminen Foundation, which works to protect the Baltic Sea and its heritage, the exhibition explores stories, myths and mysteries about the sea, via films, photos and installations by seven artists.

Helsinki has a wealth of cultural and natural treasures that go beyond the biennial. Photo: Suomen Ilmakuva Oy
Helsinki has a wealth of cultural and natural treasures that go beyond the biennial. Photo: Suomen Ilmakuva Oy

Back in the city, the biennial has another main base at the Helsinki Art Museum, where films and larger installations that require museum conditions are on display. Tabita Rezaire’s video installation, which delves into internet colonialism and other themes, is a highlight.

But the art and creativity doesn’t end with the Helsinki Biennial. Very much worth a visit is the city’s Ateneum Art Museum, which offers a deep dive into Finnish art and history. The venue reopened in April after a year-long renovation and refurbishment project, and the new collection display – called A Question of Time – includes more than 400 works by 200 artists, some never seen before.

Tabita Rezaire's Deep Down Tidal, 2017. Photo: Helsinki Biennial
Tabita Rezaire's Deep Down Tidal, 2017. Photo: Helsinki Biennial

Museum of Contemporary Art Kiasma has also recently been refurbished. Set in a dramatic light-filled, angular building designed by US architect Steven Holl, which is worth the visit alone, the museum offers five floors of contemporary exhibitions and an ever-growing permanent collection of works from Finland, Scandinavia, the Baltic region and Russia.

For younger visitors, the city’s Amos Rex is located in a 1930s modernist building and features a new – and quite surreal – underground extension by local architects JKMM. This summer it hosts its third iteration of the Generation Triennial featuring works by Helsinki residents aged between 15 and 23 years. Despite their creators having little or no training, studios, or even the right tools, the pieces show a richness and depth that belies age.

If you still haven’t tired of culture at this point, head to the city’s 150-year-old Design Museum housed in a former school. An exhibit on the oversized textile works by Amsterdam artist and designer Kustaa Saksi is currently wowing audiences.

Museum of Contemporary Art Kiasma in Helsinki is housed in a light-filled, angular building. Photo: Tapio Haaja / Unsplash
Museum of Contemporary Art Kiasma in Helsinki is housed in a light-filled, angular building. Photo: Tapio Haaja / Unsplash

Or, take the metro to Espoo to enjoy the sprawling, old printworks building that houses EMMA Espoo Museum of Modern Art. The museum recently received a stunning collection of Finnish ceramics and glass pieces by Alvar Aalto, Kaj Franck, Birger Kaipiainen and others from entrepreneur and collector Kyosti Kakkonen, which is wonderfully displayed against concrete, glass and timber backdrops.

Other simple ideas for sushi rice dishes

Cheat’s nigiri 
This is easier to make than sushi rolls. With damp hands, form the cooled rice into small tablet shapes. Place slices of fresh, raw salmon, mackerel or trout (or smoked salmon) lightly touched with wasabi, then press, wasabi side-down, onto the rice. Serve with soy sauce and pickled ginger.

Easy omurice
This fusion dish combines Asian fried rice with a western omelette. To make, fry cooked and cooled sushi rice with chopped vegetables such as carrot and onion and lashings of sweet-tangy ketchup, then wrap in a soft egg omelette.

Deconstructed sushi salad platter 
This makes a great, fuss-free sharing meal. Arrange sushi rice on a platter or board, then fill the space with all your favourite sushi ingredients (edamame beans, cooked prawns or tuna, tempura veggies, pickled ginger and chilli tofu), with a dressing or dipping sauce on the side.

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Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

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Updated: July 26, 2023, 10:52 AM