There are different shades to Kang Daniel.
This is what the K-pop star is showing fans with his colour-inspired trilogy of EPs, the second of which, Magenta, dropped this month.
Where the series opener, 2018's Colour on Me, was marked by its streamlined RnB direction, the latest batch of songs shows Kang expanding his palette to take in new styles such as Latin-inspired pop and dance hall.
Lead singles Waves and Who You Are form some of the more interesting releases to emerge out of the K-pop scene this year.
The former packs in a lot of ideas over its near-three-minute running time, with stuttering hip-hop beats, staccato piano riffs and flamenco-inspired guitar work. Listen closer and you will also hear the yearning notes of the flute in the mix.
The bilingual Who You Are, however, is an unabashed pop tune that moves from The Weeknd-like crooning verse to boyband-ready chorus.
"The series is a project that shows my journey as a developing artist," Kang, 23, tells The National.
"I feel like I'm still searching for the right musical colour that best suits me, and I wanted to share this period of self-discovery with my fans. Each album shows a different phase of my career, my inspirations, and my thoughts through different sounds and genres. With Magenta, I wanted to bring some energy to listeners this summer with music that everyone can dance and have fun to."
Underscoring the party vibes are the accompanying videos, which are full of K-pop’s trademark glitz.
In Waves, Kang and the track's featured artists, Simon Dominic and Jamie, sing and rap their way through various settings including an underground club and a greenhouse.
The video for Who You Are, meanwhile, shows Kang and an army of dancers juxtaposed between volcanic and arctic settings.
Despite the fun shown on screen, Kang says music videos are a serious and thoughtful business in the K-pop industry.
“The visuals and the music are equally important because the synergy between them determines how impactful the message of the artist is. I want to convey the vibe of the song to the fullest,” he says.
"Magenta has two main music videos (and they) represent 'fire' and 'water' respectively, so the focus should be on the different settings that visually portray those two elements."
From survivor to star
Kang’s assuredness comes from launching his music career under the gaze of millions.
A dancer since his mid-teens, he became a national sensation after winning the 2017 season of Produce 101. The Survivor meets X Factor concept featured Kang emerging from 101 "trainees" to win the series, the prize being a role as the lead singer of 11-piece boyband (the remaining 10 members were finalists) Wanna One.
Despite releasing only one album, 2018's 1¹¹=1 (Power of Destiny), before disbanding last year, the group were an international juggernaut with a world tour that included stops across Asia, the US and Australia.
While Kang's burgeoning solo career has been unsurprisingly successful – Magenta topped the charts and sold more than 300,000 copies in South Korea – he is not taking anything for granted.
Kang doesn’t even know why K-pop is so popular. This is just as well, as he finds such questions a distraction from building an enduring career immune to trends and fads.
“That is a tough question and I’m unsure how to answer that because there were so many artists before me who paved the way,” he says.
“I just want to make sure that I do my part by continuing the legacy of my seniors, by working hard and elevating the standards of K-pop. This is a responsibility I take seriously.”
Kang’s love for his Arab fans
Another career aspect Kang is careful to maintain is a close relationship with his fans, many of whom followed him from his television debut three years ago. And that includes a growing legion in the UAE and Saudi Arabia.
“I am so thankful that the UAE and the Arab world embraces K-pop and my music despite the cultural and language differences,” he says. “I sincerely appreciate the love and I am truly touched by their support.”
Once the pandemic abates and live entertainment resumes, Kang confirms that the Gulf will be part of his travel plans for work and pleasure.
“I really want to visit for a holiday and to meet my fans there in concert where we can spend time together,” he says “My message to my UAE fans and those in the Arab world is that I hope they enjoy the new EP and I will work harder to make more good music. Hope you stay safe and healthy.”
Timeline
2012-2015
The company offers payments/bribes to win key contracts in the Middle East
May 2017
The UK SFO officially opens investigation into Petrofac’s use of agents, corruption, and potential bribery to secure contracts
September 2021
Petrofac pleads guilty to seven counts of failing to prevent bribery under the UK Bribery Act
October 2021
Court fines Petrofac £77 million for bribery. Former executive receives a two-year suspended sentence
December 2024
Petrofac enters into comprehensive restructuring to strengthen the financial position of the group
May 2025
The High Court of England and Wales approves the company’s restructuring plan
July 2025
The Court of Appeal issues a judgment challenging parts of the restructuring plan
August 2025
Petrofac issues a business update to execute the restructuring and confirms it will appeal the Court of Appeal decision
October 2025
Petrofac loses a major TenneT offshore wind contract worth €13 billion. Holding company files for administration in the UK. Petrofac delisted from the London Stock Exchange
November 2025
180 Petrofac employees laid off in the UAE
Yahya Al Ghassani's bio
Date of birth: April 18, 1998
Playing position: Winger
Clubs: 2015-2017 – Al Ahli Dubai; March-June 2018 – Paris FC; August – Al Wahda
Islamophobia definition
A widely accepted definition was made by the All Party Parliamentary Group on British Muslims in 2019: “Islamophobia is rooted in racism and is a type of racism that targets expressions of Muslimness or perceived Muslimness.” It further defines it as “inciting hatred or violence against Muslims”.
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MOUNTAINHEAD REVIEW
Starring: Ramy Youssef, Steve Carell, Jason Schwartzman
Director: Jesse Armstrong
Rating: 3.5/5
The smuggler
Eldarir had arrived at JFK in January 2020 with three suitcases, containing goods he valued at $300, when he was directed to a search area.
Officers found 41 gold artefacts among the bags, including amulets from a funerary set which prepared the deceased for the afterlife.
Also found was a cartouche of a Ptolemaic king on a relief that was originally part of a royal building or temple.
The largest single group of items found in Eldarir’s cases were 400 shabtis, or figurines.
Khouli conviction
Khouli smuggled items into the US by making false declarations to customs about the country of origin and value of the items.
According to Immigration and Customs Enforcement, he provided “false provenances which stated that [two] Egyptian antiquities were part of a collection assembled by Khouli's father in Israel in the 1960s” when in fact “Khouli acquired the Egyptian antiquities from other dealers”.
He was sentenced to one year of probation, six months of home confinement and 200 hours of community service in 2012 after admitting buying and smuggling Egyptian antiquities, including coffins, funerary boats and limestone figures.
For sale
A number of other items said to come from the collection of Ezeldeen Taha Eldarir are currently or recently for sale.
Their provenance is described in near identical terms as the British Museum shabti: bought from Salahaddin Sirmali, "authenticated and appraised" by Hossen Rashed, then imported to the US in 1948.
- An Egyptian Mummy mask dating from 700BC-30BC, is on offer for £11,807 ($15,275) online by a seller in Mexico
- A coffin lid dating back to 664BC-332BC was offered for sale by a Colorado-based art dealer, with a starting price of $65,000
- A shabti that was on sale through a Chicago-based coin dealer, dating from 1567BC-1085BC, is up for $1,950
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Ten tax points to be aware of in 2026
1. Domestic VAT refund amendments: request your refund within five years
If a business does not apply for the refund on time, they lose their credit.
2. E-invoicing in the UAE
Businesses should continue preparing for the implementation of e-invoicing in the UAE, with 2026 a preparation and transition period ahead of phased mandatory adoption.
3. More tax audits
Tax authorities are increasingly using data already available across multiple filings to identify audit risks.
4. More beneficial VAT and excise tax penalty regime
Tax disputes are expected to become more frequent and more structured, with clearer administrative objection and appeal processes. The UAE has adopted a new penalty regime for VAT and excise disputes, which now mirrors the penalty regime for corporate tax.
5. Greater emphasis on statutory audit
There is a greater need for the accuracy of financial statements. The International Financial Reporting Standards standards need to be strictly adhered to and, as a result, the quality of the audits will need to increase.
6. Further transfer pricing enforcement
Transfer pricing enforcement, which refers to the practice of establishing prices for internal transactions between related entities, is expected to broaden in scope. The UAE will shortly open the possibility to negotiate advance pricing agreements, or essentially rulings for transfer pricing purposes.
7. Limited time periods for audits
Recent amendments also introduce a default five-year limitation period for tax audits and assessments, subject to specific statutory exceptions. While the standard audit and assessment period is five years, this may be extended to up to 15 years in cases involving fraud or tax evasion.
8. Pillar 2 implementation
Many multinational groups will begin to feel the practical effect of the Domestic Minimum Top-Up Tax (DMTT), the UAE's implementation of the OECD’s global minimum tax under Pillar 2. While the rules apply for financial years starting on or after January 1, 2025, it is 2026 that marks the transition to an operational phase.
9. Reduced compliance obligations for imported goods and services
Businesses that apply the reverse-charge mechanism for VAT purposes in the UAE may benefit from reduced compliance obligations.
10. Substance and CbC reporting focus
Tax authorities are expected to continue strengthening the enforcement of economic substance and Country-by-Country (CbC) reporting frameworks. In the UAE, these regimes are increasingly being used as risk-assessment tools, providing tax authorities with a comprehensive view of multinational groups’ global footprints and enabling them to assess whether profits are aligned with real economic activity.
Contributed by Thomas Vanhee and Hend Rashwan, Aurifer