Hit theatre spectacle Humare Ram, based on the Indian epic Ramayana, is making its international debut with a four-day run at the Dubai Opera. Photo: Felicity Theatre
Hit theatre spectacle Humare Ram, based on the Indian epic Ramayana, is making its international debut with a four-day run at the Dubai Opera. Photo: Felicity Theatre
Hit theatre spectacle Humare Ram, based on the Indian epic Ramayana, is making its international debut with a four-day run at the Dubai Opera. Photo: Felicity Theatre
Hit theatre spectacle Humare Ram, based on the Indian epic Ramayana, is making its international debut with a four-day run at the Dubai Opera. Photo: Felicity Theatre

Humare Ram at Dubai Opera: Dazzling, if inconsistently paced, adaptation of the Ramayana


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One of my earliest childhood memories includes weekends spent watching TV reruns of Ramanand Sagar's 1987 fantasy series Ramayan.

Balancing period theatrics with a sincere exploration of its famous mythological roots, the show and its leading cast soon became household names within our extended families. It endured the test of time that few other adaptations of Valmiki’s Sanskrit epic could ever achieve.

Now, almost four decades after its release, several reinterpretations have been made, with varying degrees of success. From the 2015 Star Plus series Siya Ke Raam to global interpretations such as 1993's Japanese animated feature film Ramayana: The Legend of Prince Rama, the mythological texts have had – and are likely to have – varying retellings from across the world.

All of that being said, I never knew I’d find myself revisiting the oft-told story in the form of a theatre production at the Dubai Opera on Thursday. Being held for the first time internationally, and co-written and starring Rahull R Bhuchar in the titular role, Humare Ram adapts the Ramayana through a more episodic set of scenes, in which the estranged sons of Ram, Luv and Kush, are taken through the events leading to their father’s exile with their mother Sita.

Ashutosh Rana as Ravan in Humare Ram. Photo: Felicity Theatre
Ashutosh Rana as Ravan in Humare Ram. Photo: Felicity Theatre

While the cornucopia of lights, sound and colour often does come together to form an engaging whole, as the writing flows (both literally and metaphorically) like a poem, the narrative itself feels fractured and without focus, preferring spectacle over storytelling. Some scenes overstay their welcome, stretching the pace. Despite this, there are areas where Humare Ram shines.

Ashutosh Rana is among those bright spots. His thunderous presence as the antagonist Ravan commands the stage, delivering a physical and vocal performance that fuses menace with pangs of existentialism and well-timed humour. He works well off the strengths of Bhuchar, whose warm, baritone voice is perfectly in line with the benevolent, yet wise-beyond-his-years protagonist, who is exiled from his kingdom for 14 years in a sour turn of hunger for political power.

Harleen Rekhi is phenomenal as Sita, but unfortunately, since this isn’t entirely her story, she isn’t present for most of this play. The narrative focuses largely on the events that lead to the inevitable battle between good and evil.

Although the pacing can drag on at times, the strong acting from the cast help make up for it. Photo: Felicity Theatre
Although the pacing can drag on at times, the strong acting from the cast help make up for it. Photo: Felicity Theatre

But the real surprise is Deepti Kumar as Shurpanakha, Ravan’s vengeful sister. In just two scenes, she lights up the stage with an electrifying physical performance, playing to the crowd with unapologetic glee. Her mix of rage and slyness turns into a hilarious bit of meta-acting, leading to what might be the sharpest, most perfectly timed comedic exchange in the play.

The music is mostly a delight, even if the compositions sometimes veer into soap-opera territory. With powerhouse voices such as Shankar Mahadevan, Sonu Nigam and Kailash Kher giving it their all, the soundtrack becomes a memorable companion to the action on stage. The only drawback is the title song, which is used so often as a scene-change cue that it starts to wear thin.

There’s still plenty to love, enough to make up for the many slow-paced scenes that bring the production’s rhythm to a halt more than once. However, it’s hard not to wonder, given what’s already been achieved, how much further it could have gone. Thankfully, as the curtains fall, you’ll be more inclined to remember the incredible stage performances of Kumar, Rana and Bhuchar, as well as some splendid musical numbers.

Humare Ram will be at the Dubai Opera until Sunday

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Welcome back. What was it like to return to RAK and to play for fans out here again?
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You're currently touring the globe as part of your Legends of the Feels Tour. How important is it to you to include the Middle East in the schedule?
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You mix tracks that people know and love, but you also have a visually impressive set too (graphics etc). Is that the secret recipe to Dash Berlin's live gigs?
People enjoying the combination of the music and visuals are the key factor in the success of the Legends Of The Feel tour 2018.

Have you had some time to explore Ras al Khaimah too? If so, what have you been up to?
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Treaty of Friendship between the United Kingdom of Great Britain and Northern Ireland and the United Arab Emirates

The United kingdom of Great Britain and Northern Ireland and the United Arab Emirates; Considering that the United Arab Emirates has assumed full responsibility as a sovereign and independent State; Determined that the long-standing and traditional relations of close friendship and cooperation between their peoples shall continue; Desiring to give expression to this intention in the form of a Treaty Friendship; Have agreed as follows:

ARTICLE 1 The relations between the United Kingdom of Great Britain and Northern Ireland and the United Arab Emirates shall be governed by a spirit of close friendship. In recognition of this, the Contracting Parties, conscious of their common interest in the peace and stability of the region, shall: (a) consult together on matters of mutual concern in time of need; (b) settle all their disputes by peaceful means in conformity with the provisions of the Charter of the United Nations.

ARTICLE 2 The Contracting Parties shall encourage education, scientific and cultural cooperation between the two States in accordance with arrangements to be agreed. Such arrangements shall cover among other things: (a) the promotion of mutual understanding of their respective cultures, civilisations and languages, the promotion of contacts among professional bodies, universities and cultural institutions; (c) the encouragement of technical, scientific and cultural exchanges.

ARTICLE 3 The Contracting Parties shall maintain the close relationship already existing between them in the field of trade and commerce. Representatives of the Contracting Parties shall meet from time to time to consider means by which such relations can be further developed and strengthened, including the possibility of concluding treaties or agreements on matters of mutual concern.

ARTICLE 4 This Treaty shall enter into force on today’s date and shall remain in force for a period of ten years. Unless twelve months before the expiry of the said period of ten years either Contracting Party shall have given notice to the other of its intention to terminate the Treaty, this Treaty shall remain in force thereafter until the expiry of twelve months from the date on which notice of such intention is given.

IN WITNESS WHEREOF the undersigned have signed this Treaty.

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Signed

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If a business does not apply for the refund on time, they lose their credit.

2. E-invoicing in the UAE

Businesses should continue preparing for the implementation of e-invoicing in the UAE, with 2026 a preparation and transition period ahead of phased mandatory adoption. 

3. More tax audits

Tax authorities are increasingly using data already available across multiple filings to identify audit risks. 

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Tax disputes are expected to become more frequent and more structured, with clearer administrative objection and appeal processes. The UAE has adopted a new penalty regime for VAT and excise disputes, which now mirrors the penalty regime for corporate tax.

5. Greater emphasis on statutory audit

There is a greater need for the accuracy of financial statements. The International Financial Reporting Standards standards need to be strictly adhered to and, as a result, the quality of the audits will need to increase.

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Transfer pricing enforcement, which refers to the practice of establishing prices for internal transactions between related entities, is expected to broaden in scope. The UAE will shortly open the possibility to negotiate advance pricing agreements, or essentially rulings for transfer pricing purposes. 

7. Limited time periods for audits

Recent amendments also introduce a default five-year limitation period for tax audits and assessments, subject to specific statutory exceptions. While the standard audit and assessment period is five years, this may be extended to up to 15 years in cases involving fraud or tax evasion. 

8. Pillar 2 implementation 

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9. Reduced compliance obligations for imported goods and services

Businesses that apply the reverse-charge mechanism for VAT purposes in the UAE may benefit from reduced compliance obligations. 

10. Substance and CbC reporting focus

Tax authorities are expected to continue strengthening the enforcement of economic substance and Country-by-Country (CbC) reporting frameworks. In the UAE, these regimes are increasingly being used as risk-assessment tools, providing tax authorities with a comprehensive view of multinational groups’ global footprints and enabling them to assess whether profits are aligned with real economic activity. 

Contributed by Thomas Vanhee and Hend Rashwan, Aurifer

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Updated: August 15, 2025, 9:39 AM