Barjeel Art Foundation's Parallel Histories - in pictures
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Parallel Histories is running at Sharjah Art Museum until spring 2024. Pawan Singh / The National -
Mobaghata (Attack) by Abdel Badie Abdel Hay (1972). Pawan Singh / The National -
Allah by Nahil Bishara (n.d.). Pawan Singh / The National -
Trial No 140 by Mouteea Murad (2020). Pawan Singh / The National -
From back, Wool Yarn Dying at the Centre by Ramses Wissa Wassef Arts Centre and Reda Ahmed (2004); Arabic Motif by Dia Al Azzawi (1983). Pawan Singh / The National -
The Lotus Girl by Nazek Hamdy (1955). Pawan Singh / The National -
Formative Radiation by Samia Osseiran (1969). Pawan Singh / The National -
Kopf by Marwan (1975). Pawan Singh / The National -
Women's Orchestra from Rif by Meriem Meziane (1969). Pawan Singh / The National -
Arabian Horseman by Sami Mohammed (1989). Pawan Singh / The National -
From left, Man with Goat, n.d. (circa 1940s); Pharaoh's Hat (Tomb of Absalom), n.d. (circa 1940s) by Zulfa Al Saadi. Pawan Singh / The National -
Windows by Mohammed Kazem (2019). Pawan Singh / The National -
Continuity by Mona Saudi (1968). Pawan Singh / The National -
Palestine by Abdulhalim Radwi (1962). Pawan Singh / The National -
Cesar by Salah Abdel Kerim (1964). Pawan Singh / The National -
The Cafe 2 by Faisal Laibi Sahi (2014). Pawan Singh / The National -
Le Gardien de la vie (The Protector of Life) by Hamed Ewais (1967–68). Pawan Singh / The National -
Stork Birds by Margo Veillon (n.d.). Pawan Singh / The National -
From back, The Last Sound by Ibrahim El-Salahi (1964); untitled by Armen Agop (2008). Photo: Barjeel Art Foundation -
Untitled by Siham Al Saudi (1992). Photo: Barjeel Art Foundation -
The Disappeared by Marwan (1970). Photo: Barjeel Art Foundation -
From left, The Lotus Girl by Nazek Hamdy (1955); Madonna of the Oranges by Ismail Shammout (1997); Still Life by Amy Nimr (n.d.) Photo: Barjeel Art Foundation -
As no labels appear beside each piece, there are no visual disruptions as you navigate the works. Photo: Barjeel Art Foundation -
From left, End of a World by Ib Benoh (2003-04); At Home in the Alley by Sadik Al Fraji (2020). Photo: Barjeel Art Foundation
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