The owner of a factory in Bangladesh where 52 people died in a fire was arrested on suspicion of murder on Saturday, along with seven other people.
This came as it emerged that children as young as 11 had been working at the site in Rupganj, an industrial town outside the capital Dhaka.
Police said Abul Hashem and four of his sons were among eight people detained over the inferno, which broke out Thursday and raged for more than a day.
A separate inquiry has been launched into the use of child labour at the food factory.
I sent my baby girl to die. How will I tell her mother?
Bilal Hossein,
grieving parent
Jayedul Alam, police chief for Narayanganj district where the factory is located, said the entrance had been padlocked at the time of the blaze and that multiple safety regulations were breached.
“It was deliberate murder,” the police chief told AFP.
All eight people detained face murder charges.
Before his arrest, Mr Hashem told the Daily Star newspaper the fire “may have been a result of workers' carelessness”, suggesting that a discarded cigarette could have sparked the blaze.
Emergency services found 48 bodies on the third floor of the six-storey Hashem Food and Beverage factory, where noodles, fruit juice and sweets were produced.
The fire department said the exit door to the main staircase had been padlocked and highly flammable chemicals and plastics had been stored in the building.
Labour Minister Monnujan Sufian said inquiries had begun into the use of child workers at the factory.
Laizu Begum, who spent hours waiting outside the factory, said her 11-year-old nephew had been working on the third floor and was now missing.
“We heard the door of the floor where my nephew worked was padlocked. Then we realised, after seeing how big the fire was, that he is probably dead,” she said.
Outside the burnt shell of the factory and at the hospital morgue, AFP spoke to 30 survivors and relatives of the dead, who said child workers at the factory were paid 20 taka ($0.24) an hour.
Bilal Hossain, father of Mitu Akter, 14, who was among the missing, went to the Dhaka Medical College and Hospital morgue with a photo of his daughter, begging police and doctors to hand over her remains.
“I sent my baby girl to die,” said Mr Hossain. “How will I tell her mother?”
At the hospital, Chandu Mia held a photo of his 15-year-old daughter. “I am not sure if she is alive,” he said.
Ms Sufian said she had spoken to young survivors.
“I went to the hospital and I asked them how old they are. The youngest were 14,” she said.
Ms Sufian said some children aged as young as 14 were allowed to work in non-hazardous jobs, but that the Hashem factory was considered hazardous.
“If child labour is proved, we will take action against the owner and the inspectors,” she said.
Bangladesh pledged safety reforms after the Rana Plaza disaster in 2013, when a nine-storey complex collapsed, killing more than 1,100 people.
But there has been a series of fires and other disasters since then. In February 2019, at least 70 people died when a fire ripped through Dhaka apartments where chemicals were illegally stored.
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Sholto Byrnes on Myanmar politics
'Ghostbusters: From Beyond'
Director: Jason Reitman
Starring: Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace
Rating: 2/5
Zakat definitions
Zakat: an Arabic word meaning ‘to cleanse’ or ‘purification’.
Nisab: the minimum amount that a Muslim must have before being obliged to pay zakat. Traditionally, the nisab threshold was 87.48 grams of gold, or 612.36 grams of silver. The monetary value of the nisab therefore varies by current prices and currencies.
Zakat Al Mal: the ‘cleansing’ of wealth, as one of the five pillars of Islam; a spiritual duty for all Muslims meeting the ‘nisab’ wealth criteria in a lunar year, to pay 2.5 per cent of their wealth in alms to the deserving and needy.
Zakat Al Fitr: a donation to charity given during Ramadan, before Eid Al Fitr, in the form of food. Every adult Muslim who possesses food in excess of the needs of themselves and their family must pay two qadahs (an old measure just over 2 kilograms) of flour, wheat, barley or rice from each person in a household, as a minimum.
Haircare resolutions 2021
From Beirut and Amman to London and now Dubai, hairstylist George Massoud has seen the same mistakes made by customers all over the world. In the chair or at-home hair care, here are the resolutions he wishes his customers would make for the year ahead.
1. 'I will seek consultation from professionals'
You may know what you want, but are you sure it’s going to suit you? Haircare professionals can tell you what will work best with your skin tone, hair texture and lifestyle.
2. 'I will tell my hairdresser when I’m not happy'
Massoud says it’s better to offer constructive criticism to work on in the future. Your hairdresser will learn, and you may discover how to communicate exactly what you want more effectively the next time.
3. ‘I will treat my hair better out of the chair’
Damage control is a big part of most hairstylists’ work right now, but it can be avoided. Steer clear of over-colouring at home, try and pursue one hair brand at a time and never, ever use a straightener on still drying hair, pleads Massoud.
Manikarnika: The Queen of Jhansi
Director: Kangana Ranaut, Krish Jagarlamudi
Producer: Zee Studios, Kamal Jain
Cast: Kangana Ranaut, Ankita Lokhande, Danny Denzongpa, Atul Kulkarni
Rating: 2.5/5
What are NFTs?
Are non-fungible tokens a currency, asset, or a licensing instrument? Arnab Das, global market strategist EMEA at Invesco, says they are mix of all of three.
You can buy, hold and use NFTs just like US dollars and Bitcoins. “They can appreciate in value and even produce cash flows.”
However, while money is fungible, NFTs are not. “One Bitcoin, dollar, euro or dirham is largely indistinguishable from the next. Nothing ties a dollar bill to a particular owner, for example. Nor does it tie you to to any goods, services or assets you bought with that currency. In contrast, NFTs confer specific ownership,” Mr Das says.
This makes NFTs closer to a piece of intellectual property such as a work of art or licence, as you can claim royalties or profit by exchanging it at a higher value later, Mr Das says. “They could provide a sustainable income stream.”
This income will depend on future demand and use, which makes NFTs difficult to value. “However, there is a credible use case for many forms of intellectual property, notably art, songs, videos,” Mr Das says.