Brother Nicola with a decorated candle at the Beit Jamal monastery, west of Jerusalem. Rosie Scammell / The National
Brother Nicola with a decorated candle at the Beit Jamal monastery, west of Jerusalem. Rosie Scammell / The National
Brother Nicola with a decorated candle at the Beit Jamal monastery, west of Jerusalem. Rosie Scammell / The National
Brother Nicola with a decorated candle at the Beit Jamal monastery, west of Jerusalem. Rosie Scammell / The National

Meet the secluded monk who crafts candles for the tomb of Jesus


Rosie Scammell
  • English
  • Arabic

At a hilltop monastery outside Jerusalem, Brother Nicola is crafting candles that will light up the tomb where Christians believe Jesus lay.

“Easter is the resurrection of Christ and it’s exactly this symbol. In the darkness the light of Christ came,” said the Swiss monk, wearing a light blue tunic.

One of seven monks living in solitude at the Beit Jamal monastery, Brother Nicola makes candles that adorn churches across the Holy Land.

They include the Church of the Holy Sepulchre in Jerusalem’s Old City, the focal point of the coming Easter celebrations.

At a workshop where Brother Nicola spends four days a week, moulds for candles more than a metre tall rest below a picture of baby Jesus being cradled by his mother Mary.

A container for hot wax stands in the centre of the workshop and wicks of various thickness are waiting in a cupboard.

“Because we are monks we don’t go out to preach the Gospel to other people, but we want to manifest it through our work,” said Brother Nicola.

The monks live an isolated life at the monastery, which is reached through an olive grove dotted with spring flowers.

Each has his own quarters, where he receives food through a hatch, allowing for solitude for most of the time.

“When I do these candles I’m praying, and it’s my way to bring the light of Christ,” said Brother Nicola.

Brother Nicola makes candles of the type used at Jerusalem's Church of the Holy Sepulchre. Rosie Scammell / The National
Brother Nicola makes candles of the type used at Jerusalem's Church of the Holy Sepulchre. Rosie Scammell / The National

The monks buy the wax from Bethlehem in the occupied West Bank, where Christians believe Jesus was born.

The candle-making process begins by threading a wick through a mould and securing it with putty, before pouring in the hot wax.

A pile of coathangers indicates another style. Brother Nicola uses these to dip wicks into hot wax and hangs them from the workshop ceiling to solidify.

“Today I can’t make this type of candle, because it’s too hot, it’s too windy,” he said, as the side of the workshop is open to the elements.

The process can become impossible both in summer, when it gets too hot for the candles to set, and in the winter, when the hot wax can react against the cold moulds.

When the candles are ready, one of the monks leaves the monastery to take them to churches.

A woman lights a candle at the Church of the Holy Sepulchre in the Old City of Jerusalem. AFP
A woman lights a candle at the Church of the Holy Sepulchre in the Old City of Jerusalem. AFP

Hundreds each year are delivered to the Catholic Franciscan order at the Church of the Holy Sepulchre, which uses the candles in Jesus’s tomb.

Orthodox and Armenian Christians burn their own candles at the church, whose custodianship is shared by six denominations because of its significance to the faith.

The most well-known celebration is the Holy Fire ceremony at Orthodox Easter, when worshippers believe a miraculous flame emanates from the tomb.

Christian Orthodox worshippers hold up candles lit from the Holy Fire as they gather in the Church of the Holy Sepulchre in Jerusalem’s Old City. AFP
Christian Orthodox worshippers hold up candles lit from the Holy Fire as they gather in the Church of the Holy Sepulchre in Jerusalem’s Old City. AFP

However the candles are used, Brother Nicola said “the significance of the light is the same” for all Christians.

Looking ahead to Catholic Easter, which this year falls a week before the Orthodox celebrations, the monk recalled the annual vigil, which begins in darkness.

“We begin with the fire,” he said, of the service which churches hold on the eve of Easter Sunday.

“With this fire, we light the candle, it’s the symbol, and we go in procession until the church,” said Brother Nicola, as bells rang from the nearby chapel.

“Then each one lights his own candle, so you see the light goes everywhere. It’s very powerful.”

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Japan: Matera Sky/Hideyuki Mori, KT Brace/Haruki Sugiyama. Bahrain: Nine Below Zero/Fawzi Nass. Ireland: Tato Key/David Marnane. Hong Kong: Fight Hero/Me Tsui. South Korea: Dolkong/Simon Foster.

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Commission caps

For life insurance products with a savings component, Peter Hodgins of Clyde & Co said different caps apply to the saving and protection elements:

• For the saving component, a cap of 4.5 per cent of the annualised premium per year (which may not exceed 90 per cent of the annualised premium over the policy term). 

• On the protection component, there is a cap  of 10 per cent of the annualised premium per year (which may not exceed 160 per cent of the annualised premium over the policy term).

• Indemnity commission, the amount of commission that can be advanced to a product salesperson, can be 50 per cent of the annualised premium for the first year or 50 per cent of the total commissions on the policy calculated. 

• The remaining commission after deduction of the indemnity commission is paid equally over the premium payment term.

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Disclosure

Customers must now be provided with a full illustration of the product they are buying to ensure they understand the potential returns on savings products as well as the effects of any charges. There is also a “free-look” period of 30 days, where insurers must provide a full refund if the buyer wishes to cancel the policy.

“The illustration should provide for at least two scenarios to illustrate the performance of the product,” said Mr Hodgins. “All illustrations are required to be signed by the customer.”

Another illustration must outline surrender charges to ensure they understand the costs of exiting a fixed-term product early.

Illustrations must also be kept updatedand insurers must provide information on the top five investment funds available annually, including at least five years' performance data.

“This may be segregated based on the risk appetite of the customer (in which case, the top five funds for each segment must be provided),” said Mr Hodgins.

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The match will be broadcast live on the My Sports Eye Facebook page

 

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