New York Fashion Week Day 4: Victoria Beckham, DKNY, and Diane von Furstenberg

The incredible Italian neo-renaissance space of Cipriani was the backdrop for Victoria Beckham’s show. Photo by Nadia El Dasher
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On the fourth day of New York Fashion Week the city brought us wind — 35km per hour wind to be precise. And with wind comes -23 degrees Celsius temperatures. However, the show(s) must go on.

The morning kicked off with the awe-inspiring autumn/winter looks of Victoria Beckham, held at Cipriani’s Broadway location.

Beckham, who for the last few seasons was exploring a more androgynous side, reinterpreted her label’s roots with impeccably-cut dresses alongside luxurious, draped knits.

David Beckham and the rest of the family were in attendance and sat alongside American Vogue’s editor-in-chief, Anna Wintour.

Just off the High Line, DKNY’s show started at 1pm.

Donna Karan played with the idea of colour-blocking using clean silhouettes and voluminous shapes.

The models came down the runway in jumpers so oversized that the sleeves went over the hands; reminiscent of a similar early 1990s trend.

By sunset Diane von Furstenberg’s show-space was bursting with the sheer number of attendees.

This season the designer worked with the idea of seduction: “By day she commands her world, by night she inspires fantasy …” read the show brief.

The lights went off and the audience looked up expecting a model to appear — except it was quite some time before anyone came out of the keyhole shaped door. Whether intentional or not, there was a certain beauty in making the audience wait — one that is very much used to fast fashion.

The show kicked off with Kendall Jenner in a classic black and white mix and moved into a questionable selection of pinstripe suit-inspired pieces before segueing into what Von Furstenberg does best — flirty, feminine dresses.