'We are not OK': how Milan Fashion Week showed support for Beirut's designers


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The blast that rocked Beirut on August 4 echoed not just across the Levant, but across Europe, too, triggering an outpouring of support and aid.

And, as part of its spring / summer 2021 fashion week, the Italian city of Milan reached out to Lebanese designers affected by the explosion, in what it dubbed a "gesture of solidarity".

“Lebanese designers are important this year, and we needed to give them space because they are in a very tough time, and we believe fashion should be there to help them," explained Carlo Capasa, chairman of the Camera Nazionale della Moda Italiana (CNMI), the governing body of Italian fashion.

That help came in the form of a specially created digital platform, meaning that Lebanese labels were showcased alongside the big Italian names of Valentino, Versace and Giorgio Armani for the very first time. Spotlight on Lebanese designers offered a tangible way for the “next generation of Lebanese talent” to connect with a new and wider audience.

A total of six labels were chosen for the platform, including the house of Azzi & Osta, whose couture collection was almost finished before the blast tore through their showroom, and unisex brands Boyfriend and Roni Helou, who both lost their showrooms in the blast. Menswear name Emergency Room Beirut was included as was the womenswear label of Hussein Bazaza, and the jewellery duo behind L’Atelier Nawbar.

Asked to create a short film each, the brands were able to highlight their new collections or pieces that had survived the blast. Here's a closer look at what each label showcased.

Bazaza

Hussein Bazaza’s film was shot by Samir Siryani, and focused on the intense emotions triggered by the explosion, including fear, panic, anxiety, confusion “and the most dominant of all ... denial".

The model in the film wears layered, heavier pieces, because as Bazaza explains, “in the emotional sense, 2020 has been a cold year. We had to create outerwear to portray the need for more cover-ups against the cold and against danger".

Azzi & Osta

For its film, the duo of George Azzi and Assaad Osta took centre stage. In what should have been a celebration of the brand's 10-year anniversary, the designers tried to remain upbeat, outlining the inspiration behind the label and its devotion to savoir faire.

A design by Azzi & Osta. Courtesy Azzi & Osta
A design by Azzi & Osta. Courtesy Azzi & Osta

Roni Helou

Helou, meanwhile, created a film to showcase the RH2021 collection as well as a recurring theme in the label's work – environmental damage. Its film focused on the pollution of Lebanese waterways and how, as Helou explains, “rivers are no longer able to adequately support their aquatic inhabitants, transforming what is naturally a source of life into an agent of illness and death".

Despite having its showroom destroyed in the blast, the label reaffirmed its commitment to using only deadstock fabrics, and to “support our local community by working with tailors and artisans from all over Lebanon".

Boyfriend

Amine Jreissati, founder of the men's label, starred in his own film, modelling his own designs. As the camera captures the simple cuts of the clothing, which follow the brand's ethos of "minimal, subliminal, gender invisible", it is impossible to ignore Jreissati's wrist swathed in bandages, due to injuries sustained in the explosion.

L’Atelier Nawbar

The duo behind L’Atelier Nawbar set out to showcase the jewellery brand's unique style. Relatively unscathed by the explosion, it has committed to giving a percentage of all its sales to fund aid programmes in Beirut, and has even turned some of the glass that blanketed the city after the blast into a new range of pieces.

Pieces from L'Atelier Nawbar. Courtesy L'Atelier Nawbar
Pieces from L'Atelier Nawbar. Courtesy L'Atelier Nawbar

Emergency Room Beirut

Emergency Room Beirut presented a vision of reality as felt by those affected by the explosion. “The words expressed by these people who come from different paths of life, are a testimony of the year 2020 as experienced by the residents of Beirut,” explains the label's founder and designer, Eric Mathieu Ritter.

In the short film entitled Not a fashion movie, real people voice their frustrations, giving vent to their fears and shattered futures. "I am beyond angry," says one. "I thought it was the end" explains another, while a third says that she is "not OK". Visceral and raw, and in the the three languages of French, Arabic and English so widely spoken across the country, it lays bare the difficult task facing residents of the destroyed city.

Ways to control drones

Countries have been coming up with ways to restrict and monitor the use of non-commercial drones to keep them from trespassing on controlled areas such as airports.

"Drones vary in size and some can be as big as a small city car - so imagine the impact of one hitting an airplane. It's a huge risk, especially when commercial airliners are not designed to make or take sudden evasive manoeuvres like drones can" says Saj Ahmed, chief analyst at London-based StrategicAero Research.

New measures have now been taken to monitor drone activity, Geo-fencing technology is one.

It's a method designed to prevent drones from drifting into banned areas. The technology uses GPS location signals to stop its machines flying close to airports and other restricted zones.

The European commission has recently announced a blueprint to make drone use in low-level airspace safe, secure and environmentally friendly. This process is called “U-Space” – it covers altitudes of up to 150 metres. It is also noteworthy that that UK Civil Aviation Authority recommends drones to be flown at no higher than 400ft. “U-Space” technology will be governed by a system similar to air traffic control management, which will be automated using tools like geo-fencing.

The UAE has drawn serious measures to ensure users register their devices under strict new laws. Authorities have urged that users must obtain approval in advance before flying the drones, non registered drone use in Dubai will result in a fine of up to twenty thousand dirhams under a new resolution approved by Sheikh Hamdan bin Mohammed, Crown Prince of Dubai.

Mr Ahmad suggest that "Hefty fines running into hundreds of thousands of dollars need to compensate for the cost of airport disruption and flight diversions to lengthy jail spells, confiscation of travel rights and use of drones for a lengthy period" must be enforced in order to reduce airport intrusion.

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Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”