22 photos from Dolce & Gabbana's latest show: an ode to Florence


Selina Denman
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As the cradle of the Renaissance, Florence is famed for its arts, culture and architecture, as well as its craftsmanship. So it is only fitting that Domenico Dolce and Stefano Gabbana – who have long been committed to showcasing Italy’s rich heritage – would eventually deliver an homage to the city.

Dolce & Gabbana’s latest Alta Moda and Alta Sartoria collections (their answer to Paris’s haute couture) were unveiled in Florence this weekend, in a suitably bold and uplifting ode to the Tuscan city.

“We have always looked upon the Florentine Renaissance and its protagonists with great admiration,” the design duo said in their show notes.

The eternal beauty contained in these masterpieces is so unique, that there are no words to describe it

"The arts, culture and knowledge reached such heights in that period that they continue to be taken as a model of perfection to this day. If we look at the works of Leonardo, Michelangelo, Botticelli or Piero della Francesca, to name just a few, we cannot help but be enchanted by them, even though more than five centuries have passed since their execution. The eternal beauty contained in these masterpieces is so unique, that there are no words to describe it."

The women’s Alta Moda collection was presented on the grounds of the historic Villa Bardini, a 17th-century building set within expansive gardens and offering panoramic views over the city.

“The beauty of the park, with the harmony of the colours and the variety of the flowers, inspired many of our sartorial creations,” Dolce and Gabbana explained. “The choice of fabrics, materials like straw or raffia, and of artisanal workmanship carried out entirely by hand by skilled Italian craftsmen, seeks to pay tribute to the extraordinary nature of this place and to the Florentine manufactory tradition.”

The designers reinterpreted Florence's world-renowned monuments in clothing form – referencing the techniques used to create intricate mosaics in marble and stone; or juxtaposing fabrics such as brocade, velvet, leather, silk and lace, embellished with crystals, pearls and beads, to capture the three dimensionality of landmarks such as the Duomo or the facade of the Palazzo Vecchio.

They also drew inspiration from the many plant species that thrive in the gardens of Villa Baldini, rendering roses, irises, wisteria and dahlias in delicate embroidery.

The shapes, volume and proportions of the collection’s suits, coats and outerwear paid tribute to the artistry of Italian tailoring, recognising Florence as integral to Italy’s fashion heritage.

The men’s Alta Sartoria collection, meanwhile, was unveiled in the Palazzo Vecchio’s Salone dei Cinquecento, which the duo describe as “the fulfillment of a dream that until a few months ago we thought would be impossible to realise”.

As the primary symbol of Florence's dominance and power during the Renaissance period, Palazzo Vecchio was built in 1299 to host the city council. The Salone dei Cinquecento, or Hall of the Five Hundred, was built in just seven months between 1495 and 1496, and in terms of artistic and historic value, is the largest and most important room at the storied site.

Panelled ceilings, large wall frescoes, gold decorative features and imposing sculptures formed the backdrop to Dolce & Gabbana’s Alta Sartoria presentation.

With heavily brocaded and embellished tunics, jackets and robes; oversized insignia; weighty collars that could double as breastplates; densely woven fabrics that resembled chainmail; and intricate embellishments to rival the most expressive tapestries, this was a collection that spoke of history and power, worthy of the Medicis who presided over Florence in its heyday.

The language of diplomacy in 1853

Treaty of Peace in Perpetuity Agreed Upon by the Chiefs of the Arabian Coast on Behalf of Themselves, Their Heirs and Successors Under the Mediation of the Resident of the Persian Gulf, 1853
(This treaty gave the region the name “Trucial States”.)


We, whose seals are hereunto affixed, Sheikh Sultan bin Suggar, Chief of Rassool-Kheimah, Sheikh Saeed bin Tahnoon, Chief of Aboo Dhebbee, Sheikh Saeed bin Buyte, Chief of Debay, Sheikh Hamid bin Rashed, Chief of Ejman, Sheikh Abdoola bin Rashed, Chief of Umm-ool-Keiweyn, having experienced for a series of years the benefits and advantages resulting from a maritime truce contracted amongst ourselves under the mediation of the Resident in the Persian Gulf and renewed from time to time up to the present period, and being fully impressed, therefore, with a sense of evil consequence formerly arising, from the prosecution of our feuds at sea, whereby our subjects and dependants were prevented from carrying on the pearl fishery in security, and were exposed to interruption and molestation when passing on their lawful occasions, accordingly, we, as aforesaid have determined, for ourselves, our heirs and successors, to conclude together a lasting and inviolable peace from this time forth in perpetuity.

Taken from Britain and Saudi Arabia, 1925-1939: the Imperial Oasis, by Clive Leatherdale

Pots for the Asian Qualifiers

Pot 1: Iran, Japan, South Korea, Australia, Qatar, United Arab Emirates, Saudi Arabia, China
Pot 2: Iraq, Uzbekistan, Syria, Oman, Lebanon, Kyrgyz Republic, Vietnam, Jordan
Pot 3: Palestine, India, Bahrain, Thailand, Tajikistan, North Korea, Chinese Taipei, Philippines
Pot 4: Turkmenistan, Myanmar, Hong Kong, Yemen, Afghanistan, Maldives, Kuwait, Malaysia
Pot 5: Indonesia, Singapore, Nepal, Cambodia, Bangladesh, Mongolia, Guam, Macau/Sri Lanka

PROFILE OF SWVL

Started: April 2017

Founders: Mostafa Kandil, Ahmed Sabbah and Mahmoud Nouh

Based: Cairo, Egypt

Sector: transport

Size: 450 employees

Investment: approximately $80 million

Investors include: Dubai’s Beco Capital, US’s Endeavor Catalyst, China’s MSA, Egypt’s Sawari Ventures, Sweden’s Vostok New Ventures, Property Finder CEO Michael Lahyani