Zoe Saldana relishing her new screen life as action-woman



Dressed for the Côte d'Azur heat in an airy summer dress, Zoe Saldana strolls into a seafront suite at the Hotel Martinez in Cannes and reacts to the room's muggy temperature by fanning her face and declaring in a mix of her two native tongues, "Oh my God, esta muy caliente, right?"

The daughter of a Dominican father and Puerto Rican mother, Saldana was raised speaking Spanish and English but restricts use of the former in interviews for emphasis. Depending on which language she's speaking, there are two Zoe Saldanas - the slightly demure, well-mannered English speaker and the fiery, physically expressive Hispanic who snakes her arms and upper body to make her points. It might appear she's playing up to stereotypes, but that's just how Saldana rolls. And her latest role in the revenge thriller Colombiana gives the actress the chance to show off both sides of Zoe.

Esta muy caliente (it's very hot) could also apply to a film career that, on the back of roles in two blockbusters, is humming along nicely these days. As the warrior-princess Neytiri in James Cameron's Avatar, she was feisty, defiant and sexy, insofar as nine-feet-tall, cerulean-skinned aliens go. As the outer-space linguist Uhura in JJ Abrams' Star Trek, she brought sultry elegance to the cosmos. On the back of these two box-office behemoths, Saldana morphed from maybe-star into Hollywood supernova. Which comes as belated relief to an actress who's often struggled to find traction in an industry that's anything but colour blind.

"I feel that art imitates life," she observes. "Sixty years ago, in the years of Ricardo Montalban and Rita Hayworth, they had to do what they had to do. But now because there are so many more Latinos in the States, we're becoming more integrated and the art has been evolving along with it. We have learnt from our past and we are fighting to see ourselves represented. The stereotypical roles are always going to be there. But I will never be a part of them, of anything that makes me feel it's only representing one aspect of our culture."

Before landing Avatar, Saldana admits she was sick of portraying women "who just cried all the time". Wanting to use the physicality that years of serious dance training have given her, she's in the full throes of her action heroine phase, which has brought her to the very first film she's carrying on her own, Colombiana. Springing from the same adrenalin-heavy-hit factory that yielded the Liam Neeson thriller Taken and following much the same revenge formula, the film casts Saldana as Cataleya, a girl whose parents are brutally murdered in front of her by a Colombian drug cartel and who trains to be a lethal assassin with the express purpose of delivering payback to the perpetrators.

"The fact that she's an assassin wasn't the first thing that popped up when I read the script," insists Saldana. "It was that she was so vulnerable and broken. Cataleya lives at extremes - when she's physical, she's lethal, and when she's emotional, she's profoundly in agony. But yeah," she adds with a grin, "to be able to play a character where you get to do what men are predominantly known to do is awesome. Doing Avatar and The Losers, I got my feet wet. Colombiana pushes the envelope that much further - and it felt great."

The intensive training that goes into headlining an action-thriller and the physical demands of bashing villains all day do, however, take their toll. And the 33-year-old actress is feeling it more and more these days. "My mom tells me I look like a map when I come home because I'm black and blue all over the place," she laughs ruefully. "I'm addicted to the adrenalin of being a very physical person but I'm finally entering the consciousness of mortality. With Avatar I was fine: I would get hurt, get up, brush it off and take an Epsom salts bath when I got home. But that was four years ago and four years definitely make a difference. My body feels like it's aged 10 years since then. It can't reboot itself as quickly."

Colombiana also sees Saldana display an almost organic facility for handling guns, with the actress disclosing where her level of comfort comes from. "Latinos hunt! My dad and his brothers were countrymen from the Dominican Republic so I grew up always seeing a rifle around," she says. "Now that I'm an adult and I know what weapons represent, I would have wanted my father to have a little more precaution keeping weapons away from us. But my stepfather's also a hunter, and my partner in life [actor-businessman Keith Britton] comes from a family of hunters, so I'm comfortable having guns around."

Next year, Saldana is due to return to Pandora, the fictitious Avatar planet that made her famous, for back-to-back shoots on two sequels. With its billion-dollar-grossing success and what it's meant for her career, Saldana is excited at the prospect, even though it will take her off the market for 18 months during what are likely to be the peak years of her career. "Are you kidding? Do you know what that means for an actor?" she laughs. "It means that I'll be employed for over a year in a business that's so unpredictable!"

Her pragmatism is a sign of a tough New Yorker work ethic and being raised always to take responsibility for her life. Saldana grew up in Queens until her "hippie" mother moved the family to the Dominican Republic after Zoe's father died when she was 10. It was there that she discovered dance, studying ballet at a top academy before moving back to New York at 17, joining a youth theatre group and landing her debut film role as a stroppy dance diva in Nicholas Hytner's Center Stage. Along the way, she has worked with such high-profile industry titans as Steven Spielberg and Jerry Bruckheimer, in The Terminal and Pirates of the Caribbean: The Curse of the Black Pearl, respectively, but it took the double-whammy of Avatar and Star Trek to drive her career to the next level.

In preparation for the further adventures of Neytiri and Uhura (Star Trek 2 shoots this autumn), Saldana opted to take a significant chunk of 2011 off and has been delighting in the freedoms that come with stepping off the Hollywood treadmill. "I eat what I want, I've stopped exercising and I have a life as opposed to just waking up and running around, hopping on a plane, doing this, doing that, exercising, going to bed early," she muses. "I've been spending a lot of time with family, I've been travelling and I've been having fun … staying out really late."

She beams with pleasure. "I love love love going out! There's nothing better than dressing up, putting on make-up, putting on some heels and going dancing. I love it, and why not? I'm human and I'm young - and I'll be telling you the same thing when I'm 70 years old: 'I'm still young and I'm still rocking!'"

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Name: Kumulus Water
 
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At a glance

Global events: Much of the UK’s economic woes were blamed on “increased global uncertainty”, which can be interpreted as the economic impact of the Ukraine war and the uncertainty over Donald Trump’s tariffs.

 

Growth forecasts: Cut for 2025 from 2 per cent to 1 per cent. The OBR watchdog also estimated inflation will average 3.2 per cent this year

 

Welfare: Universal credit health element cut by 50 per cent and frozen for new claimants, building on cuts to the disability and incapacity bill set out earlier this month

 

Spending cuts: Overall day-to day-spending across government cut by £6.1bn in 2029-30 

 

Tax evasion: Steps to crack down on tax evasion to raise “£6.5bn per year” for the public purse

 

Defence: New high-tech weaponry, upgrading HM Naval Base in Portsmouth

 

Housing: Housebuilding to reach its highest in 40 years, with planning reforms helping generate an extra £3.4bn for public finances

Banthology: Stories from Unwanted Nations
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The White Lotus: Season three

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Starring: Walton Goggins, Jason Isaacs, Natasha Rothwell

Rating: 4.5/5

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Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

The years Ramadan fell in May

1987

1954

1921

1888

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Director: John Madden 

 

Cast: Colin Firth, Matthew Macfayden, Kelly Macdonald and Penelope Wilton

 

Rating: 4/5

 
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