Ever since the mid-1980s, when the compact disc changed the way we listen to music, our lives have become more and more high definition. Digitalisation of not only music and data recording but films and television, too, has resulted in most of us taking for granted utterly perfect cinema and home viewing experiences. Blu-ray, surround sound, enormous, ultra-high-definition televisions that can be viewed in crystal clear 3D – this is all standard kit for many households nowadays.
That’s all well and good for new releases, where the source material has been created using state-of-the-art technology. But what about the classics? The films that have kept us enthralled for decades. The films that we’ve formed emotional attachments to; the ones that we like to revisit every now and then, to bring memories flooding back. Thankfully, there are people out there whose sole mission in life seems to be to restore and preserve for all eternity some of the greatest and, often, most obscure classics of the silver screen. People like Mohammad Khawaja, a programmer and coordinator for the Abu Dhabi Film Festival.
Khawaja is the real deal; not simply a film buff, but a fanatic who’s extremely passionate about bringing back to cinema screens films that many either never knew existed or, more often than not, had given up hope of ever seeing them in the way that their makers intended. It’s an interesting, extremely varied job, and the satisfaction of seeing the positive reaction of an audience to something that he’s been instrumental in screening here must be incredibly rewarding.
What, though, is involved in selecting the classics to be screened at the festival under the heading “Pieces of Time: Classic Odysseys, the Art of Preserving and Restoring Cinema”? It’s a special programme of restored classics that offers viewers the chance to discover or rediscover some of the greatest films in the history of cinema and, for Khawaja, the process is a never-ending one. “We attend other festivals throughout the year,” he says. “ Il Cinema Ritrovato [Cinema Rediscovered] in Bologna, Italy, is a highlight – one of the world’s leading lights in film restoration. There’s also The Reel Thing in Los Angeles and, of course, Berlin. We also keep our ears to the ground, listening to what’s going on in the industry.”
Once a list has been settled on, film distributors, studios, agents and organisations such as the Film Foundation, which is fronted by the director Martin Scorcese, are all approached for help in sourcing the films and, this year, there’s a wonderful selection being shown that are wholesome viewing for the entire family.
“We have to be extremely selective,” admits Khawaja, “because we don’t want to have to make any cuts to enable us to show them. We want to show them in their original form – that’s very important. We also have to make sure any given film is available in a format we can screen in Abu Dhabi. We’re not equipped for archival prints, which definitely limits our selection, so that has to be dealt with right at the beginning.”
This year, audiences will be able to see Alfred Hitchcock’s 1954 classic Dial M for Murder, exactly the way that the master of suspense intended, when the festival screens the film in 3D. Hitchcock originally shot the film in 3D, only for the format to fall out of favour just before its first release. There will also be the opportunity to see the digital restoration of Sergio Leone’s original, uncut version of Once Upon a Time in the West on the big screen, with Ennio Morricone’s celebrated soundtrack showcased in digital surround sound.
An obscure, perhaps forgotten gem will be Jacques Demy’s 1964 French musical The Umbrellas of Cherbourg, starring Catherine Deneuve, and Blake Edwards’ iconic Breakfast at Tiffany’s, starring Audrey Hepburn in her unforgettable role as Holly Golightly, will also be showcased, after an extensive restoration project. Classic British cinema will be celebrated with the 1948 masterpiece The Red Shoes, the restoration of which took more than two years to complete. And last, but hardly least, is Alexander Korda’s Technicolor fantasy-adventure The Thief of Baghdad. Khawaja’s enthusiasm for the selection is quite contagious.
“All of these films are classics of their genres,” he says, “and they will speak to Abu Dhabi filmgoers and residents on a personal level, too. They all, in one way or another, address the issue of loneliness and seeing them presented in a way that would have been impossible just a short while ago is a rewarding and enriching experience.”
Khawaja, who joined the ADFF in 2010, says that he will be personally addressing audiences before the films are screened, explaining their cultural significance and the efforts that have been put into their painstaking restorations. “There’s something personal that comes through from the director of each title, and we’re screening the original trailers before each film, too,” he continues, “which will be a lovely touch, providing just an extra bit of insight into these masterpieces.”
When you examine what’s involved with these restoration projects, you can’t help but wonder if the people behind them ever recoup the huge investments. “Oh, but they do,” says Khawaja. “Take Disney, for example. That studio’s entire back catalogue is its legacy and bringing them back to life opens the films to entirely new audiences. All around the world, there are cinemas set up purely to show these old classics. And then there’s the Blu-ray market. The studios always make their money back, one way or another.”
With that in mind, perhaps it's time to plan your cinema viewing around some of these wondrous films: screenings commence today with Breakfast at Tiffany's at 3.15pm in Marina Mall's VOX 1. You can view the entire programme, read more about the films being shown and buy tickets atwww.adff.ae
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Squads
Pakistan: Sarfaraz Ahmed (c), Babar Azam (vc), Abid Ali, Asif Ali, Fakhar Zaman, Haris Sohail, Mohammad Hasnain, Iftikhar Ahmed, Imad Wasim, Mohammad Amir, Mohammad Nawaz, Mohammad Rizwan, Shadab Khan, Usman Shinwari, Wahab Riaz
Sri Lanka: Lahiru Thirimanne (c), Danushka Gunathilaka, Sadeera Samarawickrama, Avishka Fernando, Oshada Fernando, Shehan Jayasuriya, Dasun Shanaka, Minod Bhanuka, Angelo Perera, Wanindu Hasaranga, Lakshan Sandakan, Nuwan Pradeep, Isuru Udana, Kasun Rajitha, Lahiru Kumara
End of free parking
- paid-for parking will be rolled across Abu Dhabi island on August 18
- drivers will have three working weeks leeway before fines are issued
- areas that are currently free to park - around Sheikh Zayed Bridge, Maqta Bridge, Mussaffah Bridge and the Corniche - will now require a ticket
- villa residents will need a permit to park outside their home. One vehicle is Dh800 and a second is Dh1,200.
- The penalty for failing to pay for a ticket after 10 minutes will be Dh200
- Parking on a patch of sand will incur a fine of Dh300
Terminator: Dark Fate
Director: Tim Miller
Starring: Arnold Schwarzenegger, Linda Hamilton, Mackenzie Davis
Rating: 3/5
Ten tax points to be aware of in 2026
1. Domestic VAT refund amendments: request your refund within five years
If a business does not apply for the refund on time, they lose their credit.
2. E-invoicing in the UAE
Businesses should continue preparing for the implementation of e-invoicing in the UAE, with 2026 a preparation and transition period ahead of phased mandatory adoption.
3. More tax audits
Tax authorities are increasingly using data already available across multiple filings to identify audit risks.
4. More beneficial VAT and excise tax penalty regime
Tax disputes are expected to become more frequent and more structured, with clearer administrative objection and appeal processes. The UAE has adopted a new penalty regime for VAT and excise disputes, which now mirrors the penalty regime for corporate tax.
5. Greater emphasis on statutory audit
There is a greater need for the accuracy of financial statements. The International Financial Reporting Standards standards need to be strictly adhered to and, as a result, the quality of the audits will need to increase.
6. Further transfer pricing enforcement
Transfer pricing enforcement, which refers to the practice of establishing prices for internal transactions between related entities, is expected to broaden in scope. The UAE will shortly open the possibility to negotiate advance pricing agreements, or essentially rulings for transfer pricing purposes.
7. Limited time periods for audits
Recent amendments also introduce a default five-year limitation period for tax audits and assessments, subject to specific statutory exceptions. While the standard audit and assessment period is five years, this may be extended to up to 15 years in cases involving fraud or tax evasion.
8. Pillar 2 implementation
Many multinational groups will begin to feel the practical effect of the Domestic Minimum Top-Up Tax (DMTT), the UAE's implementation of the OECD’s global minimum tax under Pillar 2. While the rules apply for financial years starting on or after January 1, 2025, it is 2026 that marks the transition to an operational phase.
9. Reduced compliance obligations for imported goods and services
Businesses that apply the reverse-charge mechanism for VAT purposes in the UAE may benefit from reduced compliance obligations.
10. Substance and CbC reporting focus
Tax authorities are expected to continue strengthening the enforcement of economic substance and Country-by-Country (CbC) reporting frameworks. In the UAE, these regimes are increasingly being used as risk-assessment tools, providing tax authorities with a comprehensive view of multinational groups’ global footprints and enabling them to assess whether profits are aligned with real economic activity.
Contributed by Thomas Vanhee and Hend Rashwan, Aurifer
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Explainer: Tanween Design Programme
Non-profit arts studio Tashkeel launched this annual initiative with the intention of supporting budding designers in the UAE. This year, three talents were chosen from hundreds of applicants to be a part of the sixth creative development programme. These are architect Abdulla Al Mulla, interior designer Lana El Samman and graphic designer Yara Habib.
The trio have been guided by experts from the industry over the course of nine months, as they developed their own products that merge their unique styles with traditional elements of Emirati design. This includes laboratory sessions, experimental and collaborative practice, investigation of new business models and evaluation.
It is led by British contemporary design project specialist Helen Voce and mentor Kevin Badni, and offers participants access to experts from across the world, including the likes of UK designer Gareth Neal and multidisciplinary designer and entrepreneur, Sheikh Salem Al Qassimi.
The final pieces are being revealed in a worldwide limited-edition release on the first day of Downtown Designs at Dubai Design Week 2019. Tashkeel will be at stand E31 at the exhibition.
Lisa Ball-Lechgar, deputy director of Tashkeel, said: “The diversity and calibre of the applicants this year … is reflective of the dynamic change that the UAE art and design industry is witnessing, with young creators resolute in making their bold design ideas a reality.”
Ferrari 12Cilindri specs
Engine: naturally aspirated 6.5-liter V12
Power: 819hp
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Available: Now
Wicked: For Good
Director: Jon M Chu
Starring: Ariana Grande, Cynthia Erivo, Jonathan Bailey, Jeff Goldblum, Michelle Yeoh, Ethan Slater
Rating: 4/5