Pop music has lost an innovative voice.
Experimental artist and producer Sophie, full name Sophie Xeon, died on Saturday after falling from the balcony of her apartment in Athens, Greece. She was 34 years old.
The news was announced through a joint statement by Sophie's family and UK record label Transgressive Records.
"Tragically our beautiful Sophie passed away this morning after a terrible accident," it read.
"True to her spirituality she had climbed up to watch the full moon and accidentally slipped and fell. She will always be here with us. The family thank everyone for their love and support and request privacy at this devastating time."
The statement went on to hail the transgender artist's career and for her work on expanding the sound of modern dance and pop music through her innovative production approach.
"She was a pioneer of a new sound, one of the most influential artists in the last decade,” it said. “Not only for ingenious production and creativity but also for the message and visibility that was achieved. An icon of liberation.”
In testament to her varied music, an eclectic array of artists, from major pop stars to indie acts, posted tributes online.
UK singer Sam Smith led the condolences by describing the news as "heartbreaking".
He added: "The world has lost an angel. A true visionary and icon of our generation. Your light will continue to inspire so many for generations to come. Thinking of Sophie’s family and friends at this hard time.”
Producer and founder of the band Chic, Nile Rodgers recalled collaborating with Sophie in 2019 at London's Southbank Centre: "You were one of the most innovative, dynamic, and warm persons I had the pleasure of working with."
While Kele Okereke, UK artist and frontman of indie rock group Bloc Party posted a 2020 video of him playing guitar along to Sophie's 2015 breakout track Bipp. "'I am very saddened to hear the news of Sophie's passing today. She was a true visionary," he said.
Who was Sophie?
Born in Glasgow in 1986, Sophie's music career didn't begin until 2009, when she joined the electro band Motherland and provided the background score for the Dutch short film Dear Mr / Mrs.
After receiving some favourable press with 2013 debut single Nothing More to Say, Sophie fulfilled that potential with blazing Bipp. Full of serrated synth riffs and muscular percussion, the song appeared in numerous end-of-year lists for best songs, with critics hailing her "hyperkinetic take" on dance music.
That growing attention reached the upper echelons of the dance and pop worlds, later leading to collaborations with Madonna, English singer Charli XCX, rapper Vince Staples and indie duo Let's Eat Grandma.
Through two collections – 2015's compilation Product and 2018's Grammy-nominated album Oil of Every Pearl's Un-insides – Sophie managed to produce a bright and ebullient sound widely considered to be the harbinger of the hyper-pop movement, a niche genre renowned for its maximalist approach to pop music, drawing on influences from trance, hip-hop and emo rock genres.
In describing her approach to songwriting and production, Sophie said she is not one for subtlety.
"I think all pop music should be about who can make the loudest, brightest thing. That, to me, is an interesting challenge, musically and artistically," she told Rolling Stone magazine in 2015.
“And I think it’s a very valid challenge – just as valid as who can be the most raw emotionally. I don’t know why that is prioritised by a lot of people as something that’s more valuable. The challenge I’m interested in being part of is who can use current technology, current images and people, to make the brightest, most intense, engaging thing."
Here are five key tracks from Sophie’s career:
1. ‘Bipp’ (2015)
This was a track that announced a bold new voice in the dance scene. With darting beats, blips and computer sound effects, the raucous sound is held together by sweet vocals by Sophie's former Motherland bandmate Marcella Dvsi. The chorus refrain of "I can make you feel better. I can make you feel", has gone on to be a favourite among electro dance clubs ever since.
2. ‘Vroom Vroom’ (2016)
Sophie got the pop music world's attention with this brilliant collaboration with Charli XCX. With shuddering beats and heaving basslines taking from the Chicago house genre, the daring and uncompromising sounds of Vroom Vroom elated Charli XCX fans concerned with her commercialism at that period.
3. ‘Lemonade’ (2014)
You know you are doing well when even McDonald's wants to collaborate with you. The fast food chain used this track in an advertising campaign and it's not hard to see why. With stalking synths and pitched-up vocals, this fun single is one of Sophie's more carefree works.
4. ‘Hot Pink’ (2018)
Sophie shows a more nuanced and soulful side to her producing skills in this single by British pop duo Let's Eat Grandma. While the track has Sophie's trademark abrasive percussion, it is tempered with some beautifully emotive synth lines in the soaring chorus.
5. ‘Ponyboy’ (2017)
As uncompromising as it is exhilarating, Ponyboy features basslines that shudder like earthquakes and ghoulish vocals. The opening track to album Oil of Every Pearl's Un-Insides is a fine distillation of Sophie's sound that is steeped in modern dance and is futuristic when it comes to its application.
Temple numbers
Expected completion: 2022
Height: 24 meters
Ground floor banquet hall: 370 square metres to accommodate about 750 people
Ground floor multipurpose hall: 92 square metres for up to 200 people
First floor main Prayer Hall: 465 square metres to hold 1,500 people at a time
First floor terrace areas: 2,30 square metres
Temple will be spread over 6,900 square metres
Structure includes two basements, ground and first floor
Game Of Thrones Season Seven: A Bluffers Guide
Want to sound on message about the biggest show on television without actually watching it? Best not to get locked into the labyrinthine tales of revenge and royalty: as Isaac Hempstead Wright put it, all you really need to know from now on is that there’s going to be a huge fight between humans and the armies of undead White Walkers.
The season ended with a dragon captured by the Night King blowing apart the huge wall of ice that separates the human world from its less appealing counterpart. Not that some of the humans in Westeros have been particularly appealing, either.
Anyway, the White Walkers are now free to cause any kind of havoc they wish, and as Liam Cunningham told us: “Westeros may be zombie land after the Night King has finished.” If the various human factions don’t put aside their differences in season 8, we could be looking at The Walking Dead: The Medieval Years.
Quick pearls of wisdom
Focus on gratitude: And do so deeply, he says. “Think of one to three things a day that you’re grateful for. It needs to be specific, too, don’t just say ‘air.’ Really think about it. If you’re grateful for, say, what your parents have done for you, that will motivate you to do more for the world.”
Know how to fight: Shetty married his wife, Radhi, three years ago (he met her in a meditation class before he went off and became a monk). He says they’ve had to learn to respect each other’s “fighting styles” – he’s a talk it-out-immediately person, while she needs space to think. “When you’re having an argument, remember, it’s not you against each other. It’s both of you against the problem. When you win, they lose. If you’re on a team you have to win together.”
Zayed Sustainability Prize
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UAE currency: the story behind the money in your pockets
Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”
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RESULTS
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Super heavyweight
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