From Cairo’s Tahrir Square to Dubai’s Coca-Cola Arena, Egyptian pop-rock group Cairokee are going from strength to strength.
The five-piece emerged during the 2011 Egyptian revolution with Ya El Medan and the song's rousing chorus became a rallying cry used by protesters in Tahrir Square. The band have since gone on to fashion a distinct sound and approach of their own.
Their searching and often romantic lyrics, coupled with evocative and expansive production, have led segments of the regional music press to dub them the Arab world’s answer to Coldplay.
The boys certainly have the ambition.
Their Coca-Cola Arena show, which takes place on Thursday, comes on the back of their well-received concert with the Cairo Celebration Choir.
In the live-streamed affair held on July 9 at the Cairo Citadel, the group followed the likes of rock behemoths Metallica and Scorpions in being backed by a full classical music orchestra.
Cairokee keyboardist and producer Sherif Mostafa tells The National that the concert was a creative breakthrough for the group. “It was a great experience,” he says.
“It was also quite different because it required us to express the emotions of the songs in a different way.”
Mostafa can’t confirm if the full concert, currently not available online, will form the basis of a future live album or film. “Maybe yes, maybe no. I cannot claim that we will be doing that.
“Because of the pandemic, the people started appreciating live streaming, yet we hope that the music world doesn’t turn into virtual reality. We really appreciate actual concerts and the interaction with thousands of people singing our songs.”
A sound fit for arenas
Cairokee fans know what Mostafa is talking about.
While the orchestral collaboration was a triumph of production, it doesn’t fully capture the power and brooding intimacy of a physical performance by the band.
The group's elevation to arena status in Egypt – and now the UAE – is a testament to their hard work, with six quality albums released in the span of a decade, but it is within such venues that their songs truly shine.
The group's most recent release, 2019 album The Ugly Ducklings, is full of shimmering rock and bruising ballads carried by the fragile vocals of guitarist Amir Eid.
Tracks such as Benkhaf (We Are Afraid) and Ya Abyad Ya Eswed (Either Black or White) also exhibit a deft melange of spacey electronica and traditional Egyptian folk music that should reverberate pristinely within the Coca-Cola Arena's speakers.
A non-revolutionary start
The Ugly Ducklings' success, in addition to its 2017 predecessor Noaata Beida, is more satisfying for Cairokee in that it shed any remaining conceptions that they are a protest group.
Mostafa says Cairokee began as early as 2004 and always had songs discussing various topics relating to Egyptian life.
“We got known after the revolution because of the internet exposure and how people started trusting the internet more than the media,” he recalls.
“This allowed us to shine on social media platforms and the media then started using our songs, which gave us the chance to grow.”
That global spotlight, Mostafa says, resulted in Cairokee being viewed as a leader in Egypt’s independent music scene.
However, not only does Mostafa disagree with this label, he says a broader understanding is needed within the Egyptian music industry for it to really have an indie music scene of its own.
“This is why we have our own production company,” he says.
“It wasn’t only for creative control but our experience found that many record label companies wanted to change our identity into something that is not remotely like ours.
“They didn’t have enough knowledge of how to make an artist succeed.”
A new album on the way
The advance of technology, Mostafa says, has allowed a new generation of artists to call their own shots.
“We also noticed that technology is developing every day and through minimal use of technology at home, you can produce good quality music and step by step you begin depending on yourself and not rely on companies.”
During the pandemic, Cairokee is using the online space as an opportunity to stretch out creatively.
In their regular Cairokee Studio Sessions, streamed on social media, the group plays stripped-down versions of fan favourites, including Edhak and Nas W Nas.
Mostafa says their Dubai show is happening while they record their seventh album. “We are still working on it but we are promising the audience that they will really like the output.”
Cairokee will perform with Hassan Shakosh at Coca-Cola Arena on Thursday. Doors open at 9pm and tickets are available from Dh149 at coca-cola-arena.com
Who's who in Yemen conflict
Houthis: Iran-backed rebels who occupy Sanaa and run unrecognised government
Yemeni government: Exiled government in Aden led by eight-member Presidential Leadership Council
Southern Transitional Council: Faction in Yemeni government that seeks autonomy for the south
Habrish 'rebels': Tribal-backed forces feuding with STC over control of oil in government territory
Fight card
Preliminaries:
Nouredine Samir (UAE) v Sheroz Kholmirzav (UZB); Lucas Porst (SWE) v Ellis Barboza (GBR); Mouhmad Amine Alharar (MAR) v Mohammed Mardi (UAE); Ibrahim Bilal (UAE) v Spyro Besiri (GRE); Aslamjan Ortikov (UZB) v Joshua Ridgwell (GBR)
Main card:
Carlos Prates (BRA) v Dmitry Valent (BLR); Bobirjon Tagiev (UZB) v Valentin Thibaut (FRA); Arthur Meyer (FRA) v Hicham Moujtahid (BEL); Ines Es Salehy (BEL) v Myriame Djedidi (FRA); Craig Coakley (IRE) v Deniz Demirkapu (TUR); Artem Avanesov (ARM) v Badreddine Attif (MAR); Abdulvosid Buranov (RUS) v Akram Hamidi (FRA)
Title card:
Intercontinental Lightweight: Ilyass Habibali (UAE) v Angel Marquez (ESP)
Intercontinental Middleweight: Amine El Moatassime (UAE) v Francesco Iadanza (ITA)
Asian Featherweight: Zakaria El Jamari (UAE) v Phillip Delarmino (PHI)
Terror attacks in Paris, November 13, 2015
- At 9.16pm, three suicide attackers killed one person outside the Atade de France during a foootball match between France and Germany
- At 9.25pm, three attackers opened fire on restaurants and cafes over 20 minutes, killing 39 people
- Shortly after 9.40pm, three other attackers launched a three-hour raid on the Bataclan, in which 1,500 people had gathered to watch a rock concert. In total, 90 people were killed
- Salah Abdeslam, the only survivor of the terrorists, did not directly participate in the attacks, thought to be due to a technical glitch in his suicide vest
- He fled to Belgium and was involved in attacks on Brussels in March 2016. He is serving a life sentence in France
Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”
The Florida Project
Director: Sean Baker
Starring: Bria Vinaite, Brooklynn Prince, Willem Dafoe
Four stars
Dust and sand storms compared
Sand storm
- Particle size: Larger, heavier sand grains
- Visibility: Often dramatic with thick "walls" of sand
- Duration: Short-lived, typically localised
- Travel distance: Limited
- Source: Open desert areas with strong winds
Dust storm
- Particle size: Much finer, lightweight particles
- Visibility: Hazy skies but less intense
- Duration: Can linger for days
- Travel distance: Long-range, up to thousands of kilometres
- Source: Can be carried from distant regions
The more serious side of specialty coffee
While the taste of beans and freshness of roast is paramount to the specialty coffee scene, so is sustainability and workers’ rights.
The bulk of genuine specialty coffee companies aim to improve on these elements in every stage of production via direct relationships with farmers. For instance, Mokha 1450 on Al Wasl Road strives to work predominantly with women-owned and -operated coffee organisations, including female farmers in the Sabree mountains of Yemen.
Because, as the boutique’s owner, Garfield Kerr, points out: “women represent over 90 per cent of the coffee value chain, but are woefully underrepresented in less than 10 per cent of ownership and management throughout the global coffee industry.”
One of the UAE’s largest suppliers of green (meaning not-yet-roasted) beans, Raw Coffee, is a founding member of the Partnership of Gender Equity, which aims to empower female coffee farmers and harvesters.
Also, globally, many companies have found the perfect way to recycle old coffee grounds: they create the perfect fertile soil in which to grow mushrooms.