After much anticipation, Olivia Wilde’s Don’t Worry Darling finally had its world premiere on Monday at the Venice International Film Festival.
Before the screening, hundreds of screaming Harry Styles fans swarmed the edges of the red carpet trying to get a glimpse of him — his rapturous reception made the Timothee Chalamet mania on Friday seem modest in comparison.
Florence Pugh also made a movie star entrance on the Lido donning a sparkling, off-the-shoulder Valentino dress and, like Styles, stopped to talk to fans on her way down the carpet.
By the time the premiere was over, audiences gave Don’t Worry Darling a five-minute ovation, and Styles could be seen in the balcony giving co-star Nick Kroll a big hug.
The screening follows media fanfare about rumours of tensions behind the scenes between Pugh and Wilde. At a press conference before the screening, Wilde, who directed and starred in the film, was asked to address the reports. However, she refused to be drawn in, saying she didn’t want to contribute to “the endless tabloid gossip” and “the noise".
“The internet feeds itself,” Wilde said. “I don’t need to contribute, I think it’s significantly well-nourished.”
Pugh is in the middle of production on Dune 2, a massive blockbuster (also by Warner Bros) and is expected to go straight back after her Venice obligations. Although she is the star of , she did not attend the press conference as her flight had not yet landed.
“Florence is a force and we are so grateful that she is able to make it tonight,” Wilde said. “I know as a director how disruptive it is to lose an actor even for a day.”
Behind-the-scenes drama rarely extends beyond internal industry gossip, but the question of exactly what happened in the making of Don’t Worry Darling has become a source of global intrigue. Lack of clarity about everything from Shia LaBeouf’s departure from the film early on, to Pugh’s perceived lack of public support for the project on her social media accounts have been simmering on TikTok and twitter for some time and then furthered by a report in the Hollywood newsletter Puck, citing various anonymous studio and production sources.
Wilde, for her part, has been nothing but effusive about her lead actor. In an interview, she spoke at length an about Pugh’s extraordinary talent saying that what she did with the role was “singularly brilliant” and that the character of Alice is a “heroine for the ages".
Still, questions remain about why Pugh has not been posting much about the film on her Instagram. She didn’t hype the trailer, or say anything about getting into Venice.
It is worth noting that Pugh’s Dune 2 co-star Chalamet, had a similarly brief stay in Venice for his film Bones and All. It’s likely to be the only appearance he’ll make on behalf of that film, but no one wrote any headlines about Chalamet “limiting” his press engagements.
Wilde herself also became a tabloid fixture after paparazzi caught on to her off-screen relationship with Styles. And then there was the CinemaCon moment, in which Wilde was served custody papers by her ex, Jason Sudeikis, during a presentation about her movie on stage in front of thousands of industry professionals and theatre owners.
Then in the past few weeks, all the little threads seemed to catch fire at once. Much of that was stoked by LaBeouf, who came out of the woodwork to contest a two-year-old narrative that he’d been fired from the project. Ultimately, his role went to Styles.
Wilde, in a Variety cover story, is not directly quoted saying she fired him. She did offer: “His process was not conducive to the ethos that I demand in my productions. He has a process that, in some ways, seems to require a combative energy, and I don’t personally believe that is conducive to the best performances.”
In response, LaBeouf sent private emails, texts and video messages to Variety to prove his case that he actually quit due to lack of rehearsal time. The video message, in which she tries to convince LaBeouf to stay on as Jack, was subsequently leaked online in which calls Pugh “Miss Flo".
Venice Film Festival fashion: best red carpet looks at the weekend — in pictures
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Timothee Chalamet wears head-to-toe Celine for a 'Bones and All' photocall. EPA -
Francesca Sofia Novello looked pretty in pink, in a ruffled gown by Rami Al Ali. All photos: Getty unless otherwise specified -
Isabelle Huppert wears Balenciaga on the 'Argentina, 1985' red carpet. EPA -
Mia Goth wears a lace gown by Dolce & Gabbana to walk the 'Pearl' red carpet. -
In a two-toned gown by Georges Chakra Couture, actress Patricia Clarkson is edgy yet elegant. -
'Stranger Things' actress Sadie Sink wore a powder blue, feathered Alexander McQueen. -
Laura Harrier wears gold Saint Laurent. -
Cementing her claim to this year's best dressed, Jodie Turner-Smith wore a custom gown by Harbison. In cerulean blue, and a black-and-white sequinned bralette, she looked every inch the superstar. -
In a ruby tuxedo, Rosabell Laurenti Sellers was one of the stars who matched a red look to the red carpet. -
In retro-style Gucci, Jeremy O Harris attends 'The Whale' red carpet. -
Sara Baccarini proves less is more in this embellished, nude dress on 'The Whale' red carpet. -
Katherine Waterston wore this embellished two-tone mini dress to attend 'The Whale' red carpet. -
Turkish actor Can Yaman broke from tradition and wore a deep blue Dolce & Gabbana tuxedo jacket to attend the Filming Italy Best Movie Awards. EPA -
Just one week after her wedding, Federica Pellegrini wore this simple, but glamorous gown by Pinko. EPA -
In lemon yellow Valentino, Drusilla Foer holds court on the Filming Italy Best Awards red carpet. EPA -
Mariano Di Vaio and Eleonora Brunacci Di Vaio sent out power couple vibes by both dressing in Dolce & Gabbana. -
Alice Vicario wore a simple shift dress, while Gabriele Mainetti opted for a midnight blue, single-breasted suit. -
Another woman to don a tuxedo was Paola Minaccioni, who looked sharp in the suit, worn with a corset. -
Aurora Giovinazzo looked sophisticated in embellished Giorgio Armani. -
Saudi entrepreneur Nojoud Alrumaihi wore red Alberta Ferretti. -
To attend the screening of 'L'immensita', Giulia Gaudino opted for a beaded, asymmetric dress. -
In a sequinned, long Chanel dress, Penelope Cruz looked fabulous. -
One of the stars of 'L'immensita', Luana Giuliani was another actress in a suit, when she wore this semi-tuxedo look. -
Agata Fortis opts for shimmering gold for the 'The Whale' red carpet. -
Hadia Ghaleb, a businesswoman who lives in Dubai, opts for head-to-toe lace for the red carpet of 'The Whale'.
The moderator of the press conference cut off a reporter attempting to ask about LaBeouf, saying that Wilde had already answered that in her comment about “tabloid gossip” and noise.
LaBeouf, who is heading to court next year on abuse allegations from his ex, FKA twigs, happens to also be in Venice this year with the film Padre Pio.
The press conference stuck to the themes of the film, a mid-century styled psychological thriller about a picture-perfect couple Alice (Pugh) and her husband Jack (Styles), who live in an experimental community in the desert.
“We were really interested in the kind of problematic nature of nostalgia itself,” Wilde said. “In this film everything is a metaphor … everything that is beautiful is also sinister. That is by design.”
The film is playing out of competition at the festival in the lead up to its September 23 cinema release.
Venice Immersive provides a glimpse into the future of film and much more — in pictures
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The immersive experience 'Tu vivras, mon fils (Stay Alive My Son)' is based on the memoirs of Pin Yathay, a former engineer who documented Cambodia’s Killing Fields. Photo: Venice Immersive 2022 -
Curated by Liz Rosenthal and Michel Reilhac, Venice Immersive offers an array of experiences, incorporating technologies such as virtual reality, augmented reality and the metaverse. AP -
Directed by Felix Lajeunesse and Paul Raphael, 'Space Explorers: The ISS Experience' offers a glimpse into what it’s like to float in space. Photo: Venice Immersive 2022 -
'On The Morning You Wake (To The End of the World)' by Mike Brett, Steve Jamison, Pierre Zandrowicz and Arnaud Colinart simulates an event from 2018 when Hawaii residents woke up to warnings of an inbound missile. Photo: Venice Immersive 2022 -
An image from 'Framerate: Pulse of the Earth' by Matthew Shaw and William Trossell. AP
