Cast your mind back to the final seconds of the season seven finale of Friends in May 2001, when Jennifer Aniston's Rachel reveals she's pregnant — but who's the father? This was a classic May cliffhanger, luring viewers and reaping advertising dollars for NBC.
Most shows used to kick off in autumn, air big episodes in November and February, and go out with a bang in May. Baby announcements, marriage proposals and sudden deaths were just a few of the popular plot twists used in spring season finales to hook viewers and build anticipation for autumn.
Network television still largely follows that model, but the streamers and premium cable competitors of the new guard tend to operate with different goals. Rather than angling for ratings, those companies are releasing new seasons of popular TV shows — Ted Lasso, Succession, The Mandalorian, The Last of Us and Yellowjackets — with an eye to Primetime Emmy Award recognition.
Everyone wants to be fresh in the minds of voters, says Joyce Eng, a senior editor of the Hollywood awards-centric website Gold Derby.
“A lot of networks, streamers and campaigners will capitalise on recency bias,” she adds.
For a TV series to be eligible for a Primetime Emmy, it must air between June 1 and May 31 of the following year. Six episodes of a returning season need to air by May 31 to qualify for a series category. The cast and crew then cross their fingers for nominations, which this year will be announced July 12, followed by the Emmy telecast on September 18, when the awards are handed out.
Limited series have to air all their episodes by May 31 in order to be eligible for nomination. In March, Amazon Prime's highly anticipated Daisy Jones & The Six released its 10 episodes in four batches.
It can be a scramble for shows to finish by the end of May, Ted Lasso on Apple TV+ releases its final episode of season three, and maybe the entire series, on May 31. The fifth and final season of The Marvelous Mrs Maisel returns on Amazon on April 14 and swiftly wraps by May 26.
If a returning series does not release six episodes of its season by the May 31 deadline, the remaining “hanging" episodes can be nominated in categories that only require a single episode to enter, such as guest actor.
Season three of The Handmaid's Tale premiered June 5, 2019 — which was too late for Emmy eligibility that year. Rather than sit the year out though, "they found a loophole," Eng said. They submitted three episodes that had aired in 2018 during the previous season for individual achievement categories, and earned 11 nominations.
When it comes to scheduling, network and streamer executives maintain tight control over the release-date calendar.
"They choose when we go," says Rob Eric, creative officer and executive producer of Scout Productions, behind the Emmy-winning reality series Queer Eye. This year, he has four series premiering right before the deadline.
"We can make suggestions, but really they’re in charge of how that rollout looks,” he says of the platforms.
Release dates are not always entirely about potential accolades.
"Sometimes a series is released because it's timely and speaks to what's happening in the world," said Tony Phelan, who created A Small Light with Joan Rater. The NatGeo series tells the story of Miep Gies, who helped hide Anne Frank and her family.
“It's in direct response to what’s happening in the world, specifically in America in terms of division and the rise in nationalism and antisemitism," Phelan says of the show.
Still, to end the show in time for award eligibility, A Small Light will release two episodes each week on National Geographic, premiering on May 1 and ending on May 31.
“How did that happen?” Phelan asked in mock surprise of the reason behind the show's timeline.
It should be noted that shows released in late summer and fall can still garner attention from awards committees — just a little later. Netflix dropped all nine episodes of Squid Game in September 2021 — and it was still nominated for last year's Emmy Awards, including best drama series. Lee Jung-jae also won best actor in a drama series, making history as the first person to win in the drama category for a non-English speaking role.
The critically acclaimed and popular series The Bear debuted its first season last June, but it was too late for the 2022 Emmy Awards. By premiering in the summer though, the Hulu show shined and wasn't drowned out by competitors. And the Emmy Awards aren't everything: Star Jeremy Allen White cleaned up at the Golden Globes, where he won best actor in a musical or comedy series.
“There are just so many shows, so many streaming services, and people don’t have the time," Eng says. “From the studio and network standpoint, maybe you should pull something like ‘The Bear’ and drop it in the summer and build that momentum because that was a word-of-mouth hit.”
Still, some award shows reign supreme.
Eric Korsh, the president of Scout Productions, distilled the value of award recognition; The Emmys, he says, “are about defining the best in television."
The National's 16 favourite TV shows of 2022, from Mo to Only Murders in the Building — in pictures
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Matt Smith as Daemon Targaryen in House of the Dragon. Photo: HBO -
Tobe Nwigwe as Nick, Kamal Zayed as Nazeer and Mo Amer as Mo, in Mo. Photo: Netflix -
Nam Joo-hyuk and Kim Tae-ri star in the K-drama Twenty Five Twenty One. Photo: tvN -
Jennifer Coolidge returns for the second season of The White Lotus. Photo: HBO -
Selena Gomez, Martin Short, Steve Martin and Zoe Margaret Colletti in the second season of Only Murders in the Building. Photo: Hulu -
Jeremy Allen White as Carmen 'Carmy' Berzatto in The Bear. Photo: FX -
Ryan Reynolds and Rob McElhenney in Welcome to Wrexham. Photo: FX -
Yu-Na as a young Kim Sun-ja in Pachinko. Photo: Apple TV -
Asher Yasbincek, Chloe Hayden, James Majoos and Ayesha Madon in Heartbreak High. Photo: Netflix -
Colin Firth in The Staircase. Photo: HBO -
Joi Schweitzer, Jacob Hacker, Dom Gabriel in the reality competition show The Mole. Photo: Netflix -
Katrina Lenk, Julia Garner, Jason Bateman and Laura Linney in season four of Ozark. Photo: Netflix -
Shubham Saraf and Charlie Hunnam in Shantaram. Photo: Apple TV+ -
Morfydd Clark in The Lord of the Rings: The Rings of Power. Photo: Amazon Studios -
Adam Scott, Britt Lower, John Turturro and Christopher Walken in Severance. Photo: Apple TV+ -
Diego Luna in Andor. Photo: Lucasfilm Ltd
