Abstract artworks from India painted with kitchen spices, portraits of Ecuadorian mythical figures best seen through augmented reality and impressionist paintings made by a robotic arm from Russia are only some of the highlights at this year's World Art Dubai.
The sprawling fair, taking place at Dubai's World Trade Centre until Saturday, brings together 250 galleries and artists from around the globe, many of whom you're likely to have never heard of – and that’s exactly the point.
Coming fresh off the heels of Art Dubai, the fair is less interested in showcasing the works of established artists than it is with giving emerging names a chance to share their art. All the works are for sale, ranging from a few hundred dirhams to tens of thousands, and you'll find plenty of magnetic and surprising pieces to make it worth a visit.
Like any recent event, health measures have been put in place to thwart the spread of the coronavirus, so make sure to book your ticket online ahead of your visit. Most paintings and sculptures have handy QR codes beside them, so you don't need to pick up pamphlets either.
Before you even set foot in the exhibition hall, you'll come across XLIX, a collection of 49 colourful dolls, identical in shape and size, with large bulbous heads and aplomb postures. Created by Belgian artist Griet Van Den Auwelant, the dolls are made of concrete, each weighing 7 kilograms and standing at 37 centimetres tall, but that is where their similarity ends. Once she had finished casting them, Van Den Auwelant, who lives in Dubai, distributed the dolls to 30 female artists, each of whom painted and decorated the work as they saw fit.
The dolls, Van Den Auwelant says, are meant to reflect people. "They are the same on the inside but different on the outside," she tells The National. "Just like us."
Van Den Auwelant is also exhibiting more of her work at the fair. Her art includes angular iterations of animal trophies and large spherical heads planted on upright iron stands. "They each have a name and a story, an essence" she says of the heads – her most recent work. "There's Lala, who brings deep love, and Dune who has a warrior's energy. Some are majestic and dreamy, and others, like Spike, have a 'cool dude' attitude."
Syrian architect and urban designer Sara Alharbali, who is the founder of the luxury brand Tajrid Design, is exhibiting her Revelation Spectrogram series, which brings to visual form the recitations of different Quranic verses by Abdul Basit Abdul Samad, considered to be one of the best reciters of the Quran who ever lived.
The works display the sound waves of Abdul Samad's recitations in a steel finish with gold leafing or a black powder coat. From a distance, the artworks verge on abstract, and it's only on closer inspection that the lilting horizontal lines become clear sound waves, with an inscription at the bottom of each artwork detailing which verse is being displayed.
"Usually as Muslims, we have Arabic calligraphy or Kufic scripts of Quranic verses in our homes," she says. "We look at them and they look nice but we don't usually reflect upon them. The idea behind Revelation Spectrogram is that you see the sound wave and wonder what it means and then, as you discover the name of the surah, it'll inspire you to dig deeper into what it means and what Allah is trying to tell us."
One of the oldest participants at World Art Dubai is Anjini Laitu, 80, an Indian who has been living in Dubai since 1991. Wearing an eye-catching black blazer scuffed with brilliant silver scrawls, Laitu sits at his stall surrounded by dozens of colourful, richly textured paintings.
"This was made entirely of materials you can find in your kitchen," he says, pointing to one of his pieces. "There's turmeric, red chili powder, cumin powder and beetroot juice. I made the painting last month. There were no [traditional] painting materials used for this," he says. Pointing to another of his works, he explains: "This was made only by using Holi [Indian spring festival] powder colours."
Laitu says he has been participating at World Art Dubai every year since its inception in 2015. “It’s bigger than ever this year,” he says of the seventh iteration. “I’ve exhibited artworks in the UAE, India, Sri Lanka and Nepal, and I make sure I participate here every year. My experience has been very good, which is why I keep coming back.”
Across the hall, Iraqi-Armenian artist Ankina Zakarian, a sculptor who is fairly new to the craft, is exhibiting the work she created during the pandemic. The sculptures all show human forms with exaggerated features, such as beefy limbs and sprawling broad shoulders. Zakarian says she hopes the sculptures transmit a level of optimism.
"One of my favourite works is this one," she says of a male figure in a striped lime and red t-shirt. "I worked on him when the stay-at-home measures were imposed and we couldn't go out. He gave me a sort of happiness."
Zakarian says one of her main motives to take part in World Art Dubai was the chance to be in conversation with other artists, receive feedback and artistically grow.
“I’ve been getting the chance to meet several new people,” she says. “And I’m feeling inspired by their philosophies and artistic intentions. I think an artist always needs to take that step, to learn more and develop.”
Then there are the works that are best experienced virtually. Ecuadorian artist Coco Valdez's paintings may seem impressive enough at first glance, featuring motifs and mythological symbols stemming from Ecuador's long and rich history. But after downloading an app he developed himself, the paintings come alive in vibrant and unexpected ways.
At the centre of his stall is a portrait of Sheikh Mohammed bin Rashid, Ruler of Dubai, entitled Forward Dubai. Valdez says he painted the portrait of the Ruler, who is also the Vice President and Prime Minister of the UAE, as a tribute to the country's innovative nature.
“I painted it especially for this exhibition. I asked myself: 'What is Dubai for me?'. The city is the future, it is technology,” he says.
Another impressive attraction at the fair is the AI Norn, a robotic arm created by Russian data scientists Anna Mischenko and Nikolay Gavrilin. With the help of a programme, the arm is able to take an image and interprets it as an impressionist painting.
“The programme breaks down the image according to lines, shapes and colours,” Mischenko explains. “The arm then mixes the paints on its own and applies it to the canvas.”
The duo have called this unique painting approach "neuro-impressionism" . "We are both big fans of impressionism but as we can't paint ourselves, so we decided to come up with a programme that does it for us."
The Matrix Resurrections
Director: Lana Wachowski
Stars: Keanu Reeves, Carrie-Anne Moss, Jessica Henwick
Rating:****
The specs
Engine: 3.0-litre 6-cyl turbo
Power: 435hp at 5,900rpm
Torque: 520Nm at 1,800-5,500rpm
Transmission: 9-speed auto
Price: from Dh498,542
On sale: now
Test series fixtures
(All matches start at 2pm UAE)
1st Test Lord's, London from Thursday to Monday
2nd Test Nottingham from July 14-18
3rd Test The Oval, London from July 27-31
4th Test Manchester from August 4-8
List of alleged parties
- May 15 2020: Boris Johnson is said to have attended a Downing Street pizza party
- 27 Nov 2020: PM gives speech at leaving do for his staff
- Dec 10 2020: Staff party held by then-education secretary Gavin Williamson
- Dec 13 2020: Mr Johnson and his then-fiancee Carrie Symonds throw a flat party
- Dec 14 2020: Shaun Bailey holds staff party at Conservative Party headquarters
- Dec 15 2020: PM takes part in a staff quiz
- Dec 18 2020: Downing Street Christmas party
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Top 10 most polluted cities
- Bhiwadi, India
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Batti Gul Meter Chalu
Producers: KRTI Productions, T-Series
Director: Sree Narayan Singh
Cast: Shahid Kapoor, Shraddha Kapoor, Divyenndu Sharma, Yami Gautam
Rating: 2/5
Killing of Qassem Suleimani
How to join and use Abu Dhabi’s public libraries
• There are six libraries in Abu Dhabi emirate run by the Department of Culture and Tourism, including one in Al Ain and Al Dhafra.
• Libraries are free to visit and visitors can consult books, use online resources and study there. Most are open from 8am to 8pm on weekdays, closed on Fridays and have variable hours on Saturdays, except for Qasr Al Watan which is open from 10am to 8pm every day.
• In order to borrow books, visitors must join the service by providing a passport photograph, Emirates ID and a refundable deposit of Dh400. Members can borrow five books for three weeks, all of which are renewable up to two times online.
• If users do not wish to pay the fee, they can still use the library’s electronic resources for free by simply registering on the website. Once registered, a username and password is provided, allowing remote access.
• For more information visit the library network's website.
The lowdown
Bohemian Rhapsody
Director: Bryan Singer
Starring: Rami Malek, Lucy Boynton, Gwilym Lee
Rating: 3/5
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Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”