Art Dubai 2021: These are some of the most eye-catching works at this year's fair


Alexandra Chaves
  • English
  • Arabic

Art Dubai has returned with 50 galleries from more than 31 countries.

Paintings abound at the fair this year, with many figurative works by African artists, including an arresting portrait by Kehinde Wiley at Galerie Templon from Paris. The artist behind Barack Obama’s presidential portrait from 2018, Wiley uses portraiture as a way to reframe the traditions of classical European painting. Typically featuring black subjects against floral or dramatic landscape backdrops, he recasts the depictions of people of colour in a new light.

Elsewhere, a 2020 pentaptych by Ibrahim El Dessouki titled Series of Gated Communities – Looks Like Bananas at Hafez Gallery are filled with unrelated objects – potted plants and the front of a motorcycle, for example – flatly painted in clear, vivid forms against a monochrome background.

Meanwhile, more playful and energetic works can be found at the booths of Athr Gallery from Jeddah and Dastan’s Basement from Tehran. The latter includes a memorable work by Iranian artist Farrokh Mahdavi that shows a thick slathering of pink paint on canvas with eyes and lips added to create a face.

Eye-catching works (and unsurprising selfie magnets), including a Takashi Murakami Flowers wall sculpture and Anish Kapoor's Monochrome (Blue Matt), are presented at Galerie Perrotin's booth, alongside works by Bharti Kher, Lee Bae and JR.

Across from it are the more serene, contemplative paintings of Ayesha Sultana, who has captured the subtlety of the sky's shifting appearance in the series 11:58. Her new works, along with pieces by Praneet Soi, Radhika Khimji, Prabhakar Pachpute and Biraaj Dodiya are on view at Experimenter gallery's booth.

Here are some other highlights from the fair that are worth a look:

Afifa Aleiby’s enigmatic portraits of women

Kristin Hjellegjerde Gallery has dedicated its booth to Iraqi artist Afifa Aleiby, who studied monumental art in 1974, in what was then the Soviet Union, and taught at the Institute of Fine Arts in Aden, Yemen before gradually settling down in the Netherlands.

Her paintings often portray melancholic characters, including solitary women wearing serene or sombre expressions as they look away from the viewer. Aleiby also employs tones from Renaissance paintings, giving the impression that the subjects belong to the distant past or another reality. Her painting Sunset from 2017 sold at the fair on the first day.

Afifa Aleiby, 'Yasmin'. Courtesy the artist and Kristin Hjellegjerde Gallery
Afifa Aleiby, 'Yasmin'. Courtesy the artist and Kristin Hjellegjerde Gallery

A personal colour map of Dubai

What are the colours of bakhoor ashes, tree spores, marigold and hibiscus? Nahla Tabbaa explores these pigments in her work Fleeting Stains, a colour study of various objects encountered around Dubai.

Her presentation, part of this year’s Campus Art Dubai, serves as a kind of diary, mapping out moments in Tabbaa’s life through dyed fabric and coloured paper that are arranged on the wall. The artist has then added handwritten notes on the side of the objects, recounting the inspirations behind the colour or where it was extracted from: “Jebel Jais sandstone”; “with rust from Nana & Nanu’s spoon”; “1 year’s worth of bakhoor… as if a stick of incense a day was going to burn away my anxiety”.

'Fleeting Stains' by Nahla Tabbaa at Art Dubai 2021. Chris Whiteoak / The National
'Fleeting Stains' by Nahla Tabbaa at Art Dubai 2021. Chris Whiteoak / The National

Shaikha Al Mazrou’s graphic shapes

After experimenting with cyanotype and pigment blocks last year, Shaikha Al Mazrou returns to her colourful steel sculptures at Lawrie Shabibi’s booth. This time, however, the Emirati artist has added bold lines to accentuate shape, which also lends a more graphic style to the 2021 works.

Al Mazrou gives the sculptures a matte finish by wet coating the steel, and the deliberate dents underneath make the material appear soft and pliable.

Shaikha Al Mazrou, 'Open Window', 2021. Courtesy the artist and Lawrie Shabibi
Shaikha Al Mazrou, 'Open Window', 2021. Courtesy the artist and Lawrie Shabibi

Seeing the sunrise in James Clar’s light work

Under the bright lights of the booth, James Clar's A New Dawn loses some of its magnetism. In a dimmer setting, however, the LED tubes cast a glow reminiscent of a sunrise.

Another work, Taking A Ride With My Best Friend, includes a wall-mounted car door that has been stripped of its lining, revealing its mechanical skeleton. Swirling lights projected from above dance on the door's frame.

James Clar, 'A New Dawn', on view at Silverlens' booth. Courtesy the artist and Silverlens
James Clar, 'A New Dawn', on view at Silverlens' booth. Courtesy the artist and Silverlens

Clar’s works are presented by Silverlens, a gallery from Manila, Philippines, alongside an untitled painting by Nicole Coson. The abstract work features light and dark shapes, almost like Rorschach test blots, against a luminous orange background.

The booth also includes a work by Pio Abad titled My dear, there are always people who are just a little faster, more brilliant, and more aggressive IV. Modelled after a Hermes scarf, the fabric piece comments on the colonial depictions of native and indigenous people in western cultures.

Weaving image and textile

Joana Choumali transforms her photographs into richly textured pieces by embroidering directly on to her images. Through these interventions, her works, shown at Gallery 1957's booth, become more dream-like and meditative.

Choumali, who lives in Cote d’Ivoire and studied graphic arts in Casablanca, Morocco, has previously shown in the Venice Biennale.

Joana Choumali's 'We Should Have Never Stopped Swinging'. Courtesy the artist and Gallery 1957
Joana Choumali's 'We Should Have Never Stopped Swinging'. Courtesy the artist and Gallery 1957

Gallery 1957 is also presenting the work of Malian artist Abdoulaye Konate, whose pieces draw from West African textile traditions. By cutting and layering the dyed strips of fabric, the artist creates the effects of shadows and gradient colours much like a painting.

Art Dubai takes place until Saturday. More information is at artdubai.ae

Racecard

7pm: Abu Dhabi - Conditions (PA) Dh 80,000 (Dirt) 1,600m

7.30pm: Dubai - Maiden (TB) Dh82,500 (D) 1,400m

8pm: Sharjah - Maiden (TB) Dh82,500 (D) 1,600m

8.30pm: Ajman - Handicap (TB) Dh82,500 (D) 2,200m

9pm: Umm Al Quwain - The Entisar - Listed (TB) Dh132,500 (D) 2,000m

9.30pm: Ras Al Khaimah - Rated Conditions (TB) Dh95,000 (D) 1,600m

10pm: Fujairah - Handicap (TB) Dh87,500 (D) 1,200m

The smuggler

Eldarir had arrived at JFK in January 2020 with three suitcases, containing goods he valued at $300, when he was directed to a search area.
Officers found 41 gold artefacts among the bags, including amulets from a funerary set which prepared the deceased for the afterlife.
Also found was a cartouche of a Ptolemaic king on a relief that was originally part of a royal building or temple. 
The largest single group of items found in Eldarir’s cases were 400 shabtis, or figurines.

Khouli conviction

Khouli smuggled items into the US by making false declarations to customs about the country of origin and value of the items.
According to Immigration and Customs Enforcement, he provided “false provenances which stated that [two] Egyptian antiquities were part of a collection assembled by Khouli's father in Israel in the 1960s” when in fact “Khouli acquired the Egyptian antiquities from other dealers”.
He was sentenced to one year of probation, six months of home confinement and 200 hours of community service in 2012 after admitting buying and smuggling Egyptian antiquities, including coffins, funerary boats and limestone figures.

For sale

A number of other items said to come from the collection of Ezeldeen Taha Eldarir are currently or recently for sale.
Their provenance is described in near identical terms as the British Museum shabti: bought from Salahaddin Sirmali, "authenticated and appraised" by Hossen Rashed, then imported to the US in 1948.

- An Egyptian Mummy mask dating from 700BC-30BC, is on offer for £11,807 ($15,275) online by a seller in Mexico

- A coffin lid dating back to 664BC-332BC was offered for sale by a Colorado-based art dealer, with a starting price of $65,000

- A shabti that was on sale through a Chicago-based coin dealer, dating from 1567BC-1085BC, is up for $1,950

Drishyam 2

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Starring: Mohanlal, Meena, Ansiba, Murali Gopy

Rating: 4 stars

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Always use only regulated platforms

Stop all transactions and communication on suspicion

Save all evidence (screenshots, chat logs, transaction IDs)

Report to local authorities

Warn others to prevent further harm

Courtesy: Crystal Intelligence

Singham Again

Director: Rohit Shetty

Stars: Ajay Devgn, Kareena Kapoor Khan, Ranveer Singh, Akshay Kumar, Tiger Shroff, Deepika Padukone

Rating: 3/5

Timeline

2012-2015

The company offers payments/bribes to win key contracts in the Middle East

May 2017

The UK SFO officially opens investigation into Petrofac’s use of agents, corruption, and potential bribery to secure contracts

September 2021

Petrofac pleads guilty to seven counts of failing to prevent bribery under the UK Bribery Act

October 2021

Court fines Petrofac £77 million for bribery. Former executive receives a two-year suspended sentence 

December 2024

Petrofac enters into comprehensive restructuring to strengthen the financial position of the group

May 2025

The High Court of England and Wales approves the company’s restructuring plan

July 2025

The Court of Appeal issues a judgment challenging parts of the restructuring plan

August 2025

Petrofac issues a business update to execute the restructuring and confirms it will appeal the Court of Appeal decision

October 2025

Petrofac loses a major TenneT offshore wind contract worth €13 billion. Holding company files for administration in the UK. Petrofac delisted from the London Stock Exchange

November 2025

180 Petrofac employees laid off in the UAE

Who's who in Yemen conflict

Houthis: Iran-backed rebels who occupy Sanaa and run unrecognised government

Yemeni government: Exiled government in Aden led by eight-member Presidential Leadership Council

Southern Transitional Council: Faction in Yemeni government that seeks autonomy for the south

Habrish 'rebels': Tribal-backed forces feuding with STC over control of oil in government territory

How to wear a kandura

Dos

  • Wear the right fabric for the right season and occasion 
  • Always ask for the dress code if you don’t know
  • Wear a white kandura, white ghutra / shemagh (headwear) and black shoes for work 
  • Wear 100 per cent cotton under the kandura as most fabrics are polyester

Don’ts 

  • Wear hamdania for work, always wear a ghutra and agal 
  • Buy a kandura only based on how it feels; ask questions about the fabric and understand what you are buying
What can you do?

Document everything immediately; including dates, times, locations and witnesses

Seek professional advice from a legal expert

You can report an incident to HR or an immediate supervisor

You can use the Ministry of Human Resources and Emiratisation’s dedicated hotline

In criminal cases, you can contact the police for additional support

Gothia Cup 2025

4,872 matches 

1,942 teams

116 pitches

76 nations

26 UAE teams

15 Lebanese teams

2 Kuwaiti teams

Key figures in the life of the fort

Sheikh Dhiyab bin Isa (ruled 1761-1793) Built Qasr Al Hosn as a watchtower to guard over the only freshwater well on Abu Dhabi island.

Sheikh Shakhbut bin Dhiyab (ruled 1793-1816) Expanded the tower into a small fort and transferred his ruling place of residence from Liwa Oasis to the fort on the island.

Sheikh Tahnoon bin Shakhbut (ruled 1818-1833) Expanded Qasr Al Hosn further as Abu Dhabi grew from a small village of palm huts to a town of more than 5,000 inhabitants.

Sheikh Khalifa bin Shakhbut (ruled 1833-1845) Repaired and fortified the fort.

Sheikh Saeed bin Tahnoon (ruled 1845-1855) Turned Qasr Al Hosn into a strong two-storied structure.

Sheikh Zayed bin Khalifa (ruled 1855-1909) Expanded Qasr Al Hosn further to reflect the emirate's increasing prominence.

Sheikh Shakhbut bin Sultan (ruled 1928-1966) Renovated and enlarged Qasr Al Hosn, adding a decorative arch and two new villas.

Sheikh Zayed bin Sultan (ruled 1966-2004) Moved the royal residence to Al Manhal palace and kept his diwan at Qasr Al Hosn.

Sources: Jayanti Maitra, www.adach.ae

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Kanguva
Director: Siva
Stars: Suriya, Bobby Deol, Disha Patani, Yogi Babu, Redin Kingsley
Rating: 2/5
 
Islamophobia definition

A widely accepted definition was made by the All Party Parliamentary Group on British Muslims in 2019: “Islamophobia is rooted in racism and is a type of racism that targets expressions of Muslimness or perceived Muslimness.” It further defines it as “inciting hatred or violence against Muslims”.

Nayanthara: Beyond The Fairy Tale

Starring: Nayanthara, Vignesh Shivan, Radhika Sarathkumar, Nagarjuna Akkineni

Director: Amith Krishnan

Rating: 3.5/5

Wicked: For Good

Director: Jon M Chu

Starring: Ariana Grande, Cynthia Erivo, Jonathan Bailey, Jeff Goldblum, Michelle Yeoh, Ethan Slater

Rating: 4/5

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

Ziina users can donate to relief efforts in Beirut

Ziina users will be able to use the app to help relief efforts in Beirut, which has been left reeling after an August blast caused an estimated $15 billion in damage and left thousands homeless. Ziina has partnered with the United Nations High Commissioner for Refugees to raise money for the Lebanese capital, co-founder Faisal Toukan says. “As of October 1, the UNHCR has the first certified badge on Ziina and is automatically part of user's top friends' list during this campaign. Users can now donate any amount to the Beirut relief with two clicks. The money raised will go towards rebuilding houses for the families that were impacted by the explosion.”

Who has lived at The Bishops Avenue?
  • George Sainsbury of the supermarket dynasty, sugar magnate William Park Lyle and actress Dame Gracie Fields were residents in the 1930s when the street was only known as ‘Millionaires’ Row’.
  • Then came the international super rich, including the last king of Greece, Constantine II, the Sultan of Brunei and Indian steel magnate Lakshmi Mittal who was at one point ranked the third richest person in the world.
  • Turkish tycoon Halis Torprak sold his mansion for £50m in 2008 after spending just two days there. The House of Saud sold 10 properties on the road in 2013 for almost £80m.
  • Other residents have included Iraqi businessman Nemir Kirdar, singer Ariana Grande, holiday camp impresario Sir Billy Butlin, businessman Asil Nadir, Paul McCartney’s former wife Heather Mills. 
Hunting park to luxury living
  • Land was originally the Bishop of London's hunting park, hence the name
  • The road was laid out in the mid 19th Century, meandering through woodland and farmland
  • Its earliest houses at the turn of the 20th Century were substantial detached properties with extensive grounds

 

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