Sheikha Hoor Al Qasimi, Sharjah Biennial curator and Sharjah Art Foundation director, leads a tour of the Sharjah Art Museum. All Photos: Antonie Robertson / The National
A work by Kimathi Donkor, an artist of Ghanaian, Anglo-Jewish and Jamaican descent, who lives in London and explores the history of Africa and its global diasporas.
Photographer Hiroji Kubota captured portraits of the Black Panther party in the 1960s, as well as reportage of American military bases in Okinawa, Japan
A series of portraits by South African-American painter Thenjiwe Niki Nkosi
Pieces by Emirati artist Obaid Suroor, who incorporates traditional textile patterns into his work
Robyn Kahukiwa’s Tihe Mauri Ora was produced as part of an ancestral meeting house created by the Maori women’s art collective Haeata
A work by artist Malala Andrialavidrazana, who was born and raised in Madagascar, before relocating to Paris
Angela Ponce's photography explores social issues, political issues and disability rights in the collective memory of Latin America
Indian Photographer Pablo Bartholomew has spent decades capturing images of his country's emigres
Moroccan photographer Imane Djamil explores the experience of post-traumatic transitions
Sharjah Biennial kicks off its 15th event on Tuesday with an exciting new programme of works by more than 150 artists from across the world. Now in its 30th year, the biennial will transform 19 venues throughout the city of Sharjah, Al Dhaid, Al Hamriyah, Kalba and Khor Fakkan with a series of exhibitions and installations.
Speaking on Monday at a press conference held between the coral-laced walls of Bait Al Naboodah, Sheikha Hoor Al Qasimi, Sharjah Biennial curator and Sharjah Art Foundation director, said the selection of locations was "a way for us as an institution to expand on our ongoing work with the communities across Sharjah".
“Our work has been happening in those cities for many, many years," she said. "And it's taken time. We’ve worked with communities to make sure that we are not imposing international ideas, or not only thinking about western visitors or international visitors, but really having a conversation and dialogue between local and global.”
This conversation is central to the biennial’s theme of Thinking Historically in the Present, conceived by Nigerian curator, art critic and writer Okwui Enwezor. Prior to his death in 2019, Enwezor asked Sheikha Hoor to carry out his vision and curate the event.
“From the beginning, he was adamant that he was not interested in curating another 'middling' contemporary art exhibition that just disappears,” Sheikha Hoor said.
The biennial is curated by Sharjah Art Foundation director Sheika Hoor Al Qasimi. Photo: Sebastian Boettcher
She went on to read one of the messages Enwezor sent her in their time working together. He wrote: “I see Sharjah as a unique model that grew from a biennial institutionalisation, and the institution that emerged from that has provided a context of thinking and understanding about the pervasive challenges of art and the art worlds and cultural spheres from which art emerges.
"You also engage deeply in a manner that is not superficial with the problems of understanding that often bedevil contemporary art. It's a problem from which misunderstandings arise and in which blind spots persist, and for which you have built engines of mediation and historical, cultural, artistic, pedagogical and discursive amelioration.”
Sheikha Hoor said: “He’s with us in spirit, and I hope he would be proud of all of us coming together.”
Her programme is deeply inspired by Enwezor’s approach to bridging the past and present through a lens of postcolonialism — however, this is crucially informed by her deep-rooted knowledge of Sharjah’s cultural context.
During the event, Sheikha Hoor told The National: “It's been 20 years for me since I took over the biennial. But the reason I did is because I grew up with the biennial, so it has been 30 years of my life.
"For me, it was such a moment of excitement to see all these artists coming to Sharjah and trying to figure out what I wanted to do as a young artist and painter. We were all part of this local scene of artists, and we were all invited to participate. So there was this moment of solidarity, and it was a meeting point.”
Although the event was delayed due to the pandemic, Sheikha Hoor cites an Arabic proverb, "Every delay is a blessing". She says the additional time allowed her to research artists and their practices in greater depth.
The programme now features artists from 70 countries. “I think there are a lot of artists who have been under-represented," she said. "There are a lot of artists who deserve more opportunities and I'm hoping this will be a good platform for them.
Iraqi artist Saddam Al Jumaily, who lives in Finland, is among those taking part in Sharjah Biennial 15. Antonie Robertson / The National
“We have to have this platform of solidarity. We have shared histories, but together we create something much stronger, and our voices are amplified.”
Lee Kai Chung, an artist from Hong Kong who lives in London, has brought a series of works exploring the geographic displacement of people and material — with a particular emphasis on postcolonialism in Asia and Hong Kong.
“For me, this is a very special biennial compared with the others I have participated in, because it's mainly about how artists, people, infrastructure and environment connect under the theme of history — and how we can untangle history and contexts through works of art," he said. "I’m looking forward to seeing the other artists’ work.”
Meanwhile, Argentine photographer Anita Pouchard Serra is unveiling a project about French-Algerian relations following colonialism. Originally from Algeria, she says her work reflects the experiences and memories of the second generation following conflict and independence.
“For me, it's just incredible because in Argentina we are far from everything. Now I’m in a different region of the world so I have access to artists from different cultures. I'm sure I will learn a lot about them, their issues and their methodologies, so it should be fascinating."
Works by Indonesian artist Semsar Slahaan, who died in 2005, on view as part of this year's Sharjah Biennial. Antonie Robertson / The National
One of the groups of artists taking part — Meleanna Meyer, Solomon Enos and Kahi Ching — have flown from Hawaii to attend the opening in Sharjah. Enos said the group have brought a distinctly Hawaiian brand of collaborative mural art to the emirate.
“Usually, a canvas is one artist, one canvas. In Hawaii, we believe in bringing together different people's different visions, because we are a melting pot for the Pacific and ultimately, the world.
“And because we've been so isolated for thousands of years, I think we're effectively like a bolt out of the blue. And we hope that our art can be a form of mediation, and bringing together of cultures in a way that maybe hasn't really been done before.”
Meyer said it was a “very timely moment for all of us to be here together in the arts”.
“I think all of us with our histories have that shared history of pain and loss, and really major trauma. But I think all of us are happy to be here because as a collective, we're doing really interesting things.
“We all have our agendas, but our agenda is a collective healing.”
Sharjah Biennial 15 opens on Tuesday and runs until June 11. More information is at sharjahart.org/biennial-15
Timeline
2012-2015
The company offers payments/bribes to win key contracts in the Middle East
May 2017
The UK SFO officially opens investigation into Petrofac’s use of agents, corruption, and potential bribery to secure contracts
September 2021
Petrofac pleads guilty to seven counts of failing to prevent bribery under the UK Bribery Act
October 2021
Court fines Petrofac £77 million for bribery. Former executive receives a two-year suspended sentence
December 2024
Petrofac enters into comprehensive restructuring to strengthen the financial position of the group
May 2025
The High Court of England and Wales approves the company’s restructuring plan
July 2025
The Court of Appeal issues a judgment challenging parts of the restructuring plan
August 2025
Petrofac issues a business update to execute the restructuring and confirms it will appeal the Court of Appeal decision
October 2025
Petrofac loses a major TenneT offshore wind contract worth €13 billion. Holding company files for administration in the UK. Petrofac delisted from the London Stock Exchange
November 2025
180 Petrofac employees laid off in the UAE
First Person
Richard Flanagan
Chatto & Windus
In numbers
1,000 tonnes of waste collected daily:
800 tonnes converted into alternative fuel
150 tonnes to landfill
50 tonnes sold as scrap metal
800 tonnes of RDF replaces 500 tonnes of coal
Two conveyor lines treat more than 350,000 tonnes of waste per year
While the taste of beans and freshness of roast is paramount to the specialty coffee scene, so is sustainability and workers’ rights.
The bulk of genuine specialty coffee companies aim to improve on these elements in every stage of production via direct relationships with farmers. For instance, Mokha 1450 on Al Wasl Road strives to work predominantly with women-owned and -operated coffee organisations, including female farmers in the Sabree mountains of Yemen.
Because, as the boutique’s owner, Garfield Kerr, points out: “women represent over 90 per cent of the coffee value chain, but are woefully underrepresented in less than 10 per cent of ownership and management throughout the global coffee industry.”
One of the UAE’s largest suppliers of green (meaning not-yet-roasted) beans, Raw Coffee, is a founding member of the Partnership of Gender Equity, which aims to empower female coffee farmers and harvesters.
Also, globally, many companies have found the perfect way to recycle old coffee grounds: they create the perfect fertile soil in which to grow mushrooms.
Who is playing New England Patriots v Los Angeles Rams
Where Mercedes-Benz Stadium in Atlanta, United States
When Sunday (start time is 3.30am on Monday UAE time)
Ten tax points to be aware of in 2026
1. Domestic VAT refund amendments: request your refund within five years
If a business does not apply for the refund on time, they lose their credit.
2. E-invoicing in the UAE
Businesses should continue preparing for the implementation of e-invoicing in the UAE, with 2026 a preparation and transition period ahead of phased mandatory adoption.
3. More tax audits
Tax authorities are increasingly using data already available across multiple filings to identify audit risks.
4. More beneficial VAT and excise tax penalty regime
Tax disputes are expected to become more frequent and more structured, with clearer administrative objection and appeal processes. The UAE has adopted a new penalty regime for VAT and excise disputes, which now mirrors the penalty regime for corporate tax.
5. Greater emphasis on statutory audit
There is a greater need for the accuracy of financial statements. The International Financial Reporting Standards standards need to be strictly adhered to and, as a result, the quality of the audits will need to increase.
6. Further transfer pricing enforcement
Transfer pricing enforcement, which refers to the practice of establishing prices for internal transactions between related entities, is expected to broaden in scope. The UAE will shortly open the possibility to negotiate advance pricing agreements, or essentially rulings for transfer pricing purposes.
7. Limited time periods for audits
Recent amendments also introduce a default five-year limitation period for tax audits and assessments, subject to specific statutory exceptions. While the standard audit and assessment period is five years, this may be extended to up to 15 years in cases involving fraud or tax evasion.
8. Pillar 2 implementation
Many multinational groups will begin to feel the practical effect of the Domestic Minimum Top-Up Tax (DMTT), the UAE's implementation of the OECD’s global minimum tax under Pillar 2. While the rules apply for financial years starting on or after January 1, 2025, it is 2026 that marks the transition to an operational phase.
9. Reduced compliance obligations for imported goods and services
Businesses that apply the reverse-charge mechanism for VAT purposes in the UAE may benefit from reduced compliance obligations.
10. Substance and CbC reporting focus
Tax authorities are expected to continue strengthening the enforcement of economic substance and Country-by-Country (CbC) reporting frameworks. In the UAE, these regimes are increasingly being used as risk-assessment tools, providing tax authorities with a comprehensive view of multinational groups’ global footprints and enabling them to assess whether profits are aligned with real economic activity.
Contributed by Thomas Vanhee and Hend Rashwan, Aurifer
Five expert hiking tips
Always check the weather forecast before setting off
Make sure you have plenty of water
Set off early to avoid sudden weather changes in the afternoon
Wear appropriate clothing and footwear
Take your litter home with you
UAE currency: the story behind the money in your pockets
One showed 28 per cent of female students at a Dubai university reported symptoms linked to depression. Another in Al Ain found 22.2 per cent of students had depressive symptoms - five times the global average.
It said the country has made strides to address mental health problems but said: “Our review highlights the overall prevalence of depressive symptoms and depression, which may long have been overlooked."
Prof Samir Al Adawi, of the department of behavioural medicine at Sultan Qaboos University in Oman, who was not involved in the study but is a recognised expert in the Gulf, said how mental health is discussed varies significantly between cultures and nationalities.
“The problem we have in the Gulf is the cross-cultural differences and how people articulate emotional distress," said Prof Al Adawi.
“Someone will say that I have physical complaints rather than emotional complaints. This is the major problem with any discussion around depression."
We weren’t supposed to survive but we did.
We weren’t supposed to remember but we did.
We weren’t supposed to write but we did.
We weren’t supposed to fight but we did.
We weren’t supposed to organise but we did.
We weren’t supposed to rap but we did.
We weren’t supposed to find allies but we did.
We weren’t supposed to grow communities but we did.
We weren’t supposed to return but WE ARE.
Amira Sakalla
The internal combustion engine is facing a watershed moment – major manufacturer Volvo is to stop producing petroleum-powered vehicles by 2021 and countries in Europe, including the UK, have vowed to ban their sale before 2040. The National takes a look at the story of one of the most successful technologies of the last 100 years and how it has impacted life in the UAE.
Starring: Brad Pitt, Damson Idris, Kerry Condon, Javier Bardem
Director: Joseph Kosinski
Rating: 4/5
Living in...
This article is part of a guide on where to live in the UAE. Our reporters will profile some of the country’s most desirable districts, provide an estimate of rental prices and introduce you to some of the residents who call each area home.