![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/ZSEZUH2XK5CPHDRLYJQVJFG3YA.jpg?smart=true&auth=d0b91742e942ef53dc36c0a03a4b1781e1d35fcaa9b2453f25bfbf7aab19dc1f&width=400&height=225)
Pushpakanthan Pakkiyarajah, Grieving and Mycelium, 2020–2022. Photo: Pushpakanthan Pakkiyarajah
Archana Hande, All is Fair in Magic White, 2008–2011. Photo: Archana Hande
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/P47PRI4NSVEEHOC2HZTHMYHJEI.jpg?smart=true&auth=67f62884efdbfdfedd8a666b851e2c05c07ec23ed6c5fea9ab97b0a6ca23dc3c&width=400&height=225)
Tahila Mintz, Ancestral Gratitude Bridge, 2022. Photo: Tahila Mintz
Angela Ponce, Ayacucho, 2017–2022. A young woman takes flowers to the dead in an act of commemoration. Photo: Angela Ponce
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/ARUS7TTFGFA2HM5O5WWVZ2AT7I.jpg?smart=true&auth=a231d8011578bd29ead83fd70f4080ae090e9115b65315ea31a7c49cba3310f5&width=400&height=225)
Inuuteq Storch, Porcelain Souls, 2018. Photo: Inuuteq Storch
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/VSVWFIFHFBBH5AYSDC6EF6XITA.jpg?smart=true&auth=83d69c2568c789d4af30ca031f498fa6061e5481d6d682347ab58f9bb11eb7cf&width=400&height=225)
Yinka Shonibare, Decolonised Structures (Lord Kitchener), 2022. Commissioned by Sharjah Art Foundation. Photo: Yinka Shonibare / Stephen Friedman Gallery, London
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/JVFF67MDNBEJVLEHAXBCX56S5A.png?smart=true&auth=df8e817ddc580e930021203fac3ef036a4d89c80c2c9e03a322fe1b0dfe7d959&width=400&height=225)
Kahurangiariki Smith, He Tangi Aroha (Mama Don't Cry), 2019. Photo: Kahurangiariki Smith
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/OW7XSNGR4NGZHJOQTGD3RKVNSU.jpg?smart=true&auth=7c519edf321d06b12d9cd9c26d06129478f561a45b886ac6cac208687225317a&width=400&height=225)
Nusra Latif Qureshi, The Ideal Floral Background, 2013. Photo: Nusra Latif Qureshi / Sutton Gallery, Melbourne
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/NBS55AIRVNH6FNX3ZVVU23RQXQ.jpg?smart=true&auth=9395c57caaaa4bef61d6e6ff61acddb5e9aed3ca13d5dc2615a374b6c4340296&width=400&height=225)
Pak Khawateen Painting Club at Chashma Barrage, 2022. Photo: The artists
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/GK2YZ2HQJ5BS3HJRPUC6HKN74M.jpg?smart=true&auth=ac285d9e68c022ecb3719a03bd85d00429d49758b1d6d9f89eaeef55fc41fdbc&width=400&height=225)
Amar Kanwar, The Peacock's Graveyard, 2023. Commissioned by Sharjah Art Foundation. Photo: Amar Kanwar
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/SGFUZXP5KBGEXE5NHNYYOVMZWI.jpg?smart=true&auth=adae4f1f89b6bf8e6234669d45028b1a454fddda6386438ec26b75d1cc167b6a&width=400&height=225)
Lavanya Mani, Signs taken for wonders, 2009. Photo: Lavanya Mani and Chemould Prescott Road
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/ZSEZUH2XK5CPHDRLYJQVJFG3YA.jpg?smart=true&auth=d0b91742e942ef53dc36c0a03a4b1781e1d35fcaa9b2453f25bfbf7aab19dc1f&width=400&height=225)
Pushpakanthan Pakkiyarajah, Grieving and Mycelium, 2020–2022. Photo: Pushpakanthan Pakkiyarajah
Archana Hande, All is Fair in Magic White, 2008–2011. Photo: Archana Hande
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/P47PRI4NSVEEHOC2HZTHMYHJEI.jpg?smart=true&auth=67f62884efdbfdfedd8a666b851e2c05c07ec23ed6c5fea9ab97b0a6ca23dc3c&width=400&height=225)
Tahila Mintz, Ancestral Gratitude Bridge, 2022. Photo: Tahila Mintz
Angela Ponce, Ayacucho, 2017–2022. A young woman takes flowers to the dead in an act of commemoration. Photo: Angela Ponce
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/ARUS7TTFGFA2HM5O5WWVZ2AT7I.jpg?smart=true&auth=a231d8011578bd29ead83fd70f4080ae090e9115b65315ea31a7c49cba3310f5&width=400&height=225)
Inuuteq Storch, Porcelain Souls, 2018. Photo: Inuuteq Storch
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/VSVWFIFHFBBH5AYSDC6EF6XITA.jpg?smart=true&auth=83d69c2568c789d4af30ca031f498fa6061e5481d6d682347ab58f9bb11eb7cf&width=400&height=225)
Yinka Shonibare, Decolonised Structures (Lord Kitchener), 2022. Commissioned by Sharjah Art Foundation. Photo: Yinka Shonibare / Stephen Friedman Gallery, London
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/JVFF67MDNBEJVLEHAXBCX56S5A.png?smart=true&auth=df8e817ddc580e930021203fac3ef036a4d89c80c2c9e03a322fe1b0dfe7d959&width=400&height=225)
Kahurangiariki Smith, He Tangi Aroha (Mama Don't Cry), 2019. Photo: Kahurangiariki Smith
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/OW7XSNGR4NGZHJOQTGD3RKVNSU.jpg?smart=true&auth=7c519edf321d06b12d9cd9c26d06129478f561a45b886ac6cac208687225317a&width=400&height=225)
Nusra Latif Qureshi, The Ideal Floral Background, 2013. Photo: Nusra Latif Qureshi / Sutton Gallery, Melbourne
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/NBS55AIRVNH6FNX3ZVVU23RQXQ.jpg?smart=true&auth=9395c57caaaa4bef61d6e6ff61acddb5e9aed3ca13d5dc2615a374b6c4340296&width=400&height=225)
Pak Khawateen Painting Club at Chashma Barrage, 2022. Photo: The artists
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/GK2YZ2HQJ5BS3HJRPUC6HKN74M.jpg?smart=true&auth=ac285d9e68c022ecb3719a03bd85d00429d49758b1d6d9f89eaeef55fc41fdbc&width=400&height=225)
Amar Kanwar, The Peacock's Graveyard, 2023. Commissioned by Sharjah Art Foundation. Photo: Amar Kanwar
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/SGFUZXP5KBGEXE5NHNYYOVMZWI.jpg?smart=true&auth=adae4f1f89b6bf8e6234669d45028b1a454fddda6386438ec26b75d1cc167b6a&width=400&height=225)
Lavanya Mani, Signs taken for wonders, 2009. Photo: Lavanya Mani and Chemould Prescott Road
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/ZSEZUH2XK5CPHDRLYJQVJFG3YA.jpg?smart=true&auth=d0b91742e942ef53dc36c0a03a4b1781e1d35fcaa9b2453f25bfbf7aab19dc1f&width=400&height=225)
Pushpakanthan Pakkiyarajah, Grieving and Mycelium, 2020–2022. Photo: Pushpakanthan Pakkiyarajah
A closer look at Sharjah Biennial's take on postcolonialism, with more than 70 new works
Activating historic, modern and contemporary spaces throughout Sharjah, the programme bridges past and present narratives
![Hareth Al Bustani](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/https%3A%2F%2Fs3.amazonaws.com%2Farc-authors%2Fthenational%2Fb91364fa-4e08-41b0-a47d-a73738ea0d06.png?smart=true&auth=210c3f617c459d0319021e44fca82e010c402edff39090f9d9f522b9a0102d6a&width=70&height=70)
Hareth Al Bustani
13 January, 2023
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