British-Nigerian artist Yinka Shonibare has launched Guest Artists Space, a residency and arts centre in Lagos, alongside the Ecology Green Farm, to research food scarcity in the Nigerian countryside. The two spaces will increase connections between artists in Africa and those in international art scenes from the Gulf, Europe and America.
Gas is among a number of new art spaces being built in West Africa by internationally successful artists who are returning home to invest in the industry on the continent.
It also reflects a growing interest among artists in developing research on food and water scarcity. In September, before the official launch of the site, Gas hosted a symposium by the Sharjah Architecture Triennial. Tosin Oshinowo and members of the Triennial team discussed the themes of impermanence and adaptability across the Global South with cultural figures from the African continent such as the architects Adeyemo Shokunbi and Mpho Matsipa.
Gas has also signed up to the World Weather Network project, which began using art spaces around the world to map the changing climate earlier this year, and which counts the Jameel Arts Centre as a member in Dubai.
Focused primarily on residences, Guest Artists Space will invite artists, curators, thinkers, and designers for four-month rotations, with one drawn from Nigeria, one from the continent of Africa and one from abroad. They will live and work at the site and take part in seminars and lectures, which are open to the wider community in Lagos.
Years in the making, Shonibare had at first toyed with different ideas for the space — initially thinking of it as an exhibition site for a scene that lacks major public institutions. But eventually, he turned to the idea of residencies as the best means of helping artists to develop their work.
“I had done some residencies in the past myself; one in Senegal, one in Sweden, and one in Philadelphia. That experience of doing the residency changed my practice,” he says. “Once you manage to take yourself outside your own comfort zone, as an artist, it pushes you to be more open, to be imaginative, and to push the boundaries of what you already know.”
The bespoke Brutalist building was designed by the British-Ghanaian architect Elsie Owusu and was inspired by local Yoruba architecture. The site wraps around a central courtyard and a large concrete screen, spanning two storeys and the width of the building, which partially blocks out the strong sun.
It also houses a live workspace for the residents, a gallery, seminar rooms and a library, which hosts the collection of John Picton — an eminent scholar of African art who taught at Soas in London. The library already has 1,500 volumes in its collection, ranging from art to anthropology and other social sciences, and has plans to digitise its volumes over the next two years.
Shonibare graduated from Goldsmiths College in 1991 at a time when the art school was a potent incubator for the pop, provocative projects associated with the YBA — or "Young British Artists" — generation, including Damien Hirst and Tracey Emin.
Shonibare distinguished himself from other artists by responding to the urgent legacy of colonialism, becoming known for his work with Dutch East India fabric, which has become associated with Africa.
Unravelling its complexity, he showed how the fabric was inspired by the traditional Indonesian batik print, and was developed by the Dutch for the market in their Indonesian colony. But the industrially printed material was not successful there and it was sold in to West African markets. Instead of representing an authentic African identity, it was instead a product of the economic and migratory ties routes created by colonial trade.
In a series of renowned videos and sculptures, Shonibare used the fabric for an 18-century court dress, representing the colonialism that fuelled European wealth of that era.
He has since continued to explore the fabric as signs of Africa’s history, while also revelling in the play of colours and patterns more formally. In 2014, he created the series Wind Sculptures, which rendered the fabric as steel sails, shaped as if formed by the wind — one of which was commissioned by Tarek Abou El Fetouh for Dubai Expo 2020 and remains as a permanent sculpture there.
Other projects delve further into how African idioms were disseminated across Europe, such as a beautiful suite of African-inspired masks, quilts and sculptures, shown last year at the London gallery, Stephen Friedman.
Shonibare has long been a major source of support to young artists. From 2006 to 2020, he ran Guests Projects space on the ground floor of his London studio off the Regent's Canal in East London. There he showed a rotating display of young artists, who he encouraged to be more experimental. Gas continues in that vein while also building links to Nigeria, where his family is from and where he grew up.
“The art scene right now is very commercial,” Shonibare explains. “But that is not great for the development of an artist, because artists need time and space to develop the work, and so I provided that opportunity. That’s something that gives me joy, to support a younger generation, and to give them some of the opportunities that I had when I was just starting out as an artist.”
The international launch was timed to coincide with the fair Art X Lagos, which has played a major role in establishing links across the continent and in growing the Nigerian artist scene. The space held a soft launch earlier this year, with artists including Lynhan Balatbat Helbock, Emma Prempeh, Portia Zvavahera and Gideon Gomo. Shonibare also staged a show drawn from his collection of ancient, modern and contemporary African art.
Shonibare's second space is Ecology Green Farm in Ijebu, a village about 100 kilometres north-east of the Nigerian capital. A working organic farm spanning about 22 hectares, it is dedicated to researching food security — a growing problem across the African continent, and one that has become the focus of a number of artistic spaces.
The Delfina Foundation in London is currently centring three years of its programming around the politics of food, and Art Jameel launched its Jeddah site, Hayy Jameel, with the show Staple: What’s On Your Plate?, which looked at different artistic investigations into food and agriculture.
Members of the well-known Raqs Media Collective from Delhi are the first “weather reporters” at the site, where they will be in residence from early next year with other artists and practitioners to develop research around agricultural production in the southern Nigerian climate.
“The issue of food sustainability for local people is one of the pressing issues of our time,” says Shonibare. “It’s essential that we're growing food for the local community and doing research around ecology on the farm. And the farm will also give artists who are doing residencies in Lagos another opportunity to go to a rural area to understand Nigeria better and to start to engage with nature.”
The biog
Siblings: five brothers and one sister
Education: Bachelors in Political Science at the University of Minnesota
Interests: Swimming, tennis and the gym
Favourite place: UAE
Favourite packet food on the trip: pasta primavera
What he did to pass the time during the trip: listen to audio books
Avatar: Fire and Ash
Director: James Cameron
Starring: Sam Worthington, Sigourney Weaver, Zoe Saldana
Rating: 4.5/5
WHAT%20IS%20THE%20LICENSING%20PROCESS%20FOR%20VARA%3F
%3Cp%3EVara%20will%20cater%20to%20three%20categories%20of%20companies%20in%20Dubai%20(except%20the%20DIFC)%3A%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ECategory%20A%3A%3C%2Fstrong%3E%20Minimum%20viable%20product%20(MVP)%20applicants%20that%20are%20currently%20in%20the%20process%20of%20securing%20an%20MVP%20licence%3A%20This%20is%20a%20three-stage%20process%20starting%20with%20%5B1%5D%20a%20provisional%20permit%2C%20graduating%20to%20%5B2%5D%20preparatory%20licence%20and%20concluding%20with%20%5B3%5D%20operational%20licence.%20Applicants%20that%20are%20already%20in%20the%20MVP%20process%20will%20be%20advised%20by%20Vara%20to%20either%20continue%20within%20the%20MVP%20framework%20or%20be%20transitioned%20to%20the%20full%20market%20product%20licensing%20process.%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ECategory%20B%3A%3C%2Fstrong%3E%20Existing%20legacy%20virtual%20asset%20service%20providers%20prior%20to%20February%207%2C%202023%2C%20which%20are%20required%20to%20come%20under%20Vara%20supervision.%20All%20operating%20service%20proviers%20in%20Dubai%20(excluding%20the%20DIFC)%20fall%20under%20Vara%E2%80%99s%20supervision.%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ECategory%20C%3A%3C%2Fstrong%3E%20New%20applicants%20seeking%20a%20Vara%20licence%20or%20existing%20applicants%20adding%20new%20activities.%20All%20applicants%20that%20do%20not%20fall%20under%20Category%20A%20or%20B%20can%20begin%20the%20application%20process%20through%20their%20current%20or%20prospective%20commercial%20licensor%20%E2%80%94%20the%20DET%20or%20Free%20Zone%20Authority%20%E2%80%94%20or%20directly%20through%20Vara%20in%20the%20instance%20that%20they%20have%20yet%20to%20determine%20the%20commercial%20operating%20zone%20in%20Dubai.%C2%A0%3C%2Fp%3E%0A
THE BIO
Occupation: Specialised chief medical laboratory technologist
Age: 78
Favourite destination: Always Al Ain “Dar Al Zain”
Hobbies: his work - “ the thing which I am most passionate for and which occupied all my time in the morning and evening from 1963 to 2019”
Other hobbies: football
Favorite football club: Al Ain Sports Club
UAE currency: the story behind the money in your pockets
Moon Music
Artist: Coldplay
Label: Parlophone/Atlantic
Number of tracks: 10
Rating: 3/5
UAE v Ireland
1st ODI, UAE win by 6 wickets
2nd ODI, January 12
3rd ODI, January 14
4th ODI, January 16
Results
5pm: Maiden (PA) Dh80,000 (Turf) 1,200m. Winner: Majd Al Megirat, Sam Hitchcott (jockey), Ahmed Al Shehhi (trainer)
5.30pm: Handicap (PA) Dh80,000 (T) 1,600m. Winner: Dassan Da, Patrick Cosgrave, Helal Al Alawi
6pm: Abu Dhabi Fillies Classic Prestige (PA) Dh110,000 (T) 1,400m. Winner: Heba Al Wathba, Richard Mullen, Jean de Roualle
6.30pm: Abu Dhabi Colts Classic Prestige (PA) Dh110,000 (T) 1,400m. Winner: Hameem, Adrie de Vries, Abdallah Al Hammadi
7pm: Wathba Stallions Cup Handicap (PA) Dh70,000 (T) 2,200m. Winner: Jawal Al Reef, Richard Mullen, Ahmed Al Mehairbi
Handicap (TB) Dh100,000 (T) 2,200m. Winner: Harbour Spirit, Adrie de Vries, Jaber Ramadhan.
Trump v Khan
2016: Feud begins after Khan criticised Trump’s proposed Muslim travel ban to US
2017: Trump criticises Khan’s ‘no reason to be alarmed’ response to London Bridge terror attacks
2019: Trump calls Khan a “stone cold loser” before first state visit
2019: Trump tweets about “Khan’s Londonistan”, calling him “a national disgrace”
2022: Khan’s office attributes rise in Islamophobic abuse against the major to hostility stoked during Trump’s presidency
July 2025 During a golfing trip to Scotland, Trump calls Khan “a nasty person”
Sept 2025 Trump blames Khan for London’s “stabbings and the dirt and the filth”.
Dec 2025 Trump suggests migrants got Khan elected, calls him a “horrible, vicious, disgusting mayor”
Mercedes-AMG GT 63 S E Performance: the specs
Engine: 4.0-litre twin-turbo V8 plus rear-mounted electric motor
Power: 843hp at N/A rpm
Torque: 1470Nm N/A rpm
Transmission: 9-speed auto
Fuel consumption: 8.6L/100km
On sale: October to December
Price: From Dh875,000 (estimate)
MEDIEVIL%20(1998)
%3Cp%3E%3Cstrong%3EDeveloper%3A%3C%2Fstrong%3E%20SCE%20Studio%20Cambridge%3Cbr%3E%3Cstrong%3EPublisher%3A%3C%2Fstrong%3E%20Sony%20Computer%20Entertainment%3Cbr%3E%3Cstrong%3EConsole%3A%3C%2Fstrong%3E%20PlayStation%2C%20PlayStation%204%20and%205%3Cbr%3E%3Cstrong%3ERating%3A%3C%2Fstrong%3E%203.5%2F5%3C%2Fp%3E%0A
UAE v Gibraltar
What: International friendly
When: 7pm kick off
Where: Rugby Park, Dubai Sports City
Admission: Free
Online: The match will be broadcast live on Dubai Exiles’ Facebook page
UAE squad: Lucas Waddington (Dubai Exiles), Gio Fourie (Exiles), Craig Nutt (Abu Dhabi Harlequins), Phil Brady (Harlequins), Daniel Perry (Dubai Hurricanes), Esekaia Dranibota (Harlequins), Matt Mills (Exiles), Jaen Botes (Exiles), Kristian Stinson (Exiles), Murray Reason (Abu Dhabi Saracens), Dave Knight (Hurricanes), Ross Samson (Jebel Ali Dragons), DuRandt Gerber (Exiles), Saki Naisau (Dragons), Andrew Powell (Hurricanes), Emosi Vacanau (Harlequins), Niko Volavola (Dragons), Matt Richards (Dragons), Luke Stevenson (Harlequins), Josh Ives (Dubai Sports City Eagles), Sean Stevens (Saracens), Thinus Steyn (Exiles)
More from Aya Iskandarani
Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.
Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.
“Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.
Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.
“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.
Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.
From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.
Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.
BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.
Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.
Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.
“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.
Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.
“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.
“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”
The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”
SPECS
%3Cp%3E%3Cstrong%3EEngine%3A%3C%2Fstrong%3E%20Dual%20electric%20motors%20with%20102kW%20battery%20pack%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EPower%3A%20%3C%2Fstrong%3E570hp%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ETorque%3A%3C%2Fstrong%3E%20890Nm%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3ERange%3A%3C%2Fstrong%3E%20Up%20to%20428km%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EOn%20sale%3A%3C%2Fstrong%3E%20Now%3C%2Fp%3E%0A%3Cp%3E%3Cstrong%3EPrice%3A%20%3C%2Fstrong%3EFrom%20Dh1%2C700%2C000%3C%2Fp%3E%0A
The specs
Engine: 3.5-litre twin-turbo V6
Power: 380hp at 5,800rpm
Torque: 530Nm at 1,300-4,500rpm
Transmission: Eight-speed auto
Price: From Dh299,000 ($81,415)
On sale: Now
GIANT REVIEW
Starring: Amir El-Masry, Pierce Brosnan
Director: Athale
Rating: 4/5
Know your Camel lingo
The bairaq is a competition for the best herd of 50 camels, named for the banner its winner takes home
Namoos - a word of congratulations reserved for falconry competitions, camel races and camel pageants. It best translates as 'the pride of victory' - and for competitors, it is priceless
Asayel camels - sleek, short-haired hound-like racers
Majahim - chocolate-brown camels that can grow to weigh two tonnes. They were only valued for milk until camel pageantry took off in the 1990s
Millions Street - the thoroughfare where camels are led and where white 4x4s throng throughout the festival
UPI facts
More than 2.2 million Indian tourists arrived in UAE in 2023
More than 3.5 million Indians reside in UAE
Indian tourists can make purchases in UAE using rupee accounts in India through QR-code-based UPI real-time payment systems
Indian residents in UAE can use their non-resident NRO and NRE accounts held in Indian banks linked to a UAE mobile number for UPI transactions
COMPANY%20PROFILE
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