• Jananne Al-Ani’s Aerial IV 2011, a production still from the film Shadow Sites II. Photography Adrian Warren and courtesy Jananne Al-Ani
    Jananne Al-Ani’s Aerial IV 2011, a production still from the film Shadow Sites II. Photography Adrian Warren and courtesy Jananne Al-Ani
  • Corinne Silva’s Port Tanger Med placed in highway leading to retail park, Murcia. From the Imported Landscapes series, 2010. Courtesy Corinne Silva and The Mosaic Rooms
    Corinne Silva’s Port Tanger Med placed in highway leading to retail park, Murcia. From the Imported Landscapes series, 2010. Courtesy Corinne Silva and The Mosaic Rooms
  • Paola Yacoub’s i. Elegiac Landscape (Southern Lebanon), 2001. Courtesy Paola Yacoub and The Mosaic Rooms
    Paola Yacoub’s i. Elegiac Landscape (Southern Lebanon), 2001. Courtesy Paola Yacoub and The Mosaic Rooms
  • Jananne Al-Ani’s Aerial IV 2011, a production still from the film Shadow Sites II. Photography Adrian Warren and courtesy Jananne Al-Ani
    Jananne Al-Ani’s Aerial IV 2011, a production still from the film Shadow Sites II. Photography Adrian Warren and courtesy Jananne Al-Ani
  • Paola Yacoub’s i. Elegiac Landscape (Southern Lebanon), 2001. Courtesy Paola Yacoub and The Mosaic Rooms
    Paola Yacoub’s i. Elegiac Landscape (Southern Lebanon), 2001. Courtesy Paola Yacoub and The Mosaic Rooms
  • A handout image of Esther Boise Van Deman’s Path up to Pithecusa (Ischia, Italy). Courtesy Esther Boise Van Deman and The Mosaic Rooms
    A handout image of Esther Boise Van Deman’s Path up to Pithecusa (Ischia, Italy). Courtesy Esther Boise Van Deman and The Mosaic Rooms
  • Noor Abed’s We Both Know, 2013. Courtesy Noor Abed and The Mosaic Rooms
    Noor Abed’s We Both Know, 2013. Courtesy Noor Abed and The Mosaic Rooms
  • Ursula Schulz-Dornburg’s iv Necropolis (Palmyra, Syria). Courtesy Ursula Schulz-Dornburg and The Mosaic Rooms
    Ursula Schulz-Dornburg’s iv Necropolis (Palmyra, Syria). Courtesy Ursula Schulz-Dornburg and The Mosaic Rooms
  • Ursula Schulz-Dornburg’s iv Necropolis (Palmyra, Syria). Courtesy Ursula Schulz-Dornburg and The Mosaic Rooms
    Ursula Schulz-Dornburg’s iv Necropolis (Palmyra, Syria). Courtesy Ursula Schulz-Dornburg and The Mosaic Rooms
  • A handout image of Corinne Silva’s ii. Resort town of Al Hoceima placed in former industrial zone, Cartagena from the Imported Landscapes series. Courtesy Corinne Silva and The Mosaic Rooms
    A handout image of Corinne Silva’s ii. Resort town of Al Hoceima placed in former industrial zone, Cartagena from the Imported Landscapes series. Courtesy Corinne Silva and The Mosaic Rooms
  • A handout image of Corinne Silva’s i. New suburb of Tangier placed in former mining region La Unión, Murcia from the Imported Landscapes series, 2010. Courtesy Corinne Silva and The Mosaic Rooms
    A handout image of Corinne Silva’s i. New suburb of Tangier placed in former mining region La Unión, Murcia from the Imported Landscapes series, 2010. Courtesy Corinne Silva and The Mosaic Rooms

In pictures: My Sister Who Travels


  • English
  • Arabic

The recently opened “lens-based media” show My Sister Who Travels gathers together six contemporary female artists who look at landscape in the Mediterranean basin – the Middle East, North Africa and Europe.