We got to Mars before the Red Planet got to us. Didn't we?


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  • Arabic

'Ladies and gentlemen, I have a grave announcement to make. Incredible as it may seem, strange beings who landed in New Jersey tonight are the vanguard of an invading army from Mars."

So realistic was the 1938 radio transmission of War of the Worlds by Orson Welles that it spread panic among listeners who believed an alien invasion from Mars was genuinely under way.

Humans, in keeping with Earthly traditions, haven't always shown Mars the respect it deserves. Obsession? Sure. But respect? No, sorry, we don't do respect on this planet.

Belatedly though, thanks to Nasa's latest Mars mission, Curiosity, we're starting to get it.

For too long pop culture, rather than science, informed the public's perception of Mars. The Red Planet, tantalisingly just out of reach, lent itself perfectly to satire, cartoons, science fiction and out and out fantasy.

Beginning in the 1950s, with the onset of the space exploration age, the Mars legend grew, especially in comic books and B movies. A trading card series released in 1962, called Mars Attacks, showed the Martians as a race hellbent on destroying Earth. David Bowie thought Mars had giant spiders. And Capricorn One, the 1978 sci-fi film about a Mars landing hoax, starred OJ Simpson. Tim Burton's film adaptation of Mars Attacks played it for laughs, with Martians declaring "we come in peace" as they set about annihilating humankind. And, frankly, who can blame them? We're not a very loveable race.

To Earthlings, Martians are fat, ugly and green. And evil, of course.

Nasa's Viking programme in the 1970s, and the Pathfinder rover in 1997, brought serious exploration of Mars's "canals", and the possibility they once contained water. Popular culture's attempts at more serious efforts to portray Mars, however, fell flat: Brian De Palma's Mission to Mars; the Val Kilmar-starring Red Planet and John Carpenter's Ghosts of Mars. Don't expect the Martians to come in peace if they've seen these.

As it turns out, we got to Mars before it got to us.

Now, the first high-resolution images from Nasa's Curiosity rover have been beamed back to Earth, and - to borrow Buzz Aldrin's first words from the moon - they capture a terrain of "magnificent desolation": canals, layered buttes and cobbles and pebbles strewn across red desert terrain. And a distinct absence of little green men.

Looking at these images, it's hard to wrap your head around the notion that this is another world, such is the likeness it has with Earth. Nasa had likened the terrain to certain areas of the southwestern United States. But it could just as well be the African Sahara. Or Al Ain.

It is the sheer ordinariness of the scene that makes it fascinating to many. And, inevitably, anti-climatic to others. Science, far too often, is no match for science fiction.

But make no mistake, a discovery of even the most primitive of microscopic life on Mars, or that it once existed, would be, like a Martian attack, earth-shattering.

Pop culture, already in warp drive thanks to the internet, has embraced Curiosity. Science geeks celebrated, cynics grumbled about costs, and the tin-foil-hat brigade said it was a hoax. Curiosity also got the better of cartoonists. "We don't have oil, do we?" a Martian asked another, in one. And an online meme showed an American eagle framed by the words "Sees Britain is hosting the Olympic Games ... Lands on Mars". (Why America would want to one-up the UK of all countries remains a mystery.)

In truth, such triumphalism was unnecessary. Curiosity's mission, like the first Moon landing in 1969, highlights the power that America still has to explore new frontiers, and capture the imagination.

It is only right that we all cheer Nasa's efforts to find life on Mars. Considering the way we treat our planet, we may one day need to move there. Show some respect.

On Twitter: @AliKhaled_

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PULITZER PRIZE 2020 WINNERS

JOURNALISM 

Public Service
Anchorage Daily News in collaboration with ProPublica

Breaking News Reporting
Staff of The Courier-Journal, Louisville, Ky.

Investigative Reporting
Brian M. Rosenthal of The New York Times

Explanatory Reporting
Staff of The Washington Post

Local Reporting  
Staff of The Baltimore Sun

National Reporting
T. Christian Miller, Megan Rose and Robert Faturechi of ProPublica

and    

Dominic Gates, Steve Miletich, Mike Baker and Lewis Kamb of The Seattle Times

International Reporting
Staff of The New York Times

Feature Writing
Ben Taub of The New Yorker

Commentary
Nikole Hannah-Jones of The New York Times

Criticism
Christopher Knight of the Los Angeles Times

Editorial Writing
Jeffery Gerritt of the Palestine (Tx.) Herald-Press

Editorial Cartooning
Barry Blitt, contributor, The New Yorker

Breaking News Photography
Photography Staff of Reuters

Feature Photography
Channi Anand, Mukhtar Khan and Dar Yasin of the Associated Press

Audio Reporting
Staff of This American Life with Molly O’Toole of the Los Angeles Times and Emily Green, freelancer, Vice News for “The Out Crowd”

LETTERS AND DRAMA

Fiction
"The Nickel Boys" by Colson Whitehead (Doubleday)

Drama
"A Strange Loop" by Michael R. Jackson

History
"Sweet Taste of Liberty: A True Story of Slavery and Restitution in America" by W. Caleb McDaniel (Oxford University Press)

Biography
"Sontag: Her Life and Work" by Benjamin Moser (Ecco/HarperCollins)

Poetry
"The Tradition" by Jericho Brown (Copper Canyon Press)

General Nonfiction
"The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care" by Anne Boyer (Farrar, Straus and Giroux)

and

"The End of the Myth: From the Frontier to the Border Wall in the Mind of America" by Greg Grandin (Metropolitan Books)

Music
"The Central Park Five" by Anthony Davis, premiered by Long Beach Opera on June 15, 2019

Special Citation
Ida B. Wells

 

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From Conquest to Deportation

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Stamp duty timeline

December 2014: Former UK finance minister George Osbourne reforms stamp duty, replacing the slab system with a blended rate scheme, with the top rate increasing to 12 per cent from 10 per cent:
Up to £125,000 - 0%; £125,000 to £250,000 – 2%; £250,000 to £925,000 – 5%; £925,000 to £1.5m: 10%; Over £1.5m – 12%

April 2016: New 3% surcharge applied to any buy-to-let properties or additional homes purchased.

July 2020: Rishi Sunak unveils SDLT holiday, with no tax to pay on the first £500,000, with buyers saving up to £15,000.

March 2021: Mr Sunak decides the fate of SDLT holiday at his March 3 budget, with expectations he will extend the perk unti June.

April 2021: 2% SDLT surcharge added to property transactions made by overseas buyers.

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Dubai Bling season three

Cast: Loujain Adada, Zeina Khoury, Farhana Bodi, Ebraheem Al Samadi, Mona Kattan, and couples Safa & Fahad Siddiqui and DJ Bliss & Danya Mohammed 

Rating: 1/5

COMPANY PROFILE
Name: Kumulus Water
 
Started: 2021
 
Founders: Iheb Triki and Mohamed Ali Abid
 
Based: Tunisia 
 
Sector: Water technology 
 
Number of staff: 22 
 
Investment raised: $4 million 
UAE currency: the story behind the money in your pockets
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