One way AI could help to preserve Arab culture is by digitising historical manuscripts. Getty
One way AI could help to preserve Arab culture is by digitising historical manuscripts. Getty
One way AI could help to preserve Arab culture is by digitising historical manuscripts. Getty
One way AI could help to preserve Arab culture is by digitising historical manuscripts. Getty


The cultural sector should embrace AI instead of fearing it


Huda Alkhamis-Kanoo
Huda Alkhamis-Kanoo
  • English
  • Arabic

January 21, 2025

Creating art and stories is probably one of the most fundamentally human endeavours imaginable. It is an expression of self. Art explores the human experience. Culture reflects our values, our beliefs, how we love and how we live.

Culture is, well, what makes us “us”.

As a patron of the arts and the founder of Admaf – an organisation championing Emirati, Arab and international talent – I understand the widespread belief among artists and professionals regarding artificial intelligence: AI should stay away from culture and human creation. Full stop.

However, I respectfully disagree. The idea of AI meddling with human creativity is, of course, unsettling. But art and culture living in isolation from a changing world would be, perhaps, even more disturbing. AI is influencing every aspect of life, from communication to health care, from business to education. Art has always mirrored societal evolution and must now engage with AI as both a topic of exploration and a tool. Excluding AI from art would negate the very nature of art: to go everywhere humans go. And whether we like it or not, humans are going AI.

Looking beyond the initial mistrust, AI offers exciting prospects for Arab culture. It can digitise and archive cultural treasures, from the manuscripts of Al Andalus to Al Mutanabbi’s poetry, and make them vastly accessible. By connecting vast sums of knowledge across multiple languages, AI provides deeper understanding, richer context, and unseen connections that highlight the universality of our culture.

The UAE’s Historical Dictionary of the Arabic Language is a prime example of this potential. Powered by AI, it documents 14 million words and hundreds of thousands of references. This project preserves linguistic heritage while serving diverse audiences in ways unimaginable three years ago: an immensely powerful research tool for scholars and an immersive experience for language lovers.

Art has always mirrored societal evolution and must now engage with AI

AI can also be a powerful ally to emerging artists who often do not benefit from support systems that their more established counterparts enjoy. From audience analysis to faster and cheaper tools for translation and dubbing, AI provides resources to help works of art reach new audiences. It levels the playing field by enabling artists to produce visual concepts, demo reels and previsualisations using affordable AI tools when similar results once required large teams and significant budgets.

AI also is a great enabler of inter-cultural dialogue, a subject that is particularly close to my heart and a cornerstone of Admaf’s work. Virtual collaboration platforms will allow artists to collaborate on joint projects unburdened by speaking different languages or living in different geographies, thus enabling cross-cultural works and new artistic sensibilities to emerge.

Of course, the promise of AI is no magic bullet and vigilance is required. Authenticity is critical and AI must be trained on diverse and rich data, with proper contextualisation, to avoid biases and faithfully represent Arab culture. Without this, AI risks misrepresenting or distorting our heritage.

AI does not dissolve the relevance of a human touch. Quite the opposite: it makes it more critical than ever. AI is a tool, not a curator. Museums would be little more than glorified storage spaces if they did not rely on curators to bring context and narrative to their collections. Such human curation is required with AI, too. Without human perspective and human intent, culture and heritage risk becoming soulless data points. Similarly, although AI will indeed make cultural consumption easier and more universally accessible through, for instance, virtual reality, this will not change our need for human connection. A live concert or a film in the cinema offer the kind of shared experience that audiences have always sought and will keep on seeking.

Of course, challenges lie ahead, not the least of which involves economic concerns. A study by the International Confederation of Societies of Authors and Composers predicts a 21 per cent revenue loss, amounting to $12.4 billion, for audiovisual creators by 2028. No surprise there: AI will impact traditional revenue streams in culture as it does in all fields. Ignoring these challenges won’t make them disappear. Instead, cultural leaders must creatively address AI’s impact, inventing new business models and new ways to ensure a fair transition and that artists and their art do not suffer.

“Science without conscience is but the ruin of the soul.” The French Renaissance writer Francois Rabelais’s words are as fitting today as they were when they were written. The UAE’s Historical Dictionary and Jais large language model demonstrate the extraordinary power of AI in the world of culture, with the right balance between cutting edge technology and human perspective and intent.

“Technology, no matter how well-designed, is only a magnifier of human intent and capacity. It is not a substitute.” These words of the computer scientist and researcher Kentaro Toyama remind us that the challenge for culture is not AI. It is us and our own intent and capacity, as humans, to keep on putting human creativity, art and artists on the forefront.

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A new relationship with the old country

Treaty of Friendship between the United Kingdom of Great Britain and Northern Ireland and the United Arab Emirates

The United kingdom of Great Britain and Northern Ireland and the United Arab Emirates; Considering that the United Arab Emirates has assumed full responsibility as a sovereign and independent State; Determined that the long-standing and traditional relations of close friendship and cooperation between their peoples shall continue; Desiring to give expression to this intention in the form of a Treaty Friendship; Have agreed as follows:

ARTICLE 1 The relations between the United Kingdom of Great Britain and Northern Ireland and the United Arab Emirates shall be governed by a spirit of close friendship. In recognition of this, the Contracting Parties, conscious of their common interest in the peace and stability of the region, shall: (a) consult together on matters of mutual concern in time of need; (b) settle all their disputes by peaceful means in conformity with the provisions of the Charter of the United Nations.

ARTICLE 2 The Contracting Parties shall encourage education, scientific and cultural cooperation between the two States in accordance with arrangements to be agreed. Such arrangements shall cover among other things: (a) the promotion of mutual understanding of their respective cultures, civilisations and languages, the promotion of contacts among professional bodies, universities and cultural institutions; (c) the encouragement of technical, scientific and cultural exchanges.

ARTICLE 3 The Contracting Parties shall maintain the close relationship already existing between them in the field of trade and commerce. Representatives of the Contracting Parties shall meet from time to time to consider means by which such relations can be further developed and strengthened, including the possibility of concluding treaties or agreements on matters of mutual concern.

ARTICLE 4 This Treaty shall enter into force on today’s date and shall remain in force for a period of ten years. Unless twelve months before the expiry of the said period of ten years either Contracting Party shall have given notice to the other of its intention to terminate the Treaty, this Treaty shall remain in force thereafter until the expiry of twelve months from the date on which notice of such intention is given.

IN WITNESS WHEREOF the undersigned have signed this Treaty.

DONE in duplicate at Dubai the second day of December 1971AD, corresponding to the fifteenth day of Shawwal 1391H, in the English and Arabic languages, both texts being equally authoritative.

Signed

Geoffrey Arthur  Sheikh Zayed

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Museum of the Future in numbers
  •  78 metres is the height of the museum
  •  30,000 square metres is its total area
  •  17,000 square metres is the length of the stainless steel facade
  •  14 kilometres is the length of LED lights used on the facade
  •  1,024 individual pieces make up the exterior 
  •  7 floors in all, with one for administrative offices
  •  2,400 diagonally intersecting steel members frame the torus shape
  •  100 species of trees and plants dot the gardens
  •  Dh145 is the price of a ticket
Updated: January 21, 2025, 11:28 AM