One way AI could help to preserve Arab culture is by digitising historical manuscripts. Getty
One way AI could help to preserve Arab culture is by digitising historical manuscripts. Getty
One way AI could help to preserve Arab culture is by digitising historical manuscripts. Getty
One way AI could help to preserve Arab culture is by digitising historical manuscripts. Getty


The cultural sector should embrace AI instead of fearing it


Huda Alkhamis-Kanoo
Huda Alkhamis-Kanoo
  • English
  • Arabic

January 21, 2025

Creating art and stories is probably one of the most fundamentally human endeavours imaginable. It is an expression of self. Art explores the human experience. Culture reflects our values, our beliefs, how we love and how we live.

Culture is, well, what makes us “us”.

As a patron of the arts and the founder of Admaf – an organisation championing Emirati, Arab and international talent – I understand the widespread belief among artists and professionals regarding artificial intelligence: AI should stay away from culture and human creation. Full stop.

However, I respectfully disagree. The idea of AI meddling with human creativity is, of course, unsettling. But art and culture living in isolation from a changing world would be, perhaps, even more disturbing. AI is influencing every aspect of life, from communication to health care, from business to education. Art has always mirrored societal evolution and must now engage with AI as both a topic of exploration and a tool. Excluding AI from art would negate the very nature of art: to go everywhere humans go. And whether we like it or not, humans are going AI.

Looking beyond the initial mistrust, AI offers exciting prospects for Arab culture. It can digitise and archive cultural treasures, from the manuscripts of Al Andalus to Al Mutanabbi’s poetry, and make them vastly accessible. By connecting vast sums of knowledge across multiple languages, AI provides deeper understanding, richer context, and unseen connections that highlight the universality of our culture.

The UAE’s Historical Dictionary of the Arabic Language is a prime example of this potential. Powered by AI, it documents 14 million words and hundreds of thousands of references. This project preserves linguistic heritage while serving diverse audiences in ways unimaginable three years ago: an immensely powerful research tool for scholars and an immersive experience for language lovers.

Art has always mirrored societal evolution and must now engage with AI

AI can also be a powerful ally to emerging artists who often do not benefit from support systems that their more established counterparts enjoy. From audience analysis to faster and cheaper tools for translation and dubbing, AI provides resources to help works of art reach new audiences. It levels the playing field by enabling artists to produce visual concepts, demo reels and previsualisations using affordable AI tools when similar results once required large teams and significant budgets.

AI also is a great enabler of inter-cultural dialogue, a subject that is particularly close to my heart and a cornerstone of Admaf’s work. Virtual collaboration platforms will allow artists to collaborate on joint projects unburdened by speaking different languages or living in different geographies, thus enabling cross-cultural works and new artistic sensibilities to emerge.

Of course, the promise of AI is no magic bullet and vigilance is required. Authenticity is critical and AI must be trained on diverse and rich data, with proper contextualisation, to avoid biases and faithfully represent Arab culture. Without this, AI risks misrepresenting or distorting our heritage.

AI does not dissolve the relevance of a human touch. Quite the opposite: it makes it more critical than ever. AI is a tool, not a curator. Museums would be little more than glorified storage spaces if they did not rely on curators to bring context and narrative to their collections. Such human curation is required with AI, too. Without human perspective and human intent, culture and heritage risk becoming soulless data points. Similarly, although AI will indeed make cultural consumption easier and more universally accessible through, for instance, virtual reality, this will not change our need for human connection. A live concert or a film in the cinema offer the kind of shared experience that audiences have always sought and will keep on seeking.

Of course, challenges lie ahead, not the least of which involves economic concerns. A study by the International Confederation of Societies of Authors and Composers predicts a 21 per cent revenue loss, amounting to $12.4 billion, for audiovisual creators by 2028. No surprise there: AI will impact traditional revenue streams in culture as it does in all fields. Ignoring these challenges won’t make them disappear. Instead, cultural leaders must creatively address AI’s impact, inventing new business models and new ways to ensure a fair transition and that artists and their art do not suffer.

“Science without conscience is but the ruin of the soul.” The French Renaissance writer Francois Rabelais’s words are as fitting today as they were when they were written. The UAE’s Historical Dictionary and Jais large language model demonstrate the extraordinary power of AI in the world of culture, with the right balance between cutting edge technology and human perspective and intent.

“Technology, no matter how well-designed, is only a magnifier of human intent and capacity. It is not a substitute.” These words of the computer scientist and researcher Kentaro Toyama remind us that the challenge for culture is not AI. It is us and our own intent and capacity, as humans, to keep on putting human creativity, art and artists on the forefront.

EA Sports FC 26

Publisher: EA Sports

Consoles: PC, PlayStation 4/5, Xbox Series X/S

Rating: 3/5

It's up to you to go green

Nils El Accad, chief executive and owner of Organic Foods and Café, says going green is about “lifestyle and attitude” rather than a “money change”; people need to plan ahead to fill water bottles in advance and take their own bags to the supermarket, he says.

“People always want someone else to do the work; it doesn’t work like that,” he adds. “The first step: you have to consciously make that decision and change.”

When he gets a takeaway, says Mr El Accad, he takes his own glass jars instead of accepting disposable aluminium containers, paper napkins and plastic tubs, cutlery and bags from restaurants.

He also plants his own crops and herbs at home and at the Sheikh Zayed store, from basil and rosemary to beans, squashes and papayas. “If you’re going to water anything, better it be tomatoes and cucumbers, something edible, than grass,” he says.

“All this throwaway plastic - cups, bottles, forks - has to go first,” says Mr El Accad, who has banned all disposable straws, whether plastic or even paper, from the café chain.

One of the latest changes he has implemented at his stores is to offer refills of liquid laundry detergent, to save plastic. The two brands Organic Foods stocks, Organic Larder and Sonnett, are both “triple-certified - you could eat the product”.  

The Organic Larder detergent will soon be delivered in 200-litre metal oil drums before being decanted into 20-litre containers in-store.

Customers can refill their bottles at least 30 times before they start to degrade, he says. Organic Larder costs Dh35.75 for one litre and Dh62 for 2.75 litres and refills will cost 15 to 20 per cent less, Mr El Accad says.

But while there are savings to be had, going green tends to come with upfront costs and extra work and planning. Are we ready to refill bottles rather than throw them away? “You have to change,” says Mr El Accad. “I can only make it available.”

Karwaan

Producer: Ronnie Screwvala

Director: Akarsh Khurana

Starring: Irrfan Khan, Dulquer Salmaan, Mithila Palkar

Rating: 4/5

Fanney Khan

Producer: T-Series, Anil Kapoor Productions, ROMP, Prerna Arora

Director: Atul Manjrekar

Cast: Anil Kapoor, Aishwarya Rai, Rajkummar Rao, Pihu Sand

Rating: 2/5 

Red Joan

Director: Trevor Nunn

Starring: Judi Dench, Sophie Cookson, Tereza Srbova

Rating: 3/5 stars

F1 line ups in 2018

Mercedes-GP Lewis Hamilton and Valtteri Bottas; Ferrari Sebastian Vettel and Kimi Raikkonen; Red Bull Daniel Ricciardo and Max Verstappen; Force India Esteban Ocon and Sergio Perez; Renault Nico Hülkenberg and Carlos Sainz Jr; Williams Lance Stroll and Felipe Massa / Robert Kubica / Paul di Resta; McLaren Fernando Alonso and Stoffel Vandoorne; Toro Rosso TBA; Haas F1 Romain Grosjean and Kevin Magnussen; Sauber TBA

The specs

AT4 Ultimate, as tested

Engine: 6.2-litre V8

Power: 420hp

Torque: 623Nm

Transmission: 10-speed automatic

Price: From Dh330,800 (Elevation: Dh236,400; AT4: Dh286,800; Denali: Dh345,800)

On sale: Now

Tips for SMEs to cope
  • Adapt your business model. Make changes that are future-proof to the new normal
  • Make sure you have an online presence
  • Open communication with suppliers, especially if they are international. Look for local suppliers to avoid delivery delays
  • Open communication with customers to see how they are coping and be flexible about extending terms, etc
    Courtesy: Craig Moore, founder and CEO of Beehive, which provides term finance and working capital finance to SMEs. Only SMEs that have been trading for two years are eligible for funding from Beehive.
COMPANY PROFILE

Name: Lamsa

Founder: Badr Ward

Launched: 2014

Employees: 60

Based: Abu Dhabi

Sector: EdTech

Funding to date: $15 million

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Updated: January 21, 2025, 11:28 AM