No Afghan will ever forget the day after the Taliban took Kabul. It was the day they witnessed some of their countrymen – desperate men and boys clinging to the wheels of evacuation planes – fall from the sky.
So much of the country’s treasure and talent was on those planes – not only its university professors and their students, or business owners and their capital, or outspoken human rights defenders, but also many of its artists and musicians. Social media was packed with selfies of Afghan singers and instrumentalists in cargo planes and in refugee camps. Two hundred and seventy-three students and faculty members of the Afghan National Institute of Music, as well as their families, were evacuated to Portugal.
The wretched boys who fell back onto the tarmac – back into their country’s reality – seemed the ultimate symbol of Afghanistan’s terrible plight. They were a sampling of the millions who lacked the skills, the connections, the resources or the cunning to get a seat out, and who would be condemned to die in Afghanistan’s new vacuum.
A cascade of tragedies has befallen Afghanistan since, including a string of targeted killings (suspected to have been carried out by operatives of the ruling Taliban), as well as a shattered economy and an accompanying hunger crisis. Last month, a BBC camera in Kabul captured a video of a lonely beggar playing the flute. He was playing Sarzamine Man (My Homeland), an old song about the perennial struggle of Afghans forced to flee war. It has made a comeback since August. Throughout the past four months, it has been sung by Afghans on the runway at Kabul Airport during the evacuation, by Afghan refugees in camps in the Middle East and by diaspora Afghans protesting in old European city squares.
A line from its lyrics speaks of a nation rendered without any tune or melody. It is especially poignant considering the way the Taliban government has sought to silence any musicians who have been unable to leave the country, and ban music and nonreligious art from public spaces.
As The Nationalreported in November, Kharabat Street, the heart of Kabul’s musical quarter, has fallen silent. Zabiullah Mujahid, a senior Taliban spokesman, has said repeatedly that music is prohibited, and in some towns, Taliban police as well as their vigilante supporters have punished those caught playing. In Andarab province, north of Kabul, families speak in whispers of the local singers who have been disappeared – presumably murdered – by the Taliban.
Kharabat Street, the heart of Kabul’s musical quarter, has fallen silent
Yesterday, Taliban authorities passed a directive banning the playing of any music in private vehicles.
The absence of music on the streets may seem a trivial affair in a country faced with mass starvation and continued violence. But as Sarzamine Man suggests, music can be nourishment for the soul when none for the body is forthcoming.
Even the Taliban’s foot soldiers are aware of this, when they are not busy threatening musicians. Some of them have learnt the fungibility of one kind of nourishment for the other. A visitor from Kabul to Abu Dhabi recently told me of a wedding he attended in the Afghan countryside in October. I asked if there was live music. To my surprise, he told me that there was, and that it was made possible by the groom’s father offering free food to the Taliban patrols who passed by in exchange for them looking the other way. The Taliban soldiers, he said, were severely malnourished, not having been paid salaries in months. And actually, he noted, times in Afghanistan are so sad that people feel willing to take huge risks just to hear a little music.
Another Afghan, an instrumental musician, has told me of his inability to compose anything in the days after the Taliban came to power. He was in too much shock. But then one day, he woke up and felt all of the bottled-up feelings overflow, and he has been writing more tunes than ever.
There is a fortunate irony in all of this for those who would mourn the destruction of Afghan cultural treasures under Taliban rule. It is the reason that so many popular Afghan songs speak of tragedy and hardship. Some of the best music is born of these things, and develops in response to them. Music is a unique property of culture in that the more it is suppressed, the more it proliferates. The lonely flautist on the street, wedding parties’ hunger for levity even at the cost of security and the new pages of musical composition being written every day by those who retain the country’s cultural memory all demonstrate that.
It remains the case that the vacuum created on the day of the Taliban’s takeover threatens and consumes huge swathes of Afghan life. If there is any optimism at all to be found in such circumstances, some of it lies in the fact that cultural memory is often strengthened, not lost, under duress. There are still many facets of Afghanistan’s cultural wealth the Taliban can destroy, and indeed has destroyed. But music is not one of them.
RESULTS
2.15pm: Al Marwan Group Holding – Handicap (PA) Dh40,000 (Dirt) 1,200m Winner: SS Jalmod, Antonio Fresu (jockey), Ibrahim Al Hadhrami (trainer)
Starring: Anthony Mackie, Aiysha Hart, Ben Kingsley
Director: Rupert Wyatt
Rating: 3/5
First Person
Richard Flanagan
Chatto & Windus
Coming soon
Torno Subito by Massimo Bottura
When the W Dubai – The Palm hotel opens at the end of this year, one of the highlights will be Massimo Bottura’s new restaurant, Torno Subito, which promises “to take guests on a journey back to 1960s Italy”. It is the three Michelinstarred chef’s first venture in Dubai and should be every bit as ambitious as you would expect from the man whose restaurant in Italy, Osteria Francescana, was crowned number one in this year’s list of the World’s 50 Best Restaurants.
Akira Back Dubai
Another exciting opening at the W Dubai – The Palm hotel is South Korean chef Akira Back’s new restaurant, which will continue to showcase some of the finest Asian food in the world. Back, whose Seoul restaurant, Dosa, won a Michelin star last year, describes his menu as, “an innovative Japanese cuisine prepared with a Korean accent”.
Dinner by Heston Blumenthal
The highly experimental chef, whose dishes are as much about spectacle as taste, opens his first restaurant in Dubai next year. Housed at The Royal Atlantis Resort & Residences, Dinner by Heston Blumenthal will feature contemporary twists on recipes that date back to the 1300s, including goats’ milk cheesecake. Always remember with a Blumenthal dish: nothing is quite as it seems.
About Tenderd
Started: May 2018
Founder: Arjun Mohan
Based: Dubai
Size: 23 employees
Funding: Raised $5.8m in a seed fund round in December 2018. Backers include Y Combinator, Beco Capital, Venturesouq, Paul Graham, Peter Thiel, Paul Buchheit, Justin Mateen, Matt Mickiewicz, SOMA, Dynamo and Global Founders Capital
Dubai works towards better air quality by 2021
Dubai is on a mission to record good air quality for 90 per cent of the year – up from 86 per cent annually today – by 2021.
The municipality plans to have seven mobile air-monitoring stations by 2020 to capture more accurate data in hourly and daily trends of pollution.
These will be on the Palm Jumeirah, Al Qusais, Muhaisnah, Rashidiyah, Al Wasl, Al Quoz and Dubai Investment Park.
“It will allow real-time responding for emergency cases,” said Khaldoon Al Daraji, first environment safety officer at the municipality.
“We’re in a good position except for the cases that are out of our hands, such as sandstorms.
“Sandstorms are our main concern because the UAE is just a receiver.
“The hotspots are Iran, Saudi Arabia and southern Iraq, but we’re working hard with the region to reduce the cycle of sandstorm generation.”
Mr Al Daraji said monitoring as it stood covered 47 per cent of Dubai.
There are 12 fixed stations in the emirate, but Dubai also receives information from monitors belonging to other entities.
“There are 25 stations in total,” Mr Al Daraji said.
“We added new technology and equipment used for the first time for the detection of heavy metals.
“A hundred parameters can be detected but we want to expand it to make sure that the data captured can allow a baseline study in some areas to ensure they are well positioned.”
The Federal National Council is one of five federal authorities established by the UAE constitution. It held its first session on December 2, 1972, a year to the day after Federation.
It has 40 members, eight of whom are women. The members represent the UAE population through each of the emirates. Abu Dhabi and Dubai have eight members each, Sharjah and Ras al Khaimah six, and Ajman, Fujairah and Umm Al Quwain have four.
They bring Emirati issues to the council for debate and put those concerns to ministers summoned for questioning.
The FNC’s main functions include passing, amending or rejecting federal draft laws, discussing international treaties and agreements, and offering recommendations on general subjects raised during sessions.
Federal draft laws must first pass through the FNC for recommendations when members can amend the laws to suit the needs of citizens. The draft laws are then forwarded to the Cabinet for consideration and approval.
Since 2006, half of the members have been elected by UAE citizens to serve four-year terms and the other half are appointed by the Ruler’s Courts of the seven emirates.
In the 2015 elections, 78 of the 252 candidates were women. Women also represented 48 per cent of all voters and 67 per cent of the voters were under the age of 40.
