A woman figurine uncovered in Konya, Turkey. Jason Quinlan / AP Photo
A woman figurine uncovered in Konya, Turkey. Jason Quinlan / AP Photo
A woman figurine uncovered in Konya, Turkey. Jason Quinlan / AP Photo
A woman figurine uncovered in Konya, Turkey. Jason Quinlan / AP Photo

Can an artefact help us understand the ancients?


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A remarkable archaeological find in central Turkey has reignited speculation about our Stone Age past. The find in question is an 8,000-year-old marble figurine, approximately 18cm long, depicting a naked and rather corpulent woman. The figurine had been intentionally and carefully buried under the floor of a Neolithic house, giving rise to the questions: who was she, and what would motivate people to bury such a skilfully crafted artefact under the floor of their home?

Psychologists typically grapple with the behaviour, thought processes and motivations of the living. This is a difficult enough task in itself, especially when you factor in cultural differences.

Imagine, then, trying to untangle and explain the behaviour and intentions of our very distant, long-dead ancestors. This is where psychology meets archaeology, giving rise to a relatively new discipline known as cognitive archaeology.

In attempting to answer questions about how people used to think, context is critical.

Çatalhöyük, the location of the current remarkable find, is often hailed as the oldest city on Earth. Situated on the outskirts of the modern-day Konya, this once densely populated human habitation is about 9,000 years old. The site was continually inhabited for more than a millennium, with the population hovering around 5,000.

The recent find is the latest in a series of similar figurines unearthed at the site going back to the 1960s. The earlier finds of corpulent female figurines gave rise to the speculation that Çatalhöyük was a matriarchal society. One of the most famous artefacts from the site is the iconic figurine of an enthroned woman with her hands resting on the heads of two leopards.

It is on display at Museum of Anatolian Civilisations in Ankara. Several leading archaeologists have interpreted such finds as evidence of a “Mother Goddess” cult at Çatalhöyük.

Each year, coachloads of visitors descend on the site from all over the world. Many of these visitors are women from the “Goddess community”, a kind of vanguard of second-wave feminism. For these intrepid pilgrims, some from as far away as California, the corpulent females and the leopards depicted in the figurines represent female power, sovereignty and divinity: symbols of a long-lost gynocratic golden age.

Professor Ian Hodder, the director of research at Çatalhöyük, expresses scepticism about the idea of a mother goddess cult. He does, however, concede that the motivation for the settlement in the first place may well have been based on joint ritual and symbolic activities; what we might call religion.

This most recent figurine discovered at Çatalhöyük is intact and highly detailed. Most of the earlier finds were broken and not nearly so well preserved. The placement of the figurine under the floor of the home is in keeping with how the people of Çatalhöyük are known to have buried their dead.

The location of the find and its naturalistic detail suggest that this figurine depicts a specific person, an elderly woman known to the household. This might not fit with the idea of a mother goddess cult, but it certainly supports the notion of a Neolithic society in which female elders were held in particularly high esteem, depicted in art and honoured in death.

We can never know with absolute certainty what living people are thinking, so our speculation about this long-vanished society remains wide open to interpretation and reinterpretation. The cognitive archaeologist might never have a complete understanding of why we did what we did or how we used to think, but these are still great questions to ask.

These are the seemingly important questions that come automatically to mind, the type of questions we can’t help asking ourselves.

Dr Justin Thomas is an associate professor at Zayed University

On Twitter: @DrJustinThomas

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The flights

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Rooms at the Ritz-Carlton Almaty cost from Dh1,944 per night including taxes; and in Astana the new Ritz-Carlton Astana (www.marriott) costs from Dh1,325; alternatively, the new St Regis Astana costs from Dh1,458 per night including taxes. 

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While you're here

Michael Young: Where is Lebanon headed?

Kareem Shaheen: I owe everything to Beirut

Raghida Dergham: We have to bounce back

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

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Company: Rent Your Wardrobe 

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Founder: Mamta Arora 

Based: Dubai 

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Explainer: Tanween Design Programme

Non-profit arts studio Tashkeel launched this annual initiative with the intention of supporting budding designers in the UAE. This year, three talents were chosen from hundreds of applicants to be a part of the sixth creative development programme. These are architect Abdulla Al Mulla, interior designer Lana El Samman and graphic designer Yara Habib.

The trio have been guided by experts from the industry over the course of nine months, as they developed their own products that merge their unique styles with traditional elements of Emirati design. This includes laboratory sessions, experimental and collaborative practice, investigation of new business models and evaluation.

It is led by British contemporary design project specialist Helen Voce and mentor Kevin Badni, and offers participants access to experts from across the world, including the likes of UK designer Gareth Neal and multidisciplinary designer and entrepreneur, Sheikh Salem Al Qassimi.

The final pieces are being revealed in a worldwide limited-edition release on the first day of Downtown Designs at Dubai Design Week 2019. Tashkeel will be at stand E31 at the exhibition.

Lisa Ball-Lechgar, deputy director of Tashkeel, said: “The diversity and calibre of the applicants this year … is reflective of the dynamic change that the UAE art and design industry is witnessing, with young creators resolute in making their bold design ideas a reality.”

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Friday Sassuolo v Benevento (Kick-off 11.45pm)

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Sunday Cagliari v Inter Milan (3.30pm), Atalanta v Fiorentina (6pm), Napoli v Sampdoria (6pm), Bologna v Roma (6pm), Genoa v Juventus (9pm), AC Milan v Parma (11.45pm)

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