From conflict to canvas: Gaza stories brought to life in US exhibition


Nilanjana Gupta
  • English
  • Arabic

A woman holds her daughter close to protect her as Israeli bombs fall. An injured but undeterred man stands in defiance. Shirts drenched in blood and pain, caught in the crossfire of conflict. These are some of the artworks on display at an exhibition that opened in Washington on Friday, expressing the stories from Gaza’s history, conflict and resistance in bold, colourful strokes of paint.

Gaza Remains the Story features 33 artworks by 28 Palestinian artists who call the coastal enclave home. Some of the artists were killed in Israeli air strikes during the past 18 months of war. Others are either in exile or facing harsh conditions under bombardment, including displacement and starvation.

The exhibition, curated by the Palestinian Museum in Birzeit, Palestine, was adapted for the Museum of the Palestinian People in Washington by Wafa Ghnaim. It is open to the public from April 11 to November 2.

The artworks at Gaza Remains the Story exhibition depict Palestinian life under Israeli occupation. Nilanjana Gupta / The National
The artworks at Gaza Remains the Story exhibition depict Palestinian life under Israeli occupation. Nilanjana Gupta / The National

“In adapting the exhibition for audiences in America, I wanted to highlight some really specific prompts and reflections to American audiences who needed to take a moment to think about all that they witnessed this past year and a half,” Ms Ghnaim, a dress historian and archivist, told The National. Ms Ghnaim was born and raised in the US after her Palestinian parents immigrated in the early 1980s.

“Visitors can ponder what it means to bear witness responsibly with care, with thought, and not to be paralysed by our own fears and our sadness.”

Heba Zaqout, an acrylic artist and schoolteacher, viewed art as a form of resistance and a reflection of Palestinian identity. She was killed, along with her two sons, in an Israeli air strike in October 2023. All of her original works were destroyed, but a print of one of her paintings, showing Jenin's landscape, now hangs in this exhibition as a tribute to her life and legacy.

Wafa Ghnaim points at a photograph of six sisters stitching for their clothing brand Six Flowers in Gaza. Nilanjana Gupta / The National
Wafa Ghnaim points at a photograph of six sisters stitching for their clothing brand Six Flowers in Gaza. Nilanjana Gupta / The National

Another featured artist, Fadi Ghaben, was born in the village of Hirbiya in the Gaza Strip and was known for portraying everyday life under occupation.

He incorporated the Palestinian flag into his paintings, an act that led to his arrest by Israeli forces in 1984 and the confiscation of seven of his works.

Ghaben died on February 25, 2024, after being denied permission to travel abroad for medical treatment. On display at the exhibition is one of his striking pieces: a painting of a wounded but defiant man rising in resistance.

Also featured is the work of Mohammed Sami, a visual artist and muralist from Gaza city, who was killed when a missile struck Al Ahli Arab Hospital on October 17, 2023, where he had been sheltering and helping others. His contribution to the exhibit is a nostalgic painting of audio cassettes, a depiction of Palestine’s music culture in the 1970s.

Nearby, a photograph taken in January 2023 shows the sisters who founded the clothing brand Six Flowers. A year later, their home and business were destroyed in an air strike. Yet in this image, they are captured in a moment of creativity and optimism – a glimpse of life before the devastation.

But not all of the exhibition is focused on loss. Historic photographs from family albums fill up an entire wall space and offer a glimpse into life in Gaza before the world’s gaze turned to it.

Wafa Ghnaim gives a tour of Gaza Remains the Story exhibition in Washington. Nilanjana Gupta / The National
Wafa Ghnaim gives a tour of Gaza Remains the Story exhibition in Washington. Nilanjana Gupta / The National

As Ms Ghnaim walked through the section, she pointed at some of her favourite and most relatable photographs: an image of three little girls playing in the sea on a summer day; a man posing in his suit, vest and dress shoes, crouching in the sand near the sea and an older woman and her family wearing sunglasses and peeking out of the bushes at a park.

“I think, always in my work, throughout my life, I felt that Palestinians have been best represented through our suffering and through our death,” Ms Ghnaim added. “So, there is a need and a vital component to the American public, seeing Palestinians as whole, as more than just that, but in the other side of it. What did it look like when we were alive and creating and producing, even if it was against all odds, even if it was under tremendous suffering?

“I think that that's tremendously important always, but absolutely, especially most important in the last 18 months.”

UAE currency: the story behind the money in your pockets
The specs: 2018 Volkswagen Teramont

Price, base / as tested Dh137,000 / Dh189,950

Engine 3.6-litre V6

Gearbox Eight-speed automatic

Power 280hp @ 6,200rpm

Torque 360Nm @ 2,750rpm

Fuel economy, combined 11.7L / 100km

PULITZER PRIZE 2020 WINNERS

JOURNALISM 

Public Service
Anchorage Daily News in collaboration with ProPublica

Breaking News Reporting
Staff of The Courier-Journal, Louisville, Ky.

Investigative Reporting
Brian M. Rosenthal of The New York Times

Explanatory Reporting
Staff of The Washington Post

Local Reporting  
Staff of The Baltimore Sun

National Reporting
T. Christian Miller, Megan Rose and Robert Faturechi of ProPublica

and    

Dominic Gates, Steve Miletich, Mike Baker and Lewis Kamb of The Seattle Times

International Reporting
Staff of The New York Times

Feature Writing
Ben Taub of The New Yorker

Commentary
Nikole Hannah-Jones of The New York Times

Criticism
Christopher Knight of the Los Angeles Times

Editorial Writing
Jeffery Gerritt of the Palestine (Tx.) Herald-Press

Editorial Cartooning
Barry Blitt, contributor, The New Yorker

Breaking News Photography
Photography Staff of Reuters

Feature Photography
Channi Anand, Mukhtar Khan and Dar Yasin of the Associated Press

Audio Reporting
Staff of This American Life with Molly O’Toole of the Los Angeles Times and Emily Green, freelancer, Vice News for “The Out Crowd”

LETTERS AND DRAMA

Fiction
"The Nickel Boys" by Colson Whitehead (Doubleday)

Drama
"A Strange Loop" by Michael R. Jackson

History
"Sweet Taste of Liberty: A True Story of Slavery and Restitution in America" by W. Caleb McDaniel (Oxford University Press)

Biography
"Sontag: Her Life and Work" by Benjamin Moser (Ecco/HarperCollins)

Poetry
"The Tradition" by Jericho Brown (Copper Canyon Press)

General Nonfiction
"The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care" by Anne Boyer (Farrar, Straus and Giroux)

and

"The End of the Myth: From the Frontier to the Border Wall in the Mind of America" by Greg Grandin (Metropolitan Books)

Music
"The Central Park Five" by Anthony Davis, premiered by Long Beach Opera on June 15, 2019

Special Citation
Ida B. Wells

 

Dubai works towards better air quality by 2021

Dubai is on a mission to record good air quality for 90 per cent of the year – up from 86 per cent annually today – by 2021.

The municipality plans to have seven mobile air-monitoring stations by 2020 to capture more accurate data in hourly and daily trends of pollution.

These will be on the Palm Jumeirah, Al Qusais, Muhaisnah, Rashidiyah, Al Wasl, Al Quoz and Dubai Investment Park.

“It will allow real-time responding for emergency cases,” said Khaldoon Al Daraji, first environment safety officer at the municipality.

“We’re in a good position except for the cases that are out of our hands, such as sandstorms.

“Sandstorms are our main concern because the UAE is just a receiver.

“The hotspots are Iran, Saudi Arabia and southern Iraq, but we’re working hard with the region to reduce the cycle of sandstorm generation.”

Mr Al Daraji said monitoring as it stood covered 47 per cent of Dubai.

There are 12 fixed stations in the emirate, but Dubai also receives information from monitors belonging to other entities.

“There are 25 stations in total,” Mr Al Daraji said.

“We added new technology and equipment used for the first time for the detection of heavy metals.

“A hundred parameters can be detected but we want to expand it to make sure that the data captured can allow a baseline study in some areas to ensure they are well positioned.”

Updated: April 13, 2025, 4:18 AM