The rare frieze originally adorned the walls of Northwest Palace at Nimrud in modern-day Iraq. Photo: Iraqi Embassy in London
The rare frieze originally adorned the walls of Northwest Palace at Nimrud in modern-day Iraq. Photo: Iraqi Embassy in London
The rare frieze originally adorned the walls of Northwest Palace at Nimrud in modern-day Iraq. Photo: Iraqi Embassy in London
The rare frieze originally adorned the walls of Northwest Palace at Nimrud in modern-day Iraq. Photo: Iraqi Embassy in London

Ancient Assyrian stone carving returned to Iraq after two decades in police storage


Gillian Duncan
  • English
  • Arabic

An ancient Assyrian artefact taken from a site considered to be a cradle of world civilisation has been returned to Iraq after spending more than two decades in a police storage unit in London.

The frieze, which weighs about 333kg and is 1.16 metres by 1.13 metres, depicts the upper portion of the carving of an Assyrian genie that originally adorned the walls of Northwest Palace at Nimrud in modern-day Iraq.

Carvings depicting the genie were popular in the reign of Assyrian King Ashurnasirpal II, who commissioned them to adorn the walls of his palace. The genie was considered to be a protective spirit that symbolised fertility.

ISIS members seen destroying an ornate stone slab in the ancient Assyrian city of Nimrud in northern Iraq. AFP
ISIS members seen destroying an ornate stone slab in the ancient Assyrian city of Nimrud in northern Iraq. AFP

The artefact was excavated from the site in the 1970s and is believed to have been taken in the 1990s after the First Gulf War. Its location was unknown for about a decade, until it turned up in an antiquities market in London in 2002, according to a BBC report from 2016. It was then locked in storage by officers in the Metropolitan Police’s Art and Antiques Unit because its legal owner was unknown.

The frieze, originally 2m tall, had been badly damaged, leaving only the head and body. However, it remained extremely valuable, with rumours that the remaining portion was for sale for about £3.5 million ($4.6 million).

A similar, but complete stone carving of a genie from the palace was sold in 2018 through Christie’s auction house in New York for $31 million, shattering a previous world record for Assyrian art. The buyer was anonymous.

The British Museum played a pivotal role in the return of the damaged stone carving to Iraq. Dr St John Simpson, a senior Middle East curator and archaeologist at the museum, told The Telegraph: “It’s the largest antiquity believed to have been repatriated to Iraq in the past 20 years and very important, as it has a perfect provenance.

“As a sculpture excavated by an Iraqi archaeologist at a capital of Assyria that was badly destroyed by Islamic State, it has added symbolic value.”

The recovered rare artefact at the Iraqi embassy in London
The recovered rare artefact at the Iraqi embassy in London

Discussions about its return took place over “several years”, according to the Iraqi embassy in London. Speaking at an event to mark the artefact’s return, Iraq's ambassador to the UK, Mohammed Jaafar Al-Sadr, spoke about its historical significance, which increased after the destruction of the Nimrud Palace in Nineveh Province by ISIS. The ambassador urged “all individuals in possession of Iraqi artefacts to return them to their homeland”.

The Assyrians arose in about 2,500BC in northern Iraq and at one point ruled over a realm stretching from the Mediterranean to Iran. In July, Iraq announced it had recovered 181 artefacts that had been smuggled out of the country from Nimrud and taken to Los Angeles in the 1990s.

Pharaoh's curse

British aristocrat Lord Carnarvon, who funded the expedition to find the Tutankhamun tomb, died in a Cairo hotel four months after the crypt was opened.
He had been in poor health for many years after a car crash, and a mosquito bite made worse by a shaving cut led to blood poisoning and pneumonia.
Reports at the time said Lord Carnarvon suffered from “pain as the inflammation affected the nasal passages and eyes”.
Decades later, scientists contended he had died of aspergillosis after inhaling spores of the fungus aspergillus in the tomb, which can lie dormant for months. The fact several others who entered were also found dead withiin a short time led to the myth of the curse.

Some of Darwish's last words

"They see their tomorrows slipping out of their reach. And though it seems to them that everything outside this reality is heaven, yet they do not want to go to that heaven. They stay, because they are afflicted with hope." - Mahmoud Darwish, to attendees of the Palestine Festival of Literature, 2008

His life in brief: Born in a village near Galilee, he lived in exile for most of his life and started writing poetry after high school. He was arrested several times by Israel for what were deemed to be inciteful poems. Most of his work focused on the love and yearning for his homeland, and he was regarded the Palestinian poet of resistance. Over the course of his life, he published more than 30 poetry collections and books of prose, with his work translated into more than 20 languages. Many of his poems were set to music by Arab composers, most significantly Marcel Khalife. Darwish died on August 9, 2008 after undergoing heart surgery in the United States. He was later buried in Ramallah where a shrine was erected in his honour.

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