Richard Armstrong, the director of Solomon R Guggenheim Museum and Foundation, was among the panelists who spoke during the Culture Summit Abu Dhabi. Delores Johnson / The National
Richard Armstrong, the director of Solomon R Guggenheim Museum and Foundation, was among the panelists who spoke during the Culture Summit Abu Dhabi. Delores Johnson / The National
Richard Armstrong, the director of Solomon R Guggenheim Museum and Foundation, was among the panelists who spoke during the Culture Summit Abu Dhabi. Delores Johnson / The National
Richard Armstrong, the director of Solomon R Guggenheim Museum and Foundation, was among the panelists who spoke during the Culture Summit Abu Dhabi. Delores Johnson / The National

Culture Summit 2017: Guggenheim chief leads panel discussion on ways that art and culture can transform society


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Guggenheim Abu Dhabi, clowns, comedy television and theatrical performance were among the diverse subjects discussed during the first day of Culture Summit.

Titled The Universals: What the Arts Tell Us About How We Can Come Together, the discussion was aimed at summarising the universal power of art in the capital. It is one of several short discussions organisers hope will trigger productive thought and future action for the audience, which was made up of international cultural leaders who have flown to Abu Dhabi for the summit from all over the world.

The four speakers at yesterday’s session talked about how the arts are capable of changing people and places at a basic level – for example to combat terrorism or involve people in politics – and to help social relationships.

Sheikh Nahyan bin Mubarak, the UAE’s Minister of Culture and Knowledge Development, touched on this point in his opening address, where he mentioned the universal language of the arts.

”Nahyan”
”Nahyan”

Sheikh Nahyan bin Mubarak, UAE’s Minister of Culture and Knowledge Development, speak at the summit. Delores Johnson / The National

“[It] is a beautiful and stimulating language that is understood all over the world,” he said. “The arts connect us in ways that make us wise and establish bonds that unite us over many issues. They tell us what we do not know; they show us the importance of shared values and the necessity for peace. In fact, the future of our planet depends on the success of that ecosystem.”

His address served as a fitting introduction to the discussion, during which Cynthia Schneider, a professor of diplomacy at the Georgetown School of Foreign Service, advocated arts as a way to generate empathy.

She heralded the storytelling power of television and film as being able to “counter the horrendously seductive stories of terrorism”.

She also mentioned that she believes arts and culture work effectively in diplomacy, and told stories of how she used theatre productions from all over the world to “humanise global politics through the power of performance”.

Sabine Choucair – who runs Lebanese theatre company Clown Me In, and works as a clown performer within marginal communities around the world using comedy and performance to break down barriers – picked up on these thoughts.

“No matter where we are or what we are going through we are all connected and we just need to find ways to connect. We fight extremism with culture,” she said.

However, Richard Armstrong, director of the Solomon R Guggenheim Museum and Foundation, issued a warning about being too broad and optimistic about generalising art and making it applicable to all cases.

He addressed the audience to say that we must be mindful of the word universal.

“It is better to talk about commonalities or parallel aspirations,” he said. “It is crucial in our thrust for being global that we recognise our differences as people and as civilisations.”

Removing those differences, he suggested, would mean to remove the nuance and crucial characteristics of art.

“The reason that people become artists is that they value nuance, so why would we as the allies of artist want to change that?” he said.

The most important thing, he continued, was to remain inquisitive because in learning to see things from different perspectives, we come to respect each other more – and perhaps reduce the conflict and hatred that exist in the world.

Armstrong also addressed the subject of the upcoming Guggenheim Abu Dhabi museum. He noted that it would be the “most successful, daring and comprehensive contemporary art museum in the world”, and predicted “an informative and catalytic response” to it across the region.

”AlKaabi”
”AlKaabi”

Noura Al Kaabi, chairwoman of the Media Zone Authority Abu Dhabi and twofour54 and Minister of State for FNC Affairs speaks at the summit. Delores Johnson / The National

Moderated by David Rothkopf, the chief executive and editor of FP Group, which is responsible for organising the summit alongside TCA Abu Dhabi, the 30-minute discussion quickly covered a range of subjects, but Rothkopf summarised it by saying art is not just something for the comfortable lifestyle.

“There is a place for arts in the middle of the front line and in a conflict zone,” he said. “Art it is a force for good, for education, for stability and for pushing back on negative forces.”

The final speaker, Dustin Yellin, an artist from New York and the founder of a non-profit company called Pioneer Works, described civilisation itself as a piece of art.

“Civilisation is a sculpture – everything we see we have built over thousands of years and art is about storytelling. It is a way of attributing meaning to the way we see our world,” he said.

Yellin described his practice as multidisciplinary, and said “not putting things in boxes” was the only way for humanity to progress.

“This idea that someone is only one thing is bananas,” he said. “We need to expand ourselves across lines and come together to move forward.”

• The Culture Summit continues until Thursday at Manarat Al Saadiyat in Abu Dhabi

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The idea of pound parity now seems less far-fetched as the risk grows that Britain may split away from the European Union without a deal.

Rupert Harrison, a fund manager at BlackRock, sees the risk of it falling to trade level with the dollar on a no-deal Brexit. The view echoes Morgan Stanley’s recent forecast that the currency can plunge toward $1 (Dh3.67) on such an outcome. That isn’t the majority view yet – a Bloomberg survey this month estimated the pound will slide to $1.10 should the UK exit the bloc without an agreement.

New Prime Minister Boris Johnson has repeatedly said that Britain will leave the EU on the October 31 deadline with or without an agreement, fuelling concern the nation is headed for a disorderly departure and fanning pessimism toward the pound. Sterling has fallen more than 7 per cent in the past three months, the worst performance among major developed-market currencies.

“The pound is at a much lower level now but I still think a no-deal exit would lead to significant volatility and we could be testing parity on a really bad outcome,” said Mr Harrison, who manages more than $10 billion in assets at BlackRock. “We will see this game of chicken continue through August and that’s likely negative for sterling,” he said about the deadlocked Brexit talks.

The pound fell 0.8 per cent to $1.2033 on Friday, its weakest closing level since the 1980s, after a report on the second quarter showed the UK economy shrank for the first time in six years. The data means it is likely the Bank of England will cut interest rates, according to Mizuho Bank.

The BOE said in November that the currency could fall even below $1 in an analysis on possible worst-case Brexit scenarios. Options-based calculations showed around a 6.4 per cent chance of pound-dollar parity in the next one year, markedly higher than 0.2 per cent in early March when prospects of a no-deal outcome were seemingly off the table.

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Key figures in the life of the fort

Sheikh Dhiyab bin Isa (ruled 1761-1793) Built Qasr Al Hosn as a watchtower to guard over the only freshwater well on Abu Dhabi island.

Sheikh Shakhbut bin Dhiyab (ruled 1793-1816) Expanded the tower into a small fort and transferred his ruling place of residence from Liwa Oasis to the fort on the island.

Sheikh Tahnoon bin Shakhbut (ruled 1818-1833) Expanded Qasr Al Hosn further as Abu Dhabi grew from a small village of palm huts to a town of more than 5,000 inhabitants.

Sheikh Khalifa bin Shakhbut (ruled 1833-1845) Repaired and fortified the fort.

Sheikh Saeed bin Tahnoon (ruled 1845-1855) Turned Qasr Al Hosn into a strong two-storied structure.

Sheikh Zayed bin Khalifa (ruled 1855-1909) Expanded Qasr Al Hosn further to reflect the emirate's increasing prominence.

Sheikh Shakhbut bin Sultan (ruled 1928-1966) Renovated and enlarged Qasr Al Hosn, adding a decorative arch and two new villas.

Sheikh Zayed bin Sultan (ruled 1966-2004) Moved the royal residence to Al Manhal palace and kept his diwan at Qasr Al Hosn.

Sources: Jayanti Maitra, www.adach.ae

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