Finding a universal punchline within a country is hard enough, but doing so across a whole continent is something else.
This has been a winning feature of Eric Omondi, the pioneering comedian selling out shows across Africa for 16 years.
Reportedly the first Kenyan to perform on The Tonight Show Starring Jimmy Fallon, in 2017, he was also named Best Comedian at the annual African Entertainment Awards USA, for three consecutive times from 2018.
The Kenyan funnyman returns to the UAE to headline DxB Comedy Knights on Saturday, an international comedy showcase featuring South Africa's Pius Xulu, Lebanon's John Achkar and Imah Dumagay from the Philippines.
No stranger to Dubai, Omondi expects another raucous audience, including a sizeable number encompassing the UAE’s varied African communities.
“This is really one of the great things about coming back because, really, when you return, Africa comes to you,” he tells The National.
“There are people from Kenya, Nigeria, South Africa, Ethiopia and so many others that it feels like I am home. They all love the idea of gathering together and having a laugh about things they can all relate to.”
Despite the various languages, cultures and traditions, Omondi states there are certain aspects universal to Africa.
“I talk a lot about our mothers during the show,” he says.
“No matter where you come from, everybody has or knows that typical African mum. The one that is strong and resilient. The one that loves you but shows no emotion and runs the household like a military camp.”
Another topic resonating beyond borders is the tried and tested comedic premise of getting married.
“But it’s not in the way that you think,” Omondi says, with a laugh.
“I talk about how that subject exposes a generational divide and how, before, in many parts of Africa, polygamy was accepted as a normal thing. Now the new generation is asking, how did the elders do it, because who wants all that headache.”
Telling stories
Good-natured jokes aside, comedy is becoming a serious business in Africa.
With the exception of the lull caused by the pandemic, Omondi says comedy clubs are springing up from Nigeria and Uganda to South Africa.
A key reason driving the growth is the art form resembles a professionalised everyday social and cultural practice indigenous to the continent.
“It is storytelling and that is such an African thing,” he says. “Every African has grown up and still sits together with friends and family listening to their funny stories.
“Now, some of them may be a little exaggerated but you didn’t mind because the whole point is to make you laugh and smile.”
But making it professionally is no laughing matter.
Omondi got his first big break with an appearance on Kenyan television variety programme Churchill Show in 2008, but he says it took a while for complete social acceptance of his profession.
"There was still that idea of 'you should get a proper job,'" he recalls.
"This is why I look at myself and colleagues, who are part of the first generation of Kenyan stand-up comedians, as creative freedom fighters, because we had to fight for our space to perform and be accepted."
Fighting for the next generation
Turning the tides of the battle was the same technological force propelling the rise of African music genres such as Nigeria’s Afro-pop and South Africa’s Amapiano to becoming worldwide sensations.
"Social media really revolutionised the comedy scene in Africa from around 2009 to 2011 because we didn't have to totally rely on a comedy club to perform or travel," he says.
"With social media, I can post something on Instagram or YouTube and I can reach people with my content from Ghana to South Africa within a second.
“It made the continent into a global village."
Ironically, those porous cultural borders caused by the internet pushed the self-dubbed “president of comedy in Africa” to embark on a new campaign.
In February, Omondi made local headlines by locking himself in a transparent box outside Kenya's Parliament in protest against a lack of regulation, compelling local broadcasters to play music by Kenyan musicians.
"This is a wider problem in Africa, but in Kenya it's a big issue because only around 15 per cent of content played on our national stations is by Kenyans," he says.
"We need to fight to create a space for these artists, because that will inspire the next generation to enter the arts and create a better industry. We have a lot of great talent in Kenya that we need to care for and provide real opportunities."
DxB Comedy Knights featuring Eric Omondi takes place at The Theatre at the Mall of the Emirates, Dubai, on July 23. Show times are 5pm and 8pm. Tickets are Dh100 from ae.bookmyshow.com
Emirates exiles
Will Wilson is not the first player to have attained high-class representative honours after first learning to play rugby on the playing fields of UAE.
Jonny Macdonald
Abu Dhabi-born and raised, the current Jebel Ali Dragons assistant coach was selected to play for Scotland at the Hong Kong Sevens in 2011.
Jordan Onojaife
Having started rugby by chance when the Jumeirah College team were short of players, he later won the World Under 20 Championship with England.
Devante Onojaife
Followed older brother Jordan into England age-group rugby, as well as the pro game at Northampton Saints, but recently switched allegiance to Scotland.
Ten tax points to be aware of in 2026
1. Domestic VAT refund amendments: request your refund within five years
If a business does not apply for the refund on time, they lose their credit.
2. E-invoicing in the UAE
Businesses should continue preparing for the implementation of e-invoicing in the UAE, with 2026 a preparation and transition period ahead of phased mandatory adoption.
3. More tax audits
Tax authorities are increasingly using data already available across multiple filings to identify audit risks.
4. More beneficial VAT and excise tax penalty regime
Tax disputes are expected to become more frequent and more structured, with clearer administrative objection and appeal processes. The UAE has adopted a new penalty regime for VAT and excise disputes, which now mirrors the penalty regime for corporate tax.
5. Greater emphasis on statutory audit
There is a greater need for the accuracy of financial statements. The International Financial Reporting Standards standards need to be strictly adhered to and, as a result, the quality of the audits will need to increase.
6. Further transfer pricing enforcement
Transfer pricing enforcement, which refers to the practice of establishing prices for internal transactions between related entities, is expected to broaden in scope. The UAE will shortly open the possibility to negotiate advance pricing agreements, or essentially rulings for transfer pricing purposes.
7. Limited time periods for audits
Recent amendments also introduce a default five-year limitation period for tax audits and assessments, subject to specific statutory exceptions. While the standard audit and assessment period is five years, this may be extended to up to 15 years in cases involving fraud or tax evasion.
8. Pillar 2 implementation
Many multinational groups will begin to feel the practical effect of the Domestic Minimum Top-Up Tax (DMTT), the UAE's implementation of the OECD’s global minimum tax under Pillar 2. While the rules apply for financial years starting on or after January 1, 2025, it is 2026 that marks the transition to an operational phase.
9. Reduced compliance obligations for imported goods and services
Businesses that apply the reverse-charge mechanism for VAT purposes in the UAE may benefit from reduced compliance obligations.
10. Substance and CbC reporting focus
Tax authorities are expected to continue strengthening the enforcement of economic substance and Country-by-Country (CbC) reporting frameworks. In the UAE, these regimes are increasingly being used as risk-assessment tools, providing tax authorities with a comprehensive view of multinational groups’ global footprints and enabling them to assess whether profits are aligned with real economic activity.
Contributed by Thomas Vanhee and Hend Rashwan, Aurifer
HAJJAN
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