Alicia Keys wore an ensemble by Dubai-based Saudi label Abadia during her performance at Maraya Concert Hall in AlUla. Photo: Al Ula Moments
Alicia Keys wore an ensemble by Dubai-based Saudi label Abadia during her performance at Maraya Concert Hall in AlUla. Photo: Al Ula Moments
Alicia Keys wore an ensemble by Dubai-based Saudi label Abadia during her performance at Maraya Concert Hall in AlUla. Photo: Al Ula Moments
Alicia Keys wore an ensemble by Dubai-based Saudi label Abadia during her performance at Maraya Concert Hall in AlUla. Photo: Al Ula Moments

Alicia Keys champions Saudi fashion designer as AlUla trip comes to an end


Katy Gillett
  • English
  • Arabic

Alicia Keys has been swanning around the desert all week as she visited Saudi Arabia's historic town of AlUla for a concert and conference, along with her husband, Swizz Beatz.

The Empire State of Mind singer, who is a known art collector and aficionado, began her trip by visiting the opening of Desert X AlUla 2022 on Thursday and dancing on her own amid the artworks.

Keys and her husband spent two hours touring the show, and it's the work of American artist Jim Denevan that was a clear favourite with the celebrity pair. Angle of Repose is a large expanse of 364 hills of sand, arranged in concentric circles that grow progressively smaller. Keys walked to the middle of the artwork and, her arms aloft, let the wind ripple through her flowing white dress and then twirled in the centre.

See more photos of works at Desert X AlUla here:

  • 'Geography of Hope' by Abdullah AlOthman references theories of light refraction rooting back to the early days of desert civilization. All photos: Desert X AlUla / Lance Gerber
    'Geography of Hope' by Abdullah AlOthman references theories of light refraction rooting back to the early days of desert civilization. All photos: Desert X AlUla / Lance Gerber
  • Shadia Alem's sculptural installation 'I Have Seen Thousands of Stars and One Fell in AlUla' adapts the art of origami.
    Shadia Alem's sculptural installation 'I Have Seen Thousands of Stars and One Fell in AlUla' adapts the art of origami.
  • Zeinab AlHashemi's 'Camouflage 2.0' uses discarded camel skins on an abstract, geometric base, resembling a rock formation in the desert.
    Zeinab AlHashemi's 'Camouflage 2.0' uses discarded camel skins on an abstract, geometric base, resembling a rock formation in the desert.
  • Shaikha AlMazrou's 'Measuring the Physicality of Void' is a steel-made inflated structure.
    Shaikha AlMazrou's 'Measuring the Physicality of Void' is a steel-made inflated structure.
  • Dana Awartani's 'Where the Dwellers Lay' draws inspiration from the vernacular architecture of AlUla.
    Dana Awartani's 'Where the Dwellers Lay' draws inspiration from the vernacular architecture of AlUla.
  • 'Desert Kite' by Sultan bin Fahad is a mud structure.
    'Desert Kite' by Sultan bin Fahad is a mud structure.
  • Serge Attukwei Clottey's 'Gold Falls' addresses the experience of globalisation, migration and water equity.
    Serge Attukwei Clottey's 'Gold Falls' addresses the experience of globalisation, migration and water equity.
  • Claudia Comte's 'Dark Suns, Bright Waves' features a progression of walls.
    Claudia Comte's 'Dark Suns, Bright Waves' features a progression of walls.
  • Jim Denevan creates ephemeral drawings in 'Angle of Repose'.
    Jim Denevan creates ephemeral drawings in 'Angle of Repose'.
  • Stephanie Deumer has created an underground greenhouse for 'Under the Same Sun'.
    Stephanie Deumer has created an underground greenhouse for 'Under the Same Sun'.
  • Alicja Kwade's 'In Blur' reflect and frame the natural artefacts she encountered on the desert floor.
    Alicja Kwade's 'In Blur' reflect and frame the natural artefacts she encountered on the desert floor.
  • Khalil Rabah 'Grounding' is a mirage of an orchard of olive trees.
    Khalil Rabah 'Grounding' is a mirage of an orchard of olive trees.
  • Monika Sosnowska's 'Silent Witnesses of the Past' uses heritage rails from the Hejaz railway, that ran from Damascus to Madinah.
    Monika Sosnowska's 'Silent Witnesses of the Past' uses heritage rails from the Hejaz railway, that ran from Damascus to Madinah.
  • Ayman Zedani's 'The Valley of the Desert Keepers' is a soundscape installation in a rocky cavern.
    Ayman Zedani's 'The Valley of the Desert Keepers' is a soundscape installation in a rocky cavern.
  • Shezad Dawood's 'Coral Alchemy I (Dipsastrea Speciosa)' explores ideas of the geobiological relationship between the desert floor and nearby Red Sea.
    Shezad Dawood's 'Coral Alchemy I (Dipsastrea Speciosa)' explores ideas of the geobiological relationship between the desert floor and nearby Red Sea.

She then performed a sold-out show at Maraya Concert Hall on Friday night as part of AlUla Moments' One Night Only series, before joining Princess Reema bint Bandar Al Saud, the first female Saudi ambassador to the US, in a Town Hall-style conversation called Women to Women that took place on Saturday.

The concert was presented by Good Intentions, a creative consultancy in Saudi Arabia co-founded by Keys's husband, real name Kasseem Dean, who is an American record producer, rapper and businessman.

Keys wore two outfits during the concert, both by Saudi label Abadia, which operates out of Dubai. The first was a two-piece white set with shirt and loose-fitting trousers, topped with a gold net crop, while the second was a mustard jumpsuit with a floor-length cape fitted around her waist.

Keys paid tribute to the label, which was co-founded by Shahd AlShehail and her aunt Naeema Al Shehail and puts the focus on the kingdom's traditional techniques. "I had to make sure that I put on a second Abadia outfit," Keys said on stage, referring to the brand as a "local magnificent designer".

Keys went on to perform hits such as New York and Un-thinkable, ending the night by saying "thank you AlUla" in Arabic.

The next day, Women to Women, also presented by Good Intentions, took place at the art and design centre Madrasat AdDeera, with Keys, Princess Reema and a whole host of other creative women, including Saudi actress Fatima AlBanawi, taking part.

It took on a Town Hall-style format, where audience members were invited to ask questions.

“I would love for you to teach me and continue to be allies together," Keys said. "We are all very special and very important in this room and nobody is more important than anybody else."

Princess Reema highlighted the importance of women supporting women, and "how men recognise that when they create a space for us, magic happens".

“If you were not inspired, be the one that inspires," she said. "If you did not have a mentor, be the mentor. If you didn’t have the resources but have access to them, give them. Because your generosity and your kindness of spirit is what is going to make the community we all deserve."

The Saudi Arabia trip follows a successful visit to Expo 2020 Dubai in December, where Keys debuted her new album, Keys, co-produced by Beatz.

See photos of Alicia Keys live at Expo 2020 Dubai here:

  • US singer-songwriter Alicia Keys performs at Al Wasl Plaza, Expo 2020 Dubai, where she launched her eighth album, ‘Keys’. AFP
    US singer-songwriter Alicia Keys performs at Al Wasl Plaza, Expo 2020 Dubai, where she launched her eighth album, ‘Keys’. AFP
  • Keys demonstrated her versatility during the performance. AFP
    Keys demonstrated her versatility during the performance. AFP
  • The show was billed as 'Live in 360’ because people around the world were able to watch it on streaming platforms. AFP
    The show was billed as 'Live in 360’ because people around the world were able to watch it on streaming platforms. AFP
  • Keys held the limelight, whether playing the piano or moving across the stage. AFP
    Keys held the limelight, whether playing the piano or moving across the stage. AFP
  • Al Wasl Dome made for a dramatic backdrop. AFP
    Al Wasl Dome made for a dramatic backdrop. AFP
  • The gentle sound of a string quartet provided Keys with an understated entrance, as she swept past the audience in a flowing gown by Dubai designer Furne One of Amato Couture. AFP
    The gentle sound of a string quartet provided Keys with an understated entrance, as she swept past the audience in a flowing gown by Dubai designer Furne One of Amato Couture. AFP
  • Keys ran through her hits and new songs. AFP
    Keys ran through her hits and new songs. AFP
  • She was accompanied by a small orchestra. AFP
    She was accompanied by a small orchestra. AFP
  • Emirati singer Balqees Fathi joins Keys onstage. AFP
    Emirati singer Balqees Fathi joins Keys onstage. AFP
  • Those streaming the show from home could explore the venue from the comfort of their own living rooms. AP
    Those streaming the show from home could explore the venue from the comfort of their own living rooms. AP
  • The hits came thick and fast. AP
    The hits came thick and fast. AP
  • A dance troupe kept a low profile around the circular stage. AP
    A dance troupe kept a low profile around the circular stage. AP
  • Keys also visited the UAE in 2013 and 2019. AP
    Keys also visited the UAE in 2013 and 2019. AP
  • The setting of the show at Expo 2020 was breathtaking. AP
    The setting of the show at Expo 2020 was breathtaking. AP
  • Keys wore an embroidered gold catsuit and an intricately patterned tulle cape, both studded with Swarovski crystals. Reuters
    Keys wore an embroidered gold catsuit and an intricately patterned tulle cape, both studded with Swarovski crystals. Reuters
Updated: February 14, 2022, 12:41 PM