Musicians have a role in preserving the Arabic language, insists celebrated Lebanese singer and composer Marwan Khoury.
“There is nothing wrong with writing songs purely for entertainment," he tells The National. "Music, in all its forms, needs to have that element of fun and make people smile.
"But we also have to understand that we have a beautiful language unique in its aesthetics and diversity and we should harness some of those values in delivering a message that strikes a chord with the listeners."
Khoury's comments come ahead of his show at Arabian Days on Monday.
Running from Friday to Monday, the free festival at Abu Dhabi’s Manarat Al Saadiyat will celebrate the diversity of the language with a daily programme of concerts, film screenings, art exhibitions and literary discussions.
Organised by the Abu Dhabi Arabic Language Centre, the event is catered to all nationalities with all sessions and films simultaneously translated into English.
In addition to the closing concert, which coincides with World Arabic Language Day, Khoury will also take part in a session reflecting on his successful 35-year career.
It started with a love for Arabic as a child, he recalls.
Born to a family of five in Zgharta, a city in northern Lebanon, Khoury remembers a childhood replete with books and parents impressing on their children the importance of Arabic in a country where French and English are frequently spoken.
"It wasn't because they necessarily felt a certain way about these languages but they believed the Arabic culture, with its words and traditions, is the most important inheritance they could leave behind," he says.
"They knew that to succeed you first need to communicate effectively with your surroundings. And with the Arab world being a big place, the language is a unifier. So if you can't communicate it, then you will be at a severe disadvantage immediately.”
After dabbling with academia and poetry, Khoury decided he could best express himself through music.
He graduated in composition and piano at a university in Lebanon and gradually shifted from being a keyboard player in bands to composing his works.
As well as his romantic hits such as Kel El Qasayed (All the Poems) and Khedni Ma'ak (Take Me With You), it is his songs for others, such as Carole Samaha's Itla' Fiyee (Look at Me) and Nawal Al Zohgbi’s Tia that define his lyrical prowess.
These ballads, rich in meanings and metaphors, also show the Arabic language‘s vast scope when it comes to matters of the heart.
"Human nature and feelings are the same and there are no new subjects really out there when writing songs," he says. "But what can be different in a song is the kind of message you want to convey.
“Arabic has many words we can use as tools to help you craft that message.
“Sometimes, that creation process is enjoyable and other times it is painful. But I never walk away from a piano not feeling that same thrill of writing a song for the first time.”
As for why these combinations of letters and words hit home, it’s all a mystery.
"Don't ask me what its secret is because I don't know," Khoury says. "But what I do know is Arabic is something that I was raised with and everything I read about our history, arts and culture was presented to me in Arabic by some of our most important writers. It’s a relationship that is special.”
Khoury has been sharing part of that passion in his acclaimed television series Tarab, which is a sonic travelogue through the region’s music history.
As the host, each episode has Khoury sitting down with a leading music personality as they break down the characteristics of different genres, ranging from the classic sounds of Egyptian crooners Mohammed Abdel Wahab and Umm Kulthum to the more niche fields of Moroccan folk.
He confirms production of a new fifth season begins early next year.
Meanwhile, on a personal level, Khoury is also feeling inspired.
While it has been a relatively quiet year as he revels in the domesticity of a new marriage, he says new songs are on the way.
“It has been a year full of positive changes,” he says. “But I have also been quietly working and there are about seven tracks that are done and ready to go.
"You will be hearing more from me in 2024.”
Arabian Days is at Manarat Saadiyat, Abu Dhabi. The festival runs from Friday to Monday. More information is available at alc.ae
TO A LAND UNKNOWN
Director: Mahdi Fleifel
Starring: Mahmoud Bakri, Aram Sabbah, Mohammad Alsurafa
Rating: 4.5/5
Sholto Byrnes on Myanmar politics
THE SPECS
Engine: 1.5-litre turbocharged four-cylinder
Transmission: Constant Variable (CVT)
Power: 141bhp
Torque: 250Nm
Price: Dh64,500
On sale: Now
F1 The Movie
Starring: Brad Pitt, Damson Idris, Kerry Condon, Javier Bardem
Director: Joseph Kosinski
Rating: 4/5
Avatar: Fire and Ash
Director: James Cameron
Starring: Sam Worthington, Sigourney Weaver, Zoe Saldana
Rating: 4.5/5
Killing of Qassem Suleimani
RESULTS
5pm: Maiden (PA) Dh80,000 1,600m
Winner: Omania, Saif Al Balushi (jockey), Ibrahim Al Hadhrami (trainer)
5.30pm: Conditions (PA) Dh85,000 1,600m
Winner: Brehaan, Richard Mullen, Ana Mendez
6pm: Handicap (TB) Dh100,000 1,600m
Winner: Craving, Connor Beasley, Simon Crisford
6.30pm: The President’s Cup Prep (PA) Dh100,000 2,200m
Winner: Rmmas, Tadhg O’Shea, Jean de Roualle
7pm: Wathba Stallions Cup (PA) Dh70,000 1,200m
Winner: Dahess D’Arabie, Connor Beasley, Helal Al Alawi
7.30pm: Handicap (PA) Dh80,000 1,400m
Winner: Fertile De Croate, Sam Hitchcott, Ibrahim Aseel
Turning%20waste%20into%20fuel
%3Cp%3EAverage%20amount%20of%20biofuel%20produced%20at%20DIC%20factory%20every%20month%3A%20%3Cstrong%3EApproximately%20106%2C000%20litres%3C%2Fstrong%3E%3C%2Fp%3E%0A%3Cp%3EAmount%20of%20biofuel%20produced%20from%201%20litre%20of%20used%20cooking%20oil%3A%20%3Cstrong%3E920ml%20(92%25)%3C%2Fstrong%3E%3C%2Fp%3E%0A%3Cp%3ETime%20required%20for%20one%20full%20cycle%20of%20production%20from%20used%20cooking%20oil%20to%20biofuel%3A%20%3Cstrong%3EOne%20day%3C%2Fstrong%3E%3C%2Fp%3E%0A%3Cp%3EEnergy%20requirements%20for%20one%20cycle%20of%20production%20from%201%2C000%20litres%20of%20used%20cooking%20oil%3A%3Cbr%3E%3Cstrong%3E%E2%96%AA%20Electricity%20-%201.1904%20units%3Cbr%3E%E2%96%AA%20Water-%2031%20litres%3Cbr%3E%E2%96%AA%20Diesel%20%E2%80%93%2026.275%20litres%3C%2Fstrong%3E%3C%2Fp%3E%0A
BIOSAFETY LABS SECURITY LEVELS
Biosafety Level 1
The lowest safety level. These labs work with viruses that are minimal risk to humans.
Hand washing is required on entry and exit and potentially infectious material decontaminated with bleach before thrown away.
Must have a lock. Access limited. Lab does not need to be isolated from other buildings.
Used as teaching spaces.
Study microorganisms such as Staphylococcus which causes food poisoning.
Biosafety Level 2
These labs deal with pathogens that can be harmful to people and the environment such as Hepatitis, HIV and salmonella.
Working in Level 2 requires special training in handling pathogenic agents.
Extra safety and security precautions are taken in addition to those at Level 1
Biosafety Level 3
These labs contain material that can be lethal if inhaled. This includes SARS coronavirus, MERS, and yellow fever.
Significant extra precautions are taken with staff given specific immunisations when dealing with certain diseases.
Infectious material is examined in a biological safety cabinet.
Personnel must wear protective gowns that must be discarded or decontaminated after use.
Strict safety and handling procedures are in place. There must be double entrances to the building and they must contain self-closing doors to reduce risk of pathogen aerosols escaping.
Windows must be sealed. Air from must be filtered before it can be recirculated.
Biosafety Level 4
The highest level for biosafety precautions. Scientist work with highly dangerous diseases that have no vaccine or cure.
All material must be decontaminated.
Personnel must wear a positive pressure suit for protection. On leaving the lab this must pass through decontamination shower before they have a personal shower.
Entry is severely restricted to trained and authorised personnel. All entries are recorded.
Entrance must be via airlocks.
The drill
Recharge as needed, says Mat Dryden: “We try to make it a rule that every two to three months, even if it’s for four days, we get away, get some time together, recharge, refresh.” The couple take an hour a day to check into their businesses and that’s it.
Stick to the schedule, says Mike Addo: “We have an entire wall known as ‘The Lab,’ covered with colour-coded Post-it notes dedicated to our joint weekly planner, content board, marketing strategy, trends, ideas and upcoming meetings.”
Be a team, suggests Addo: “When training together, you have to trust in each other’s abilities. Otherwise working out together very quickly becomes one person training the other.”
Pull your weight, says Thuymi Do: “To do what we do, there definitely can be no lazy member of the team.”