Ragaa el Gedawy attends the 'A Whole One' premiere during the Dubai International Film Festival in 2011. Getty
Ragaa el Gedawy attends the 'A Whole One' premiere during the Dubai International Film Festival in 2011. Getty
Ragaa el Gedawy attends the 'A Whole One' premiere during the Dubai International Film Festival in 2011. Getty
Ragaa el Gedawy attends the 'A Whole One' premiere during the Dubai International Film Festival in 2011. Getty

From ‘Zaair al-Fagr’ to ‘Isha’at hub’: Five films that prove why Ragaa Al Geddawy was such an emblem of Egyptian cinema


Razmig Bedirian
  • English
  • Arabic

Ragaa Al Geddawy was one of the most prolific actresses in Egyptian cinema.

The veteran star has been in the movie-making business for more than six decades, acting in more than 100 Arabic films and television shows.

Al Geddawy died on Sunday, aged 81, due to complications from Covid-19.

The news was confirmed on social media by her daughter, Amira Mokhtar, after the actress died in hospital in the Egyptian city of Ismailia.

The actress had recently finished filming her latest series, Le'bet El Nesyan, when she tested positive for Covid-19 on May 24. She was transferred to the ICU of Ismailia Hospital in Cairo last Tuesday, after her health deteriorated.

Al Geddawy acted in a range of films across genres, from slapstick comedies to psychological thrillers. Here are five of her most critically acclaimed works.

‘Dua Al Karawan’ (The Nightingale’s Prayer)

Based on the novel by Taha Hussein, this 1959 film adaptation was Egypt’s Academy Awards submission in the Best Foreign Language Film category in 1960. Though it did not go on to be nominated for an Oscar, it received an award of recognition from the Academy of Motion Picture Arts and Sciences. In 1996, it was selected as one of the best films in Egyptian cinema.

The film tells the story of Amna, a young woman who witnesses the murder of her older sister at the hands of her uncle. It was one of Al Geddawy’s earliest w orks and shows her starring alongside some titans of Egyptian cinema, including Faten Hamama and Ahmed Mazhar.

‘Isha’at hub’ (Rumour of Love)

This is another of Al Geddawy’s earlier films. The actress was in her early twenties in this 1960 movie, when she had the chance to act alongside some of Egypt’s most celebrated actors, including Omar Sharif and Soad Hosny.

Though her part is small in this heart-warming romcom, the film is a great throwback to Al Geddawy’s beginnings in the golden age of Egyptian cinema.

‘Hadduta Masriya’ (An Egyptian Story)

This movie by celebrated Egyptian filmmaker Youssef Chahine weaves the real with the surreal.

The 1982 film tells the story of highly strung chain-smoking filmmaker Yehia Choukry Mourad, who suffers a heart attack on set and travels to London for a heart bypass.

While under anaesthesia, Mourad imagines a court case being held within a courtroom in his chest, where his childlike self is on trial.

While most of the film is in colour, a number of segments feature archival footage, adding a documentary element to it.

‘Zaair al-Fagr’ (The Dawn Visitor)

As controversial as it is critically-acclaimed, the Dawn Visitor was banned in Egypt a week after its release in 1973.
As controversial as it is critically-acclaimed, the Dawn Visitor was banned in Egypt a week after its release in 1973.

As controversial as it is critically acclaimed, The Dawn Visitor was banned in Egypt by Anwar Sadat, president at the time, a week after its release in 1973.

The film’s producer and lead actress, Magda El-Khatib – who plays journalist and activist Nadia – tried to meet with Sadat to appeal the film’s ban, however, he rebuffed her attempts.

The movie begins at a crime scene, where Nadia is found dead in her apartment in Tahrir. Prosecutors then scramble to solve the murder. Al Geddawy plays Itimad, one of Nadia’s friends.

‘Mawid al a’shaa’ (A Date at Dinner)

Hosny and Al Geddawy share the silver screen once again in this 1982 romantic drama.

The film’s story revolves around Nawal, a woman who leaves her husband after he becomes emotionally distant. She soon falls for another man, who is murdered by her ex-husband in a fit of jealousy. Nawal then decides to seek revenge.

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Milestones on the road to union

1970

October 26: Bahrain withdraws from a proposal to create a federation of nine with the seven Trucial States and Qatar. 

December: Ahmed Al Suwaidi visits New York to discuss potential UN membership.

1971

March 1:  Alex Douglas Hume, Conservative foreign secretary confirms that Britain will leave the Gulf and “strongly supports” the creation of a Union of Arab Emirates.

July 12: Historic meeting at which Sheikh Zayed and Sheikh Rashid make a binding agreement to create what will become the UAE.

July 18: It is announced that the UAE will be formed from six emirates, with a proposed constitution signed. RAK is not yet part of the agreement.

August 6:  The fifth anniversary of Sheikh Zayed becoming Ruler of Abu Dhabi, with official celebrations deferred until later in the year.

August 15: Bahrain becomes independent.

September 3: Qatar becomes independent.

November 23-25: Meeting with Sheikh Zayed and Sheikh Rashid and senior British officials to fix December 2 as date of creation of the UAE.

November 29:  At 5.30pm Iranian forces seize the Greater and Lesser Tunbs by force.

November 30: Despite  a power sharing agreement, Tehran takes full control of Abu Musa. 

November 31: UK officials visit all six participating Emirates to formally end the Trucial States treaties

December 2: 11am, Dubai. New Supreme Council formally elects Sheikh Zayed as President. Treaty of Friendship signed with the UK. 11.30am. Flag raising ceremony at Union House and Al Manhal Palace in Abu Dhabi witnessed by Sheikh Khalifa, then Crown Prince of Abu Dhabi.

December 6: Arab League formally admits the UAE. The first British Ambassador presents his credentials to Sheikh Zayed.

December 9: UAE joins the United Nations.

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

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