'The Sea Ahead' by Ely Dagher, left, and 'Captains of Zaatari' by Ali El Arabi are among the Arabic films that will screen at the El Gouna Film Festival. Photo: Ely Dagher / Sundance Institute
'The Sea Ahead' by Ely Dagher, left, and 'Captains of Zaatari' by Ali El Arabi are among the Arabic films that will screen at the El Gouna Film Festival. Photo: Ely Dagher / Sundance Institute
'The Sea Ahead' by Ely Dagher, left, and 'Captains of Zaatari' by Ali El Arabi are among the Arabic films that will screen at the El Gouna Film Festival. Photo: Ely Dagher / Sundance Institute
'The Sea Ahead' by Ely Dagher, left, and 'Captains of Zaatari' by Ali El Arabi are among the Arabic films that will screen at the El Gouna Film Festival. Photo: Ely Dagher / Sundance Institute

16 Arabic films to screen at El Gouna Film Festival next month


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The line-up for the El Gouna Film Festival has been revealed.

Sixteen Arabic films will be screening at the festival, which will take place in Egypt’s coastal city of El Gouna from October 14 to 22. With films from Egypt and Lebanon accounting for a lion’s share of the selection, the two countries are set to become the biggest participants of the festival’s fifth iteration.

While the selection is made up of a healthy mix of narratives, documentaries and short films, here we take a look at the eight feature-length works screening at the festival, from a Kafka-esque comedy about an irate father who turns into a chicken to a heart-rending documentary highlighting the plight of inmates with mental illnesses in Lebanon’s Roumieh prison.

‘The Sea Ahead’

'The Sea Ahead' by Lebanese director Ely Dagher premiered at the 2021 Cannes Film Festival. Photo: Ely Dagher
'The Sea Ahead' by Lebanese director Ely Dagher premiered at the 2021 Cannes Film Festival. Photo: Ely Dagher

Ely Dagher’s 2015 animation Waves '98 made an overnight sensation of the Lebanese filmmaker, winning him the Short Film Palme d'Or at the Cannes Film Festival. So it comes as no surprise that his debut feature The Sea Ahead is turning heads on the international film circuit.

The film, which tells the story of a young woman’s poignant return to Beirut, was nominated for the Golden Camera award at this year’s Cannes Film Festival and was among the 14 films to receive support from the Red Sea Fund.

The Sea Ahead is in the running for the Feature Narrative Competition at the El Gouna Film Festival.

‘Amira’

'Amira' stars Tara Abboud, Sara Mubarak and Ali Suliman. Photo: Venice Film Festival
'Amira' stars Tara Abboud, Sara Mubarak and Ali Suliman. Photo: Venice Film Festival

Egyptian filmmaker Mohamed Diab’s newest release Amira is a tale of parentage and rebellion, inspired by a news story about Palestinian prisoners in Israel who smuggle their sperm out of jail.

“The moment I read about it, I thought ‘Is this a science fiction film?’. It’s so weird and yet so human. It’s a symbol of survival. To Palestinians, this is an untouched topic,” Diab told The National.

As the film explains, more than 100 children have been conceived in this manner. However, the film uses the smuggled sperm as a springboard into a gripping family melodrama, as its titular character discovers that the incarcerated man she thought to be her father is not her biological parent and sets out to find her origins.

The film had its world premiere at the Venice Film Festival and is competing for the Feature Narrative Competition at the El Gouna Film Festival.

‘Feathers’

Omar El Zohairy made history when his absurdist black comedy Feathers won the Grand Prize at the International Critics' Week in Cannes, making it the first Egyptian film to do so.

The film tells the story of a housewife who has to take care of her family after her authoritarian husband is turned into a chicken by magicians at the birthday party of their son, 4.

Feathers will be competing in the Feature Narrative Competition at the El Gouna Film Festival.

‘Casablanca Beats’

Nabil Ayouch’s Casablanca Beats became the first fully Moroccan film to compete at the Cannes Film Festival when it was in the running for the coveted Palme d’Or this year.

Set in Sidi Moumen, a poverty-stricken area on the outskirts of Casablanca, the film tells the story of a group of teenagers who strive to organise a rap concert. The film was selected as the Moroccan entry for Best International Feature Film at the 2022 Academy Awards.

Casablanca Beats is a contender in the Feature Narrative Competition at the El Gouna Film Festival.

‘Costa Brava, Lebanon’

Mounia Akl's debut feature 'Costa Brava, Lebanon' will be showing at the El Gouna Film Festival. Photo: Mounia Akl
Mounia Akl's debut feature 'Costa Brava, Lebanon' will be showing at the El Gouna Film Festival. Photo: Mounia Akl

Mounia Akl’s debut feature Costa Brava, Lebanon is a family drama that mirrors the tragic reality that many in Lebanon face today.

The story follows the free-spirited Badri family, led by Soraya (Nadine Labaki) and Walid (Saleh Bakri) who have escaped the toxic pollution of Beirut to set up a new home in the mountains.

The twist comes when the government resolves to put a landfill site right next to their rural retreat, causing their own relationships to fissure.

The film had its world premiere earlier this week at the Venice International Film Festival and will be competing in the Feature Narrative Competition at the El Gouna Film Festival.

‘The Blue Inmates’

This is a documentary by Lebanese filmmaker Zeina Daccache shot in Roumieh prison, the largest and most notorious prison in Lebanon. The film follows a group of inmates who produce a play in a bid to raise awareness about their fellow prisoners who have been incarcerated as a result of their mental illnesses.

The work criticises the Lebanese Penal Code, which stipulates that those deemed “insane” will be incarcerated until they are “cured”.

The Blue Inmates is competing in El Gouna’s Feature Documentary Competition.

‘Captains of Za'atari’

A still from 'Captains of Za'atari' featuring one of its two protagonists Fawzi. The documentary, directed by Ali El Arabi, is competing in the Feature Documentary Competition at the El Gouna Film Festival. Photo: Sundance Institute
A still from 'Captains of Za'atari' featuring one of its two protagonists Fawzi. The documentary, directed by Ali El Arabi, is competing in the Feature Documentary Competition at the El Gouna Film Festival. Photo: Sundance Institute

Egyptian director Ali El Arabi’s documentary Captains of Za'atari tells the story of two teenage Syrian refugees trying to fulfil their dreams of becoming professional footballers.

The documentary’s protagonists are teenagers Mahmoud and Fawzi, who live in the Zaatari refugee camp in northern Jordan. The camp opened in 2012 and at its peak hosted 150,000 Syrian refugees.

The film was nominated for several awards, including the Golden Gate Award at the San Francisco International Film Festival, and is competing in the Feature Documentary Competition at the El Gouna Film Festival.

‘Back Home’

After living abroad for 10 years, Egyptian filmmaker Sara Shazli finds her life plans upended in the face of a global pandemic and returns to her childhood home in Egypt. As she spends time with her father, a man aged 80 buzzing with life and witticisms, Shazli decides to capture the moments they share on film.

Back Home will be competing in the Feature Documentary Competition.

The language of diplomacy in 1853

Treaty of Peace in Perpetuity Agreed Upon by the Chiefs of the Arabian Coast on Behalf of Themselves, Their Heirs and Successors Under the Mediation of the Resident of the Persian Gulf, 1853
(This treaty gave the region the name “Trucial States”.)


We, whose seals are hereunto affixed, Sheikh Sultan bin Suggar, Chief of Rassool-Kheimah, Sheikh Saeed bin Tahnoon, Chief of Aboo Dhebbee, Sheikh Saeed bin Buyte, Chief of Debay, Sheikh Hamid bin Rashed, Chief of Ejman, Sheikh Abdoola bin Rashed, Chief of Umm-ool-Keiweyn, having experienced for a series of years the benefits and advantages resulting from a maritime truce contracted amongst ourselves under the mediation of the Resident in the Persian Gulf and renewed from time to time up to the present period, and being fully impressed, therefore, with a sense of evil consequence formerly arising, from the prosecution of our feuds at sea, whereby our subjects and dependants were prevented from carrying on the pearl fishery in security, and were exposed to interruption and molestation when passing on their lawful occasions, accordingly, we, as aforesaid have determined, for ourselves, our heirs and successors, to conclude together a lasting and inviolable peace from this time forth in perpetuity.

Taken from Britain and Saudi Arabia, 1925-1939: the Imperial Oasis, by Clive Leatherdale

Pots for the Asian Qualifiers

Pot 1: Iran, Japan, South Korea, Australia, Qatar, United Arab Emirates, Saudi Arabia, China
Pot 2: Iraq, Uzbekistan, Syria, Oman, Lebanon, Kyrgyz Republic, Vietnam, Jordan
Pot 3: Palestine, India, Bahrain, Thailand, Tajikistan, North Korea, Chinese Taipei, Philippines
Pot 4: Turkmenistan, Myanmar, Hong Kong, Yemen, Afghanistan, Maldives, Kuwait, Malaysia
Pot 5: Indonesia, Singapore, Nepal, Cambodia, Bangladesh, Mongolia, Guam, Macau/Sri Lanka

PROFILE OF SWVL

Started: April 2017

Founders: Mostafa Kandil, Ahmed Sabbah and Mahmoud Nouh

Based: Cairo, Egypt

Sector: transport

Size: 450 employees

Investment: approximately $80 million

Investors include: Dubai’s Beco Capital, US’s Endeavor Catalyst, China’s MSA, Egypt’s Sawari Ventures, Sweden’s Vostok New Ventures, Property Finder CEO Michael Lahyani

Nayanthara: Beyond The Fairy Tale

Starring: Nayanthara, Vignesh Shivan, Radhika Sarathkumar, Nagarjuna Akkineni

Director: Amith Krishnan

Rating: 3.5/5

The President's Cake

Director: Hasan Hadi

Starring: Baneen Ahmad Nayyef, Waheed Thabet Khreibat, Sajad Mohamad Qasem 

Rating: 4/5

Du Football Champions

The fourth season of du Football Champions was launched at Gitex on Wednesday alongside the Middle East’s first sports-tech scouting platform.“du Talents”, which enables aspiring footballers to upload their profiles and highlights reels and communicate directly with coaches, is designed to extend the reach of the programme, which has already attracted more than 21,500 players in its first three years.

The team

Videographer: Jear Velasquez 

Photography: Romeo Perez 

Fashion director: Sarah Maisey 

Make-up: Gulum Erzincan at Art Factory 

Models: Meti and Clinton at MMG 

Video assistant: Zanong Maget 

Social media: Fatima Al Mahmoud  

Elvis
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Updated: September 08, 2021, 12:18 PM