Long before Pepe Le Pew's appearance in Space Jam: A New Legacy was scrapped because of a furore over the animated French skunk's alleged contribution to "rape culture", 11 Looney Tunes and Merrie Melodies cartoons were pulled for being too offensive.
The cartoons, which were produced and released by Warner Bros, were withheld from syndication in the US in 1968 by United Artists, a US digital production company founded in 1919 by Charlie Chaplin, Mary Pickford, Douglas Fairbanks and D W Griffith as a way of allowing actors to control their own interests.
To this day, the short animations have remained off-air, resurfacing online and at a TCM Classic Film Festival in 2010, according to reports.
Why were they so offensive?
Each of these cartoons contained storylines or characters depicting racist stereotypes, particularly of African Americans.
For example, All This and Rabbit Stew from 1941 follows Bugs Bunny – the only one of the 11 episodes that includes such a big Looney Tunes "star" – as he battles a black hunter that is supposed to be a caricature of the American comedian and actor Stepin Fetchit, who was of Jamaican and Bahamian descent.
Goldilocks and the Jivin' Bears, released in 1944, meanwhile, is a parody of the original tale referenced in the title, but is reimagined with an all-black cast, as the Three Bears are turned into jazz musicians. It features many characters in blackface.
Angel Puss also came out in 1944. It is the only one of the Censored Eleven to have been directed by notable Warner Bros animated filmmaker and cartoonist Chuck Jones. The main character, an African-American boy called Li'l Sambo, portrays all kinds of offensive cliches, from his appearance to his superstitious beliefs.
This cartoon even spurred Herman Hill of African-American weekly newspaper Pittsburgh Courier to write an editorial vehemently opposing its showing, particularly as it ran in Los Angeles alongside short film Americans For All, with its theme of fighting prejudice and stereotypes.
An animated masterpiece?
Perhaps the most famous of the bunch is 1943's Coal Black and de Sebben Dwarfs. While even the title emphasises its undeniably racist overtones, the short film is also widely recognised as one of the most masterfully made cartoons of all time, particularly by animation industry professionals.
Directed by Bob Clampett, the Merrie Melodies cartoon is another all-black parody, this time of the 19th-century German Brothers Grimm fairy tale Snow White. Set in the Second World War, the story's characters speak in rhyme and are based on jazz musicians of the time.
It has been said it was meant to be called So White and De Sebben Dwarfs, but the title was changed over concerns that it was too similar to the original.
For the storyline, Clampett had apparently been inspired by the book Harlem as Seen by Hirschfeld by American caricaturist Albert "Al" Hirschfeld, as well as by a Duke Ellington performance, after which the jazz great and his cast suggested the animator make a musical cartoon that focused on "black" music.
"I worked on Coal Black and de Sebben Dwarfs and I think it was one of the best things I ever worked on," recalled animator Virgil Ross in an interview with John Province in 1990, according to Cartoon Research. "Bob took us into downtown Los Angeles, into the nightclub section, to watch the latest dances and pick up some atmosphere. Some of it was pretty funny stuff that we actually used in the picture: real tall guys dancing with real short little women, and they'd swing their legs right over the tops of their heads."
No matter what the origin of the story is, this cartoon would certainly not jive with a modern audience today, not only because of the African-American stereotypes, but also because of its anti-Japanese jokes, as it was made the year after the Pearl Harbour attack.
Here's a full list of cartoons in the Censored Eleven:
1. Hittin' the Trail for Hallelujah Land (1931)
2. Sunday Go to Meetin' Time (1936)
3. Clean Pastures (1937)
4. Uncle Tom's Bungalow (1937)
5. Jungle Jitters (1938)
6. The Isle of Pingo Pongo (1938)
7. All This and Rabbit Stew (1941)
8. Coal Black and de Sebben Dwarfs (1943)
9. Tin Pan Alley Cats (1943)
10. Angel Puss (1944)
11. Goldilocks and the Jivin' Bears (1944)
Ten tax points to be aware of in 2026
1. Domestic VAT refund amendments: request your refund within five years
If a business does not apply for the refund on time, they lose their credit.
2. E-invoicing in the UAE
Businesses should continue preparing for the implementation of e-invoicing in the UAE, with 2026 a preparation and transition period ahead of phased mandatory adoption.
3. More tax audits
Tax authorities are increasingly using data already available across multiple filings to identify audit risks.
4. More beneficial VAT and excise tax penalty regime
Tax disputes are expected to become more frequent and more structured, with clearer administrative objection and appeal processes. The UAE has adopted a new penalty regime for VAT and excise disputes, which now mirrors the penalty regime for corporate tax.
5. Greater emphasis on statutory audit
There is a greater need for the accuracy of financial statements. The International Financial Reporting Standards standards need to be strictly adhered to and, as a result, the quality of the audits will need to increase.
6. Further transfer pricing enforcement
Transfer pricing enforcement, which refers to the practice of establishing prices for internal transactions between related entities, is expected to broaden in scope. The UAE will shortly open the possibility to negotiate advance pricing agreements, or essentially rulings for transfer pricing purposes.
7. Limited time periods for audits
Recent amendments also introduce a default five-year limitation period for tax audits and assessments, subject to specific statutory exceptions. While the standard audit and assessment period is five years, this may be extended to up to 15 years in cases involving fraud or tax evasion.
8. Pillar 2 implementation
Many multinational groups will begin to feel the practical effect of the Domestic Minimum Top-Up Tax (DMTT), the UAE's implementation of the OECD’s global minimum tax under Pillar 2. While the rules apply for financial years starting on or after January 1, 2025, it is 2026 that marks the transition to an operational phase.
9. Reduced compliance obligations for imported goods and services
Businesses that apply the reverse-charge mechanism for VAT purposes in the UAE may benefit from reduced compliance obligations.
10. Substance and CbC reporting focus
Tax authorities are expected to continue strengthening the enforcement of economic substance and Country-by-Country (CbC) reporting frameworks. In the UAE, these regimes are increasingly being used as risk-assessment tools, providing tax authorities with a comprehensive view of multinational groups’ global footprints and enabling them to assess whether profits are aligned with real economic activity.
Contributed by Thomas Vanhee and Hend Rashwan, Aurifer
Zayed Sustainability Prize
Cricket World Cup League Two
Oman, UAE, Namibia
Al Amerat, Muscat
Results
Oman beat UAE by five wickets
UAE beat Namibia by eight runs
Fixtures
Wednesday January 8 –Oman v Namibia
Thursday January 9 – Oman v UAE
Saturday January 11 – UAE v Namibia
Sunday January 12 – Oman v Namibia
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The National's picks
4.35pm: Tilal Al Khalediah
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THREE POSSIBLE REPLACEMENTS
Khalfan Mubarak
The Al Jazira playmaker has for some time been tipped for stardom within UAE football, with Quique Sanchez Flores, his former manager at Al Ahli, once labelling him a “genius”. He was only 17. Now 23, Mubarak has developed into a crafty supplier of chances, evidenced by his seven assists in six league matches this season. Still to display his class at international level, though.
Rayan Yaslam
The Al Ain attacking midfielder has become a regular starter for his club in the past 15 months. Yaslam, 23, is a tidy and intelligent player, technically proficient with an eye for opening up defences. Developed while alongside Abdulrahman in the Al Ain first-team and has progressed well since manager Zoran Mamic’s arrival. However, made his UAE debut only last December.
Ismail Matar
The Al Wahda forward is revered by teammates and a key contributor to the squad. At 35, his best days are behind him, but Matar is incredibly experienced and an example to his colleagues. His ability to cope with tournament football is a concern, though, despite Matar beginning the season well. Not a like-for-like replacement, although the system could be adjusted to suit.
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