• 'Engage Yourself', a digital collage work by Lily Wallis. All images courtesy of the artists
    'Engage Yourself', a digital collage work by Lily Wallis. All images courtesy of the artists
  • Video collage by Lubnah Ansari
    Video collage by Lubnah Ansari
  • 'Labyrinth' by Ziad Al Najjar
    'Labyrinth' by Ziad Al Najjar
  • Maryam AlHuraiz’s ‘Infantile Amnesia’ series
    Maryam AlHuraiz’s ‘Infantile Amnesia’ series
  • Maryam AlHuraiz’s ‘Infantile Amnesia’ series
    Maryam AlHuraiz’s ‘Infantile Amnesia’ series
  • A digital collage by Lily Wallis
    A digital collage by Lily Wallis
  • 'Creativity Revolution' by Mariam Alkatheeri
    'Creativity Revolution' by Mariam Alkatheeri
  • From Zeid Jaouni's '100 Days of Design' project
    From Zeid Jaouni's '100 Days of Design' project
  • Part of Zeid Jaouni's '100 Days of Design' project
    Part of Zeid Jaouni's '100 Days of Design' project
  • A work by Lubnah Ansari
    A work by Lubnah Ansari
  • Curator Daniel H Rey
    Curator Daniel H Rey

'We are wondering': Young artists ask the audience questions through Dubai exhibition


Alexandra Chaves
  • English
  • Arabic

“How does one navigate through the unknown?”

“Why do we have gaps in our memories?”

“How are you making a difference in the world?”

These are questions posed by artists to their audiences in WAW, short for “we are wondering”, a debut group exhibition of six artists living in the UAE.

As the title suggests, wondering is a theme throughout the show, most noticeably with the labels next to each work that spell out the artists’ questions. But there’s also wondering as a “collective exercise”, as curator Daniel H Rey puts it. It's an activity shared by us all, he says, not just for amusement, but as a gateway to critical thinking.

“These visceral questions, entirely generated by the artists, invite the audience to reflect on this past year and revisit their intentions as 2021 unfolds,” Rey says. He organised the exhibition at maisan15, a restaurant and art space in Dubai, a little over a month after meeting its founder Rami Farook.

Influenced by his recent projects, including his participation in Jameel Arts Centre’s Youth Takeover in October last year, Rey sought to bring together young artists whose works have not been shown widely to the public before. He calls the concept #YouthCuratingYouth, and WAW also marks his curatorial debut in the UAE.

“We are young artists with young spaces in a young country, this 'triple youth' is a powerful engine to catapult artistic careers from the Global South,” he says.

Curator Daniel H Rey hopes to showcase young talent in the UAE
Curator Daniel H Rey hopes to showcase young talent in the UAE

Rey, 22, says the artists he has chosen are among those he met through previous projects, such as 101's exhibition at Alserkal Avenue, where he handled the platform's communication channels, as well as through social media. He describes them as "university students, freelancers and recent high school graduates who, from their homes, high-school classes and university studios, are generating nuanced works and proposing new forms, concepts and, above all, questions".

Here, we take a look at the artists participating in the show.

Ziad Al Najjar, 19

The Emirati-American artist works in painting and sculpture, creating works that contemplate space and abstraction. Drawing from his surroundings, including domestic interiors, Ziad Al Najjar experiments with forms, colours and patterns, fusing autobiographical elements into his creations.

He is a student at School of the Art Institute of Chicago, and is slated to graduate in 2023. Last year, Al Najjar, along with his brother and a friend, set up the artist studio nine-01, where he plans to host an exhibition later this year. He is also participating in this year's Sikka Art Fair.

Ziad Al Najjar in his studio space. Reem Mohammed / The National
Ziad Al Najjar in his studio space. Reem Mohammed / The National

His painting on view at WAW is titled Labyrinth, and is an oil pastel containing curving, and at times anthropomorphised, botanical forms.

Speaking of his work, the artist says: "I explore ways of representing and understanding the physical environment and the association of a space to interpersonal experience … My exploration of spaces and objects is a reflection of my interpersonal relationships; as a result, the absence of figural representation allows for a component to take on the role of people, the objects are personified and become the figures that occupy a space."

His question for audiences is: “How does one navigate through the unknown?”

Lily Wallis, 18

The youngest in the group, Lily Wallis is an American artist born and raised in Dubai. Her digital collages come from what she explains as her "relationship with nature and experiences with youth".

“Digital collage is the medium that most speaks to me in my practice as it allows me to fully manipulate and express my ideas creatively,” she said. “I have been involved in this practice for the past two years, but I still recognise that I have so much to learn in the digital art realm. My practice is ongoing and I hope to always have art be a filter through which I feel empowered and can use as a tool to perceive the world.”

Though the themes and elements in Wallis's work vary, they are tied together by Wallis's absurdist style. In one work, for example, she creates a floral centrepiece with metallic bugs, petals and eyes. In another, an octopus tentacle passes over a mushroom as two hands bearing scissors prepares to snip it.

Each of Wallis's four works in the show ask a different question. The floral work asks: "What was the silver lining of 2020?" Another asks: "What are you cutting out of your life in 2021?".

This year, Wallis will begin her university studies at Bryn Mawr College in the US.

Maryam AlHuraiz, 22

Creating collages with string and personal photographs, Maryam Al Huraiz explores memory and childhood in her series Infantile Amnesia. In other pieces, a child's smiling face has been effaced by black ink, suggesting a lingering darkness over the memories. Through the works, Al Huraiz asks audiences: "Why do we have gaps in our memories?".

A mixed media artist, Al Huraiz studies visual art at NYU Abu Dhabi, where she is completing her final project before graduation in May. The work will eventually be shown at the university's art centre. Currently, she is also in a mentorship programme at Warehouse421 and preparing to exhibit photographs of Abu Dhabi's Mina Zayed, with the support of Gulf Photo Plus, at the end of the month.

Al Huraiz, who is showing her work for the first time, says: "As an emerging artist, the art scene feels very intimidating to put yourself out there in the community."

She says that artists like herself "should have a community and platform where they can comfortably work and be recognised".

Zeid Jaouni, 20

Palestinian designer Zeid Jaouni splits his time between living in Dubai and New York City. A student at Parsons School of Design, Jaouni creates graphic work that emphasises bold and striking elements. During restrictions on movement , he embarked on a project, 100 Days of Design, for which he created 100 posters in 100 days. Four are part of WAW. The posters are mostly abstract, with rippling neon and hallucinogenic forms.

One of the questions posed in his works is: “What is moving you?”.

Jaouni says his cultural background inspires his practice. He describes his interest in design and how it can be used to convey meaning to broad audiences, saying: "I am a design student … majoring in communication design, which revolves around the idea of speaking and communicating to the world through design. It could be done with graphic design, web design, branding, and more … Not only do I have an interest in this field of design, I am also into mixed media art. Ever since I was younger, I would always love to paint, sculpt, draw and build objects for my enjoyment, and I am glad to say that these interests grew into something much bigger."

Mariam Alkatheeri, 21

In an industrial area, a man is mid-jump inside what appears to be a tunnel ring. His carefree demeanour and lightness juxtaposes the heaviness of the materials around him. The photograph, shown in WAW, was captured by Emirati artist Mariam Alkatheeri. Her question for the audience is simple: "What feeling do you get from this artwork?"

'Creativity Revolution' by Mariam Alkatheeri. All images courtesy of the artists
'Creativity Revolution' by Mariam Alkatheeri. All images courtesy of the artists

Titled Creativity Revolution, the photograph is part of Alkatheeri's first photo shoot after restrictions on movement last year were lifted. "It really identified what I was feeling after being locked down for more than a month," wrote in a statement. Her photography borrows from "expression editorials", and she seeks to "capture the beauty of every individual person" in her work.

Alkatheeri has been working on her independent project Mariam Folder, which is mainly made up of portraits, for the past two years.

Lubnah Ansari, 22

Indian artist Lubnah Ansari specialises in photography and film, and has shown her work in Abu Dhabi, Hong Kong, Jaipur and Los Angeles. Her video collage series in WAW exemplifies her experimental style as it features several floating busts of the artist, face pressed against glass, wearing an expression of discomfort. "When did you last feel stuck?" the artist asks visitors.

In another work from the series, the upper half of an individual's head has been sliced off as fermented milk, known in the region as laban, is poured into it.

Ansari studies at NYU Abu Dhabi and is currently curating an exhibition on the cultural links between South Asia and the UAE. She is also a social advocate, founding the Udaan Pads Project for the Udaan Foundation in Jaipur. The project distributes sustainable menstrual hygiene products in rural parts of India.

WAW is at maisan15 until Sunday, January 31

North Pole stats

Distance covered: 160km

Temperature: -40°C

Weight of equipment: 45kg

Altitude (metres above sea level): 0

Terrain: Ice rock

South Pole stats

Distance covered: 130km

Temperature: -50°C

Weight of equipment: 50kg

Altitude (metres above sea level): 3,300

Terrain: Flat ice
 

Indoor cricket in a nutshell

Indoor cricket in a nutshell
Indoor Cricket World Cup - Sept 16-20, Insportz, Dubai

16 Indoor cricket matches are 16 overs per side
8 There are eight players per team
9 There have been nine Indoor Cricket World Cups for men. Australia have won every one.
5 Five runs are deducted from the score when a wickets falls
4 Batsmen bat in pairs, facing four overs per partnership

Scoring In indoor cricket, runs are scored by way of both physical and bonus runs. Physical runs are scored by both batsmen completing a run from one crease to the other. Bonus runs are scored when the ball hits a net in different zones, but only when at least one physical run is score.

Zones

A Front net, behind the striker and wicketkeeper: 0 runs
B Side nets, between the striker and halfway down the pitch: 1 run
C Side nets between halfway and the bowlers end: 2 runs
D Back net: 4 runs on the bounce, 6 runs on the full

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

Packages which the US Secret Service said contained possible explosive devices were sent to:

  • Former first lady Hillary Clinton
  • Former US president Barack Obama
  • Philanthropist and businessman George Soros
  • Former CIA director John Brennan at CNN's New York bureau
  • Former Attorney General Eric Holder (delivered to former DNC chair Debbie Wasserman Schultz)
  • California Congresswoman Maxine Waters (two devices)
FFP EXPLAINED

What is Financial Fair Play?
Introduced in 2011 by Uefa, European football’s governing body, it demands that clubs live within their means. Chiefly, spend within their income and not make substantial losses.

What the rules dictate? 
The second phase of its implementation limits losses to €30 million (Dh136m) over three seasons. Extra expenditure is permitted for investment in sustainable areas (youth academies, stadium development, etc). Money provided by owners is not viewed as income. Revenue from “related parties” to those owners is assessed by Uefa's “financial control body” to be sure it is a fair value, or in line with market prices.

What are the penalties? 
There are a number of punishments, including fines, a loss of prize money or having to reduce squad size for European competition – as happened to PSG in 2014. There is even the threat of a competition ban, which could in theory lead to PSG’s suspension from the Uefa Champions League.

While you're here
AWARDS
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