![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/4FGOSM27XI64DO7LE7QRIE3FX4.jpg?smart=true&auth=c9131086f9c47021459a5c410d7ae9c1390e2c9144c0b39efa0874ab366738bb&width=400&height=225)
‘Yaffa’, 1979, by Sliman Mansour shows bountiful trees, typical of Palestinian paintings in the 1970s. The woman in embroidery represents the motherland. Courtesy Sliman Mansour and Yvette and Mazen Qupty Collection
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A still from Larissa Sansour’s ‘Nation State’ video, which depicts a solution for Palestine that condenses it into a high-rise theme park. Iwan Baan / The Palestinian Museum
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Exhibition curator Tina Sherwell. Courtesy Tina Sherwell
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Samira Badran’s 1978 artwork ‘Jerusalem’. Courtesy Samira Badran
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A still from Larissa Sansour’s 29-minute video installation ‘In the Future, They Ate from the Finest Porcelain’, 2015. Courtesy Larissa Sansour
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/4FGOSM27XI64DO7LE7QRIE3FX4.jpg?smart=true&auth=c9131086f9c47021459a5c410d7ae9c1390e2c9144c0b39efa0874ab366738bb&width=400&height=225)
‘Yaffa’, 1979, by Sliman Mansour shows bountiful trees, typical of Palestinian paintings in the 1970s. The woman in embroidery represents the motherland. Courtesy Sliman Mansour and Yvette and Mazen Qupty Collection
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/MMVK6TDRY33O2XIU54677BWL5A.jpg?smart=true&auth=1290d1260a1d97fdfb2b515d377ae52d67ddef4068abd0b7428f8bd923a003b2&width=400&height=225)
A still from Larissa Sansour’s ‘Nation State’ video, which depicts a solution for Palestine that condenses it into a high-rise theme park. Iwan Baan / The Palestinian Museum
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/AUVVZEAO4EYK635UEXUL72SHUY.jpg?smart=true&auth=2a8bc9b95ec18cf4c6feb55d9b80096d8444d7f83028f589c10d041f36384058&width=400&height=225)
Exhibition curator Tina Sherwell. Courtesy Tina Sherwell
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/VPF4XJK4X455C4M5WLPSQAKRSQ.jpg?smart=true&auth=25cbd014e936fb7c333df1eb50e71d4472feeac43eadaa5bbc9f2e594951f23c&width=400&height=225)
Samira Badran’s 1978 artwork ‘Jerusalem’. Courtesy Samira Badran
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/FYBOW4Y2NIKFWXFI3VJHG5P4DE.jpg?smart=true&auth=e0490a86f3ac95086fe55dcb9555b81a72cc5422837b61297b0df8aa3a581190&width=400&height=225)
A still from Larissa Sansour’s 29-minute video installation ‘In the Future, They Ate from the Finest Porcelain’, 2015. Courtesy Larissa Sansour
![](https://thenational-the-national-prod.cdn.arcpublishing.com/resizer/v2/4FGOSM27XI64DO7LE7QRIE3FX4.jpg?smart=true&auth=c9131086f9c47021459a5c410d7ae9c1390e2c9144c0b39efa0874ab366738bb&width=400&height=225)
‘Yaffa’, 1979, by Sliman Mansour shows bountiful trees, typical of Palestinian paintings in the 1970s. The woman in embroidery represents the motherland. Courtesy Sliman Mansour and Yvette and Mazen Qupty Collection
Intimate Terrains: the exhibition that spans nearly nine decades of Palestinian art
The exhibition represents Palestinian artists from Gaza, the occupied West Bank, Jerusalem, also Israel and many from the diaspora who are unable to visit Palestine
William Parry
18 August, 2019
- Listen In English
- Listen In Arabic