The National photographer Silvia Razgova was given just 60 frames available with her Polaroid.
The National photographer Silvia Razgova was given just 60 frames available with her Polaroid.
The National photographer Silvia Razgova was given just 60 frames available with her Polaroid.
The National photographer Silvia Razgova was given just 60 frames available with her Polaroid.

Instant UAE: Artistic freedom armed only with an old Polaroid


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When I was handed a refurbished Polaroid camera from the 1980s and told to go play tourist, I smelled adventure.

Photojournalists work within tight guidelines compared to most professional photographers, so it's great to be given some creative freedom.

The handicap of having to work with a far more basic camera than usual was offset by the licence to roam and to shoot in a non-assignment, non-literal way. I had a total of 60 frames available (three packages of Polaroid film) and, contrary to my initial assumption, the limitation of the number of frames provided was quite freeing.

As my perception of the value of each frame and each opportunity increased, my process changed. I slowed down and became selective about pressing the shutter.

That gave me the time not only to see but also to hear and smell everything around me, which is not only freeing but also educational. Making a good image means recording more than visual facts.

Walking around with a rather retro camera hanging around my neck, I found my curiosity better tolerated. Folks seemed to trust me more, because how much "damage" can one do with a Polaroid camera? Besides, the proof popped right out of the camera. "Oh, how cool. Can I keep it?"

Trust became palpable and the pictures an object.

The subjects' experience was enhanced. Digital files don't evoke that feeling.

See the results:

'Worse than a prison sentence'

Marie Byrne, a counsellor who volunteers at the UAE government's mental health crisis helpline, said the ordeal the crew had been through would take time to overcome.

“It was worse than a prison sentence, where at least someone can deal with a set amount of time incarcerated," she said.

“They were living in perpetual mystery as to how their futures would pan out, and what that would be.

“Because of coronavirus, the world is very different now to the one they left, that will also have an impact.

“It will not fully register until they are on dry land. Some have not seen their young children grow up while others will have to rebuild relationships.

“It will be a challenge mentally, and to find other work to support their families as they have been out of circulation for so long. Hopefully they will get the care they need when they get home.”

Explainer: Tanween Design Programme

Non-profit arts studio Tashkeel launched this annual initiative with the intention of supporting budding designers in the UAE. This year, three talents were chosen from hundreds of applicants to be a part of the sixth creative development programme. These are architect Abdulla Al Mulla, interior designer Lana El Samman and graphic designer Yara Habib.

The trio have been guided by experts from the industry over the course of nine months, as they developed their own products that merge their unique styles with traditional elements of Emirati design. This includes laboratory sessions, experimental and collaborative practice, investigation of new business models and evaluation.

It is led by British contemporary design project specialist Helen Voce and mentor Kevin Badni, and offers participants access to experts from across the world, including the likes of UK designer Gareth Neal and multidisciplinary designer and entrepreneur, Sheikh Salem Al Qassimi.

The final pieces are being revealed in a worldwide limited-edition release on the first day of Downtown Designs at Dubai Design Week 2019. Tashkeel will be at stand E31 at the exhibition.

Lisa Ball-Lechgar, deputy director of Tashkeel, said: “The diversity and calibre of the applicants this year … is reflective of the dynamic change that the UAE art and design industry is witnessing, with young creators resolute in making their bold design ideas a reality.”

Classification of skills

A worker is categorised as skilled by the MOHRE based on nine levels given in the International Standard Classification of Occupations (ISCO) issued by the International Labour Organisation. 

A skilled worker would be someone at a professional level (levels 1 – 5) which includes managers, professionals, technicians and associate professionals, clerical support workers, and service and sales workers.

The worker must also have an attested educational certificate higher than secondary or an equivalent certification, and earn a monthly salary of at least Dh4,000. 

Sheer grandeur

The Owo building is 14 storeys high, seven of which are below ground, with the 30,000 square feet of amenities located subterranean, including a 16-seat private cinema, seven lounges, a gym, games room, treatment suites and bicycle storage.

A clear distinction between the residences and the Raffles hotel with the amenities operated separately.

The National's picks

4.35pm: Tilal Al Khalediah
5.10pm: Continous
5.45pm: Raging Torrent
6.20pm: West Acre
7pm: Flood Zone
7.40pm: Straight No Chaser
8.15pm: Romantic Warrior
8.50pm: Calandogan
9.30pm: Forever Young

Scorline

Iraq 1-0 UAE

Iraq Hussein 28’

Stormy seas

Weather warnings show that Storm Eunice is soon to make landfall. The videographer and I are scrambling to return to the other side of the Channel before it does. As we race to the port of Calais, I see miles of wire fencing topped with barbed wire all around it, a silent ‘Keep Out’ sign for those who, unlike us, aren’t lucky enough to have the right to move freely and safely across borders.

We set sail on a giant ferry whose length dwarfs the dinghies migrants use by nearly a 100 times. Despite the windy rain lashing at the portholes, we arrive safely in Dover; grateful but acutely aware of the miserable conditions the people we’ve left behind are in and of the privilege of choice.