• Men watch a film at the Cinema Park in October 2002 in Kabul, Afghanistan. Tickets cost around 10 US cents. Getty Images
    Men watch a film at the Cinema Park in October 2002 in Kabul, Afghanistan. Tickets cost around 10 US cents. Getty Images
  • Cinemagoers shove their money through a small window to buy tickets for a film at Cinema Park in 2002 in Kabul, Afghanistan. Getty Images
    Cinemagoers shove their money through a small window to buy tickets for a film at Cinema Park in 2002 in Kabul, Afghanistan. Getty Images
  • A boy stands next to a Bollywood poster, as he waits for a film to start Cinema Park in 2002 in Kabul, Afghanistan. Getty Images
    A boy stands next to a Bollywood poster, as he waits for a film to start Cinema Park in 2002 in Kabul, Afghanistan. Getty Images
  • Men wait in line to buy tickets for a film at Cinema Park in 2002. Getty Images
    Men wait in line to buy tickets for a film at Cinema Park in 2002. Getty Images
  • A boy watches a film alongside his father at Cinema Park in 2002. Getty Images
    A boy watches a film alongside his father at Cinema Park in 2002. Getty Images
  • The projectionist changes the film reel at Cinema Park in 2002. Getty Images
    The projectionist changes the film reel at Cinema Park in 2002. Getty Images
  • Men look at film posters outside the Cinema Park in 2005. AFP
    Men look at film posters outside the Cinema Park in 2005. AFP
  • People gather outside Cinema Park in October 2011. Getty Images
    People gather outside Cinema Park in October 2011. Getty Images
  • The projection operator stands by the old-fashioned machines in Cinema Park in October 2011. Getty Images
    The projection operator stands by the old-fashioned machines in Cinema Park in October 2011. Getty Images
  • Bollywood posters are displayed on a wall at Cinema Park in May 2012. AFP
    Bollywood posters are displayed on a wall at Cinema Park in May 2012. AFP
  • Cinema operator Rassoul changes a film roll as he shows a Bollywood movie at Cinema Park in May 2012. AFP
    Cinema operator Rassoul changes a film roll as he shows a Bollywood movie at Cinema Park in May 2012. AFP
  • Cinema operator Rassoul winds a roll of film as he shows a Bollywood movie at Cinema Park in May 2012. AFP
    Cinema operator Rassoul winds a roll of film as he shows a Bollywood movie at Cinema Park in May 2012. AFP
  • A man sits on a motorbike outside Cinema Park in May 2012. AFP
    A man sits on a motorbike outside Cinema Park in May 2012. AFP
  • Cinema Park being demolished on November 10, 2020. The demolition of the historic cinema has triggered sharp criticism. Filmmakers were outraged by the decision of the city council. Getty Images
    Cinema Park being demolished on November 10, 2020. The demolition of the historic cinema has triggered sharp criticism. Filmmakers were outraged by the decision of the city council. Getty Images
  • Actor and film producer Salim Schahin stands in front of Cinema Park as it is demolished on November 10, 2020. Getty Images
    Actor and film producer Salim Schahin stands in front of Cinema Park as it is demolished on November 10, 2020. Getty Images

Cinema Park: Filmmakers mourn as 70-year-old Afghan cinema is demolished


Alexandra Chaves
  • English
  • Arabic

“I cried today over the death of a loved one,” writes Afghan filmmaker Sahraa Karimi on Twitter. The “loved one” she refers to is Cinema Park, a 70-year-old cinema in Kabul that was demolished by Afghan authorities to make way for a new development this month.

"I am a film director; every movie theatre is my home," Karimi's statement continues. "The house in front of my eyes was destroyed and I just cried. I apologise to all the filmmakers, the citizens of Kabul, the people of Kabul. I could not stop the destruction of Cinema Park."

A video of Karimi weeping outside the ruins of Cinema Park has been making rounds on social media since early November, when the filmmaker protested inside the building in an attempt to stop it from being razed.

Karimi was among a number of film directors, artists and activists speaking out against Cinema Park's demolition, citing it as a significant landmark in Afghanistan's cultural history. Filmmakers such as Salim Shaheen and Mohammed Nabi Atai have also expressed their disapproval of the decision, with Atai stating that the building should be considered a historical site.

On social media, users shared the same sentiment with a corresponding trending hashtag, “#Don’t_destroy_cinema_park”.

In its golden age between the 1960s and 1970s – when Afghanistan was making great leaps towards modernisation and liberalisation – the cinema played Hollywood, Bollywood and Afghan films to audiences of both men and women. Built in the 1950s, it managed to survive the invasion of the Soviets in 1979, but underwent significant damage during the consequent Afghan Civil War and was eventually shut down during Taliban rule.

Despite reopening after the fall of the Taliban in 2001, Cinema Park failed to secure any investment. The building, still scarred by bullets and bomb attacks, further decayed from neglect, even though it continued to show up to four films per week. In its last week, the cinema hall had about eight employees. Authorities, however, saw the venue as a shelter for drug addicts and continued to call for its destruction.

People gather outside Cinema Park in October 2011 in Kabul, Afghanistan. Kaveh Kazemi / Getty Images
People gather outside Cinema Park in October 2011 in Kabul, Afghanistan. Kaveh Kazemi / Getty Images

First, Vice President Amrullah Saleh ordered the demolition that was carried out by Kabul Municipality on November 9. The following day, Saleh addressed critics in a tweet, asking them to support the government's new plans for the area.

"I am impressed with the amount of love and attachment some show to cinema and the art of film. I invite them to make intellectual and other type of contributions to the architectural concept that we are developing to replace the demolished one," Saleh wrote, adding the cinema hall was a "broken building" from the 1960s that was "of no use".

However, activists have questioned the decision to tear down Cinema Park rather than preserve its history. Afghan politician and parliament speaker Mir Rahman Rahmani said in a statement, as reported by local news channel TOLOnews: "Destruction of homes, the destruction of Cinema Park and booths is carried out under the guise of bringing reforms."

This month, TOLOnews obtained a copy of a contract revealing that companies had been bidding to erect businesses in Shahr-e Naw Park, where Cinema Park is located, which contradicts statements by Kabul Municipality that it had received no project proposals for the site.

The document, dated 10 months ago, shows the government was offered $38 million to lease the park for 40 years, with plans to transform it into a venue with restaurants, markets and an entertainment centre. The money would be split among the Ministry of Finance and Kabul Municipality. The former claimed to be unaware of the report.

Name: Peter Dicce

Title: Assistant dean of students and director of athletics

Favourite sport: soccer

Favourite team: Bayern Munich

Favourite player: Franz Beckenbauer

Favourite activity in Abu Dhabi: scuba diving in the Northern Emirates 

 

Living in...

This article is part of a guide on where to live in the UAE. Our reporters will profile some of the country’s most desirable districts, provide an estimate of rental prices and introduce you to some of the residents who call each area home.

Our Time Has Come
Alyssa Ayres, Oxford University Press

RIVER%20SPIRIT
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MWTC info

Tickets to the MWTC range from Dh100 and can be purchased from www.ticketmaster.ae or by calling 800 86 823 from within the UAE or 971 4 366 2289 from outside the country and all Virgin Megastores. Fans looking to attend all three days of the MWTC can avail of a special 20 percent discount on ticket prices.

Key developments

All times UTC 4

My Cat Yugoslavia by Pajtim Statovci
Pushkin Press

Key findings of Jenkins report
  • Founder of the Muslim Brotherhood, Hassan al Banna, "accepted the political utility of violence"
  • Views of key Muslim Brotherhood ideologue, Sayyid Qutb, have “consistently been understood” as permitting “the use of extreme violence in the pursuit of the perfect Islamic society” and “never been institutionally disowned” by the movement.
  • Muslim Brotherhood at all levels has repeatedly defended Hamas attacks against Israel, including the use of suicide bombers and the killing of civilians.
  • Laying out the report in the House of Commons, David Cameron told MPs: "The main findings of the review support the conclusion that membership of, association with, or influence by the Muslim Brotherhood should be considered as a possible indicator of extremism."
The winners

Fiction

  • ‘Amreekiya’  by Lena Mahmoud
  •  ‘As Good As True’ by Cheryl Reid

The Evelyn Shakir Non-Fiction Award

  • ‘Syrian and Lebanese Patricios in Sao Paulo’ by Oswaldo Truzzi;  translated by Ramon J Stern
  • ‘The Sound of Listening’ by Philip Metres

The George Ellenbogen Poetry Award

  • ‘Footnotes in the Order  of Disappearance’ by Fady Joudah

Children/Young Adult

  •  ‘I’ve Loved You Since Forever’ by Hoda Kotb 

Mercer, the investment consulting arm of US services company Marsh & McLennan, expects its wealth division to at least double its assets under management (AUM) in the Middle East as wealth in the region continues to grow despite economic headwinds, a company official said.

Mercer Wealth, which globally has $160 billion in AUM, plans to boost its AUM in the region to $2-$3bn in the next 2-3 years from the present $1bn, said Yasir AbuShaban, a Dubai-based principal with Mercer Wealth.

Within the next two to three years, we are looking at reaching $2 to $3 billion as a conservative estimate and we do see an opportunity to do so,” said Mr AbuShaban.

Mercer does not directly make investments, but allocates clients’ money they have discretion to, to professional asset managers. They also provide advice to clients.

“We have buying power. We can negotiate on their (client’s) behalf with asset managers to provide them lower fees than they otherwise would have to get on their own,” he added.

Mercer Wealth’s clients include sovereign wealth funds, family offices, and insurance companies among others.

From its office in Dubai, Mercer also looks after Africa, India and Turkey, where they also see opportunity for growth.

Wealth creation in Middle East and Africa (MEA) grew 8.5 per cent to $8.1 trillion last year from $7.5tn in 2015, higher than last year’s global average of 6 per cent and the second-highest growth in a region after Asia-Pacific which grew 9.9 per cent, according to consultancy Boston Consulting Group (BCG). In the region, where wealth grew just 1.9 per cent in 2015 compared with 2014, a pickup in oil prices has helped in wealth generation.

BCG is forecasting MEA wealth will rise to $12tn by 2021, growing at an annual average of 8 per cent.

Drivers of wealth generation in the region will be split evenly between new wealth creation and growth of performance of existing assets, according to BCG.

Another general trend in the region is clients’ looking for a comprehensive approach to investing, according to Mr AbuShaban.

“Institutional investors or some of the families are seeing a slowdown in the available capital they have to invest and in that sense they are looking at optimizing the way they manage their portfolios and making sure they are not investing haphazardly and different parts of their investment are working together,” said Mr AbuShaban.

Some clients also have a higher appetite for risk, given the low interest-rate environment that does not provide enough yield for some institutional investors. These clients are keen to invest in illiquid assets, such as private equity and infrastructure.

“What we have seen is a desire for higher returns in what has been a low-return environment specifically in various fixed income or bonds,” he said.

“In this environment, we have seen a de facto increase in the risk that clients are taking in things like illiquid investments, private equity investments, infrastructure and private debt, those kind of investments were higher illiquidity results in incrementally higher returns.”

The Abu Dhabi Investment Authority, one of the largest sovereign wealth funds, said in its 2016 report that has gradually increased its exposure in direct private equity and private credit transactions, mainly in Asian markets and especially in China and India. The authority’s private equity department focused on structured equities owing to “their defensive characteristics.”

Dhadak 2

Director: Shazia Iqbal

Starring: Siddhant Chaturvedi, Triptii Dimri 

Rating: 1/5

COMPANY%20PROFILE
%3Cp%3E%3Cstrong%3EName%3A%20%3C%2Fstrong%3EKinetic%207%3Cbr%3E%3Cstrong%3EStarted%3A%3C%2Fstrong%3E%202018%3Cbr%3E%3Cstrong%3EFounder%3A%3C%2Fstrong%3E%20Rick%20Parish%3Cbr%3E%3Cstrong%3EBased%3A%3C%2Fstrong%3E%20Abu%20Dhabi%2C%20UAE%3Cbr%3E%3Cstrong%3EIndustry%3A%3C%2Fstrong%3E%20Clean%20cooking%3Cbr%3E%3Cstrong%3EFunding%3A%3C%2Fstrong%3E%20%2410%20million%3Cbr%3E%3Cstrong%3EInvestors%3A%3C%2Fstrong%3E%20Self-funded%3C%2Fp%3E%0A
The National Archives, Abu Dhabi

Founded over 50 years ago, the National Archives collects valuable historical material relating to the UAE, and is the oldest and richest archive relating to the Arabian Gulf.

Much of the material can be viewed on line at the Arabian Gulf Digital Archive - https://www.agda.ae/en

Married Malala

Malala Yousafzai is enjoying married life, her father said.

The 24-year-old married Pakistan cricket executive Asser Malik last year in a small ceremony in the UK.

Ziauddin Yousafzai told The National his daughter was ‘very happy’ with her husband.

Hamilton’s 2017

Australia - 2nd; China - 1st; Bahrain - 2nd; Russia - 4th; Spain - 1st; Monaco - 7th; Canada - 1st; Azerbaijan - 5th; Austria - 4th; Britain - 1st; Hungary - 4th; Belgium - 1st; Italy - 1st; Singapore - 1st; Malaysia - 2nd; Japan - 1st; United States - 1st; Mexico - 9th

Results

Catchweight 60kg: Mohammed Al Katheeri (UAE) beat Mostafa El Hamy (EGY) TKO round 3

Light Heavyweight: Ibrahim El Sawi (EGY) no contest Kevin Oumar (COM) Unintentional knee by Oumer

Catchweight 73kg:  Yazid Chouchane (ALG) beat Ahmad Al Boussairy (KUW) Unanimous decision

Featherweight: Faris Khaleel Asha (JOR) beat Yousef Al Housani (UAE) TKO in round 2 through foot injury

Welterweight: Omar Hussein (JOR) beat Yassin Najid (MAR); Split decision

Middleweight: Yousri Belgaroui (TUN) beat Sallah Eddine Dekhissi (MAR); Round-1 TKO

Lightweight: Abdullah Mohammed Ali Musalim (UAE) beat Medhat Hussein (EGY); Triangle choke submission

Welterweight: Abdulla Al Bousheiri (KUW) beat Sofiane Oudina (ALG); Triangle choke Round-1

Lightweight: Mohammad Yahya (UAE) beat Saleem Al Bakri (JOR); Unanimous decision

Bantamweight: Ali Taleb (IRQ) beat Nawras Abzakh (JOR); TKO round-2

Catchweight 63kg: Rany Saadeh (PAL) beat Abdel Ali Hariri (MAR); Unanimous decision

Dhadak

Director: Shashank Khaitan

Starring: Janhvi Kapoor, Ishaan Khattar, Ashutosh Rana

Stars: 3

Dubai Bling season three

Cast: Loujain Adada, Zeina Khoury, Farhana Bodi, Ebraheem Al Samadi, Mona Kattan, and couples Safa & Fahad Siddiqui and DJ Bliss & Danya Mohammed 

Rating: 1/5

COMPANY%20PROFILE
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Key facilities
  • Olympic-size swimming pool with a split bulkhead for multi-use configurations, including water polo and 50m/25m training lanes
  • Premier League-standard football pitch
  • 400m Olympic running track
  • NBA-spec basketball court with auditorium
  • 600-seat auditorium
  • Spaces for historical and cultural exploration
  • An elevated football field that doubles as a helipad
  • Specialist robotics and science laboratories
  • AR and VR-enabled learning centres
  • Disruption Lab and Research Centre for developing entrepreneurial skills
Company%20profile
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